Artists Archive

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Anna Martine Whitehead

Anna Martine Whitehead does performance from the homelands of the Council of the Three Fires; the Odawa, Ojibwe, and Potawatomi Nations; as well as the Miami, Ho-Chunk, Sauk and Meskwaki; the Kiikaapoi, Peoria, and the Očeti Šakówiŋ (Sioux) Nations. Their solo and collaborative work has been presented by the Museum of Contemporary Art Chicago, IL; REDCAT, Los Angeles; Chicago Symphony Orchestra, IL; Museum of Modern Art, New York; San José Museum of Art, CA; Links Hall, Chicago; and Yerba Buena Center for the Arts, San Francisco. She has developed her craft working closely with Onye Ozuzu, Jefferson Pinder, taisha paggett, Every house has a door, Keith Hennessy, BodyCartography Project, Julien Prévieux, and the Prison + Neighborhood Arts/Education Project, among others. She has been recognized with awards and fellowships from the New England Foundation for the Arts, National Performance Network, Graham Foundation for Advanced Studies in the Fine Arts, MAP Fund, Dance/USA, PICA’S Creative Exchange Lab, Arts + Public Life at the University of Chicago, 3AP (3Arts Projects), Chicago Dancemakers Forum, Foundation for Contemporary Arts, Headlands Center for the Arts, and the Robert Rauschenberg Foundation. Whitehead has written about Blackness, queerness, and bodies in action for Art21 MagazineC MagazineFrieze, and Art Practical. They have also contributed chapters to a range of publications, including Queer Dance: Meanings and Makings (Oxford University Press, 2017), Organize Your Own: The Politics and Poetics of Self-Determination Movements (Sobsercove, 2016), and Platforms: Ten Years of Chances Dances (Gallery 400, 2016). Whitehead is the author of TREASURE | My Black Rupture (Thread Makes Blanket, 2016).



Anna Martine Whitehead Website

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Dorothée Munyaneza

Dorothée Munyaneza (Marseille, France) is a singer, writer and choreographer who spent her childhood in Rwanda. Her style of creating and performing on stage is directly inspired by what life has so intensely given her. Her artistic research draws from the diversity of her cultural heritage but more so by her appetite for encounters. In all her projects, the human dimension is especially of great importance. Her artistic curiosity and interest for a dialogue between music and other modes of expression blossomed through her participation in François Verret’s shows. In 2013, she created Compagnie Kadidi to start developing her own work, including “Samedi Détente,” her first work as a choreographer which has been presented 100 times touring all over Europe and in the USA.

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Dylan Mira

Dylan Mira is an artist moving between video and text, recording how language makes bodies within the limits of representation and the thickness of time. Her recent projects have been presented at Performa, Elizabeth Foundation for the Arts, Film Society of Lincoln Center, Artist Curated Projects, Los Angeles Nomadic Division, and Human Resources. She holds an MFA in New Genres from University of California Los Angeles and a BFA in Video from the School of the Art Institute of Chicago.

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Eugene Macki

Eugene Macki lives and works in London, UK. His practice occupies multiple territories from material to the immaterial. He is a recipient of several awards that include the Skowhegan School of Painting and Sculpture (Fellowship/Residency, USA), the Departure Foundation (Three Year Studio Bursary, UK), and Atelier Austmarka (Visual Arts Fellowship, Norway). His work has been exhibited at the Royal Academy of Arts, The Cello Factory with the London Group, NN Contemporary Art, Barbican Arts Group Trust, 2021 Visual Arts Centre, Surface Gallery, The Bomb Factory Art Foundation, New Art Projects, Wentworth Woodhouse, and Morgan Lovell among other places. Macki completed his Masters in Fine Art from Chelsea College of Arts, and Bachelor of Arts Degree in Contemporary Fine Art with Philosophy at Sheffield Hallam University, UK.

