Artists Archive
E
Amy O’Neal and Ellie Sandstrom have danced together in other people’s productions and in O’Neal’s own choreographic work for 10 years. O’Neal is a performer, choreographer, dance educator, the creator of Amyo/tinyrage, and the co-director of locust (music/dance/video) with musician/composer Zeke Keeble.
Learn moreClaire L. Evans is a writer and artist working in Los Angeles. She blogs at Universe, which addresses the synchronicities between art, science, technology, and the cultural world. Her “day job” is as the singer and co-author of the conceptual, multimedia, disco-pop band YACHT. Evans has performed her earnestly cosmic PowerPoint presentations at The Kitchen and MoMA PS1, and has co-authored NA/SA: New Art Science Affinities, a collaboratively written compendium on inter-disciplinarity in the arts.
Learn moreDavid Eckard is an artist, educator, and performer based in Portland, Oregon. His practice as a visual artist includes fabricated objects, drawings and prints, installations and performances. Through these varied approaches and diverse presentational strategies, Eckard fabricates residual, fictive artifacts, creates biomorphic, sexualized schematics, assembles arrested moments and orchestrates transient theatrics and temporary monuments for incidental audiences in civic spaces. Futility, authority, theatricality and persona enter into his creative explorations as notions to investigate, critique, utilize and exploit. Solo shows include Kim Foster Galley, New York; Fassbender Gallery, Chicago; Consolidated Works, Seattle; and Elizabeth Leach Gallery, Portland. He has performed at PICA’s TBA Festival in 2004, 2006, and 2011, and for Northwest New Works at On The Boards, Seattle, in 2005. Eckard was awarded the Bonnie Bronson Fellowship for 2010, was one of the inaugural recipients of the Hallie Ford Fellowship in Visual Arts for 2010, and was a Juror’s Award recipient at the 2006 Oregon Biennial. Selected Press David Eckard's Liveries (summer stock) at Mark Woolley Gallery, Jeff Jahn, PORT, July 28, 2007.
Learn moreEast Rodeo has recently become popular in the European experimental sound scene under the leadership of the Sinkauz brothers—Alen and Nenad—who were born in Pula and formed the band while studying musicology in Italy. Since the release of their third album, Morning Cluster, they have been noticed by important critics, and have gained the affections of their audiences. At the same time, the brothers Sinkauz also work in the theater, but all too rarely.
Learn moreEd Purver, a Brooklyn-based artist who integrates digital media into public spaces, has recently created artworks for the Liverpool Biennial (UK), Seoul Institute of the Arts (South Korea), and the Manhattan Bridge.
Learn moreCulp is an associate professor in the Communications Department at Universidad Iberoamericana, and he is currently working through his PhD thesis in art history at the UNAM. He is also one of the organizer-curators of Re-positionings: Contemporary Performing Arts Forum in Mexico City. He was the assistant curator at the Mexican Pavilion of the 54th Venice Biennale and is one of the founding partners of Conejoblanco Galería de Libros. His publications include film criticism articles in Nexos (Mexico) and as part of the book Cine Mexico 1970-2011 (Gran NumeronceProducciones, Mexico).
Learn moreBorn and raised in Japan and a resident of New York since 1976, Eiko Otake is a movement-based, interdisciplinary artist. After working for more than forty years as Eiko & Koma, she began performing her own solo project A Body in Places in 2014. In 2017 she launched a multi-year Duet Project that she directs and performs with a diverse range of artists.
After studying with Kazuo Ohno and Tatsumi Hijikata in Japan and Manja Chmiel in Germany, Eiko and Koma relocated to America and went on to create 46 interdisciplinary performance works, two career exhibitions, and numerous media works. Their durational performance living installations were commissioned by the Whitney Museum, the Walker Art Center, and MoMA. Their Retrospective Project (2009 to 2012) culminated in a comprehensive monograph, Time is Not Even, Space is Not Empty, published by the Walker Art Center. Eiko & Koma were honored with the first United States Artists Fellowship (2006) and Doris Duke Artist Awards (2012). Among many other awards and honors, they were the first collaborative pair to share a MacArthur Fellowship (1996) and the first Asian choreographers to receive the Samuel H. Scripps American Dance Festival Award (2004) and the Dance Magazine Award (2006).