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Harun Morrison

Harun Morrison is an artist and writer based on the River Lea and Regent’s Canal. He is currently a UK associate at Delfina Foundation & Horniman Museum and Designer and Researcher in Residence at V&A Dundee. His forthcoming novel The Escape Artist will be published by Book Works in 2023. Since 2006, Harun has collaborated with Helen Walker as part of the collective practice They Are Here. He is a former trustee of the Black Cultural Archive (est. 1981).

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Jennie MaryTai Liu

Jennie MaryTai Liu is an artist working across performance, choreography, video, and writing. She has worked in institutions and artist-run spaces including the Los Angeles County Museum of Art, Human Resources, The Mistake Room, The Bushwick Starr, HERE Arts Center, Dance Theater Workshop, and Incubator Arts Center. She has been a resident artist at Headlands Center for the Arts, PICA, Bogliasco Foundation, Yaddo, EMPAC, and Brooklyn Arts Exchange, and has received grants from the Foundation for Contemporary Art Emergency Grant, MAP Fund, Jerome Foundation, and Center for Cultural Innovation. She co-founded and edited Riting, an experiment in writing that engages with performance being made now in LA. She is currently organizing a 2022 performance exhibition funded by the Mike Kelley Foundation engaging LA dance artists to respond to modern dance activity in early twentieth-century LA. Jennie frequently collaborates as a performer in the work of Big Dance Theater, Adam Linder, and Poor Dog Group.

https://www.jennieliu.com/

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Manuel Solano

Manuel Solano (Mexico City, 1987): Through painting, performance and video, Manuel Solano’s work references pop culture and personal memories to inform on Manuel’s own queer identity and bittersweet experiences. After becoming blind for life in 2014 as a result of an HIV-related infection, Manuel’s rebellious nature drove him to keep making art rather than giving up his past life. He has since shown at Museo Carrillo Gil, Zona MACO and Galería Karen Huber.

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Marcela Torres

Born in Salt Lake City, Utah, and residing in Chicago, Illinois. Torres mobilizes sound, sweat, and emotional projection to build sensorial performances. These experiences provide a portal into the sensoria of marginalized bodies and are designed to be ingested by viewers as physiological memories. Viewers are invited to share experiences of stress, fear, and celebration to simulate the heterogeneous embodiment of Queer POC, Latinx, and Indigenous people. Torres received a BA in Sculpture Intermedia and a BFA in Art History from the University of Utah, continuing their studies in MFA in Performance from School of the Art Institute Chicago. Torres has performed at the Bemis Center for Contemporary Arts (Omaha, NE), The Momentary (Bentonville, AK), Fringe Festival (Detroit, MI), Experimental Actions (Houston, TX), and Time-Based Art Festival (Portland, Oregon). Torres has exhibited work at Recess (Brooklyn, NY), Hyde Park Art Center (Chicago, IL) UW-Parkside University (Kenosha, WI), Tropical Contemporary (Eugene, OR), Petzel Gallery (NYC, NY).

marcelaetorres.com

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Marco Kane Braunschweiler

Marco Kane Braunschweiler (Los Angeles, CA) is a Swiss-American artist and publisher. He has presented programs at The Museum of Contemporary Art, Los Angeles; the Art Institute of Chicago; and White Flag Projects, St. Louis. He has exhibited at the Swiss Institute, New York; 356 Mission, Los Angeles; Human Resources, Los Angeles; the Institute of Contemporary Art, Philadelphia; and The Museum of Contemporary Art, Chicago; among others.

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Marcus Fischer

Marcus Fischer is an interdisciplinary artist and musician based in Portland, Oregon. A first-generation American artist who creates, collects, and transforms sound into immersive, layered compositions that accompany performances and exhibitions. Site-specific assemblages of exposed speakers, tape loops, and objects are characteristic of his installations, paired with melodies of restraint and tension. He has released numerous recordings—both solo and collaborative —on 12k, a label that has decisively defined and developed its own concept of minimalism in the realms of experimental and ambient music. Fischer contributed two sound works and two performances to the 2019 Whitney Biennial and has been selected for residencies at the Robert Rauschenberg Foundation, Rauschenberg Residency, the Bemis Center for Contemporary Art and MacDowell. In 2024 he was awarded The Ford Family Foundation’s Hallie Ford Fellowship in the Visual Arts  as well as the International Music & Composition Fellowship from the Montalvo Arts Center’s Sally and Don Lucas Artists Program

Fischer has performed and recorded as a solo artist, as a member of Wild Card and in collaborations with artists such as Taylor Deupree, Aki Onda, Ryuichi Sakamoto, Laura Ortman + Raven Chacon, Stephen Vitiello, Calexico and Simon Scott.

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Mariana Valencia
Mariana Valencia | Photo credit Ian Douglas

Mariana Valencia, (creator/performer) has held residencies at Chez Bushwick (2013), New York Live Arts Studio Series (2013-14), ISSUE Project Room (2015) and Brooklyn Arts Exchange (2016-18). Nationally, she has held residencies at Show Box LA and Pieter Pasd (2014) in Los Angeles; and was part of PICA’s 2018 Creative Exchange Lab. Valencia is a Foundation for Contemporary Arts Award to Artists grant recipient (2018), a Jerome Travel and Study Grant fellow (2014-15), a Yellow House Fund of the Tides Foundation grant recipient (2010-13) and a Movement Research GPS/Global Practice Sharing artist (2016/17). Her ethnographic research has taken her to Belize, Mexico and the Balkans and she has performed in works by Jules Gimbrone, Elizabeth Orr, Kate Brandt, AK Burns, Em Rooney, robbinschilds, Kim Brandt, Fia Backstrom and MPA. Valencia is a founding member of the No Total reading group and she has been the co-editor of Movement Research’s Critical Correspondence (2016-17). She holds a BA from Hampshire College in Amherst, MA (2006).

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mario lemafa

mario lemafa (b. 1990 / Hawai'i) is an artist and independent organizer based in Seattle, WA. their recent work includes presentations at the '19 Honolulu Biennial, SOIL Gallery, cogean?, and yəhaw̓ at King Street Station. 

“when i was a child my mother used to like a certain Suave shampoo, "Tropical Breeze" (i believe it was called). it reminded her of home. nothing in the shampoo bottle reflected her material relation to the islands. while she wore a scent to remember a place, others might wear the same one with the desire to some day go there. i still think about that.”

https://cargocollective.com/mariolemafa 

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Mark Mitchell (Seattle, WA) is an artist who speaks to social issues through sculpture. His contributions to the cultural community bridge a number of disciplines, including art, music, theater, fashion, activism, and education. Mark was recently artist-in-residence at The New Foundation Seattle where he continued to develop his new group of sculptures, Burial 2, concerning racism and mass incarceration.

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Math Bass

Math Bass (Los Angeles, CA) received her MFA from UCLA. Recent solo exhibitions have been presented at PS1 Contemporary Art Center, New York, NY (2015); and Overduin & Co., Los Angeles (2014). Exhibitions of Bass’s work have been presented by Cooper Union, New York, NY (2015); Tanya Leighton, Berlin, Germany (2015); The Hammer Museum, Los Angeles, CA (2014); White Flag Projects, Saint Louis, MO (2014); Andrew Kreps Gallery, New York, NY (2014); Galerie Nordenhake, Stockholm, Sweden (2014); and Silberkuppe, Berlin, Germany (2014).

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Maya Vivas

Maya Vivas is a multidisciplinary artist working in a variety of mediums, such as ceramic, performance, painting, and installation. Maya has exhibited work, spoken on panels, and hosted workshops throughout the United States, including venues and institutions such as The National Council on Education for the Ceramic Arts, Louisiana State University, and Yale. Vivas is also co-founder of Ori Gallery. Whose mission is to redefine "the white cube" through amplifying the voices of Queer and Trans Artists of color, community organizing and mobilization through the arts

www.mayavivas.com

Maya is a 2022/3 Golden Spot Residency awardee.

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Melanie Flood

Melanie Flood (b.1979, NY) is an artist living and working in Portland, OR. Her practice employs photography as a tool for examining how femininity is constructed, commodified, and performed.

Flood has exhibited at Adams and Ollman, Portland, OR; Friend of a Friend, Denver, CO; Schneider Museum of Art, Ashland, OR; ILY2, Portland, OR; Ruschwoman, Chicago, IL; and Ditch Projects, Springfield, OR. She has received support from the Oregon Arts Commission, The Ford Family Foundation, and Regional Arts and Culture Council. From 2008 to 2023, she directed Melanie Flood Projects, an artist-run exhibition space established in Brooklyn, NY. Flood holds a BFA in Photography from the School of Visual Arts, New York, NY and an MFA in Contemporary Art Practice from Portland State University, Portland, OR. Flood teaches photography in the Schnitzer School of Art + Art History + Design.

https://www.melanieflood.com/

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Michelle Boulé

Michelle Boulé is a NYC-based dance artist. Her work explores the intersections of traditional and contemporary healing practices with dance and aesthetic form, to create aesthetically enlivened experiences for the potential of what and who we are.

Boulé has received commissions and presentations from The Chocolate Factory, Danspace Project, Triple Canopy, Baryshnikov Arts Center, Summer Stages Dance @ICA Boston, River to River Festival, American Realness, The Met Breuer (with Okkyung Lee), and ISSUE Project Room. Recent awards include: Distinguished Legacy Award from the University of Illinois, New York Foundation for the Arts Choreography Fellowship, Boekelheide Creativity Award, Jerome Foundation Travel & Study Grant, and residencies from LMCC’s Extended Life Dance Development Program, MacDowell, Yaddo, Bemis Center, Movement Research, and Dance Ireland. She is a “Bessie” Award winning performer, having collaborated with Miguel Gutierrez (2001-16), Bebe Miller, John Jasperse, and Deborah Hay. She teaches internationally and maintains a healing practice.

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Mohammed Murshed

I was born and raised in Sana'a, Yemen; it's a country right below Saudi Arabia. While living with my parents and my little brother in my childhood, the neighborhood was lively and full of friends and neighbors. Unfortunately, many of them died because of the civil wars in Yemen and the Youth Revolution in 2011, especially the devastating civil war since 2015. I moved to the states in 2012 during the Arab Spring. Saw many of my closest friends killed in front of me before I left. I consider myself one of the lucky ones able to escape war before it was too late for my family and me. I graduated with a Bachelor of Art and Technology and now a Master's (MFA) degree at PNCA in Visual Studies 2020. The mediums I use are painting, textile, sculpture, video art, sound, programming for art, and video games. I am interested in challenging myself and in trying things that I haven't done before. I try to bring awareness to Yemen's issues and help unpack my Trauma layers in my art. Yemen, a third-world country with backward traditions with no fundamental human rights, has caused many people mental anguish. PTSD keeps me in chains, but within my process, I break one ring at a time from the strings of my Trauma.

My name is Mohammed Murshed, a Yemeni American Visual Artist that investigates colonialism, imperialism, sexism, and racism; I also incorporate/highlight the microaggressions and racism I experience as an immigrant. I try to capture my memories in Yemen. The didactic of war showed us that war doesn't discriminate. Often affected by conflict are women and children—sharing knowledge about Yemen and the humanitarian crisis with integrity. Using different mediums encouraged me to push my experience to a different level without being labeled a political activist. I use art as a tool to visualize my Trauma by creating art in various mediums to heal my PTSD from the mental wounds that I inherited due to war in Yemen.

Links:

Instagram: ​ ​www.instagram.com/mnmurshed/

YouTube: ​ ​www.youtube.com/user/mnmurshed

Website:​ ​www.mnmurshed.com

Apple music:​ ​https://music.apple.com/us/artist/mohammed-murshed/1495458761

Spotify :​ ​https://open.spotify.com/artist/6uLkAwU9sQ5SoICHJtGMug

Society6 : ​https://society6.com/mnmurshed

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Morgan Thorson

Morgan Thorson (Minneapolis, MN) is a dance-maker. Morgan’s recent work addresses how the body shapes time; and how time influences our perception and expression of the body in spaces where labor, coordination, identity, movement and image can flourish and decay as well as redefine our notion of dance, sexuality, belonging and life. Morgan has received support from The Maggie Allesee National Center for Choreography (2009, 2011 and 2015), and The National Dance Project (2008, 2012, and 2015). She is a United States Artist (2012), Guggenheim (2010), and McKnight (2002, 2009) Fellow and has received multiple Sage Awards for Outstanding Choreography. Currently, she is a Creative Campus Fellow at Wesleyan University.

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Moya Michael

Born in Johannesburg, South Africa, Moya trained in ballet under the direction of Dianne Sparks. She studied contemporary and African dance at the Tswhane University, and P.A.R.T.S. in Brussels. In 2003, she was nominated for a best dancer award at the “ITS” festival, and was awarded the Standard Bank Young Artist Award for dance at the National Arts Festival in Grahamstown, South Africa. In 2005, Moya became a member of the ROSAS Dance company. Moya has worked on commissions in India, China, Germany, South Africa, and Austria. Her latest work includes “Darling,” in collaboration with Igor Shyshko which premiered at Stuk Leuven, and “A_part” which premiered in Sommerszene Salzburg in 2015. She currently lives and works in Brussels, Belgium.

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Roza Moshtaghi

Roza Moshtaghi (Tehran/Iran) lives and works in Oslo. Her works are situated within the performing arts field as a choreographer and performer. Questions of how she, buildings, streets, nature, events, bodies, and objects in general react or adapt to structures have been crucial to most of her work. Roza holds an MA in choreography from Oslo National Academy of the Arts. She presents her works internationally and continues to develop projects with other artists, both as a collaborator and as a performer. Her most recent projects are Only Forever (2018), Flonch (2017), The Smell of Its Shirt (2016), Water Graffiti (2016).

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SHAWNÉ MICHAELAIN HOLLOWAY

SHAWNÉ MICHAELAIN HOLLOWAY is a new media artist and poet. Known for using sound, video, and performance, HOLLOWAY shapes the rhetorics of technology and sexuality into tools for exposing structures of power. She has spoken and exhibited work internationally in spaces like The New Museum (NYC), The Kitchen (NYC), Institute of Contemporary Arts (London), and the Museum of Contemporary Art Chicago. SHAWNÉ was a 20-21 Leslie-Lohman Museum of Art Queer Theatre & Performance Resident and is currently teaching across the New Arts Journalism and the Film Video New Media and Animation departments at the School of the Art Institute of Chicago.

www.shawnemichaelainholloway.com

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Tiona Nekkia McClodden

Tiona Nekkia McClodden is a visual artist, filmmaker, and curator whose practice explores and critiques issues at the intersections of race, gender, and sexuality. McClodden has exhibited and screened her work at many institutions and galleries, including the Institute of Contemporary Art, Philadelphia; The Museum of Modern Art; The Whitney Museum of American Art, New York; the Museum of Contemporary Art, Los Angeles; the Museum of Contemporary Art, Chicago; and more recently, Performance Space New York. The recipient of many awards and fellowships, she most recently awarded the 2018-2019 Keith Haring Fellowship in Art and Activism and won the 2017 Louis Comfort Tiffany Foundation Award. McClodden also curated the exhibitions A Recollection. + Predicated. featured within Julius Eastman: That Which Is Fundamental, presented in collaboration with Bowerbird in Philadelphia in 2017 and The Kitchen in New York earlier this year.

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