Eiko’s solo project began with a twelve-hour performance at the Philadelphia Amtrak station. Since then, Eiko has performed variations of the project at over forty sites. In 2016, Eiko was the subject of the 10th annual Danspace Platform, a month-long curated program that brought her a special Bessie citation, an Art Matters grant, and the Anonymous Was a Woman Award. In November, co-presented by Performa 2017 and Met Live Arts, Eiko occupied on each of three Sundays the three Metropolitan Museum of Art sites: For each of these daylong durational installations, Eiko created and performed in conjunction with hours-long video distillations of William Johnston’s photographs, “staining” the walls of each instillation with haunting images of herself dancing in ruined Fukushima.
Eiko teaches Delicious Movement in communities, colleges, and art schools. Using movement study as a means of inquiry along with readings and media studies, she also teaches interdisciplinary college courses about the atomic bombings and other environmental disasters. In 2016 Eiko was named Artist-in-Residence for its Dignity Project at the Cathedral of St. John the Divine in New York. During the 2017-2018 academic year, Eiko was a think tank fellow in Wesleyan’s College of the Environment.
Learn moreEileen Isagon Skyers has worked with contemporary art and nonprofit arts organizations including the Whitney Museum, David Zwirner, Rhizome, the New Museum, Frame Contemporary Art Finland, PICA, and the Digital Museum of Digital Art (DiMoDA). Her first book, Vanishing Acts, was published by LINK Editions (Brescia, Italy) in 2015, and her writing has been published in the New Museum Catalogue Trigger: Gender as a Tool and Weapon, NATASHA, Wreath, Glass Press of the Future, Web Safe 2k16, Printed Web, and New World UNLTD, among others. Her moving image work has been exhibited nationally and internationally in the U.S., U.K., France, Italy, the Netherlands, and Mexico. Skyers holds a BA in philosophy and a BFA in studio art from the University of South Florida (Tampa, FL) and an MA in critical studies from Pacific Northwest College of Art (Portland, OR).
Learn moreEisa Jocson is a contemporary choreographer and dancer from the Philippines. Trained as a visual artist, with a background in ballet, she won her first pole-dancing competition in Manila in 2010, and also started pole ‘tagging,’ and other public interventions in Manhattan and various cities. Under successive residencies in Belgium, Eisa developed an artistic praxis that probes the stereotype and context of the female pole dancer. Her Death of the Pole Dancer solo toured Berlin, Brussels, Zurich, Vienna and Ljubljana. Eisa then trained in ‘macho dancing,’ a popular night-club entertainment form, and premiered the solo Macho Dancer in spring 2013 which then toured 4 important European summer festivals: Impulstanz, Noorderzon, Tanz im August, and Theater Spektakel in Zurich where she won the Zürcher Kantonalbank Acknowledgement Prize.
Selected Press
"Macho Macho Woman: Interview with Eisa Jocson," ArtAsiaPacific, April 23, 2014
For greater context and a more in-depth exploration of Eisa Jocson and her work, click here to view a PDF of collected reviews, interviews, articles and links. A great resource for those who really want to dive into the Festival!
Learn moreElisa Harkins is a Native American (Cherokee/Muscogee) artist and composer based in Tulsa, Oklahoma. Her work is concerned with translation, language preservation, and Indigenous musicology. Harkins uses the Cherokee and Mvskoke languages, electronic music, sculpture, and the body as her tools. Harkins received a BA from Columbia College, Chicago, and an MFA from CalArts. She has since continued her education at the Skowhegan School of Painting and Sculpture. She has exhibited her work at Crystal Bridges, documenta 14, The Hammer Museum, The Heard Museum, and MoMA. Radio III / ᎦᏬᏂᏍᎩ ᏦᎢ is a dance performance with Hanako Hoshimi-Caines and Zoë Poluch that features music by Harkins. With support from PICA and Western Front, songs from the performance have been collected into a limited-edition double LP which can be found on Harkins’ Bandcamp. Harkins resides on the Muscogee (Creek) Reservation and is an enrolled member of the Muscogee (Creek) Nation.
Learn moreElisheba Johnson is a curator, public artist, and administrator. Johnson, who has a BFA from Cornish College of the Arts, was the owner of Faire Gallery Café, a multi-use art space that held art exhibitions, music shows, poetry readings, and creative gatherings. For six years, Johnson worked at the Seattle Office of Arts & Culture on capacity-building initiatives and racial equity in public art. Johnson is currently a member of the Americans for the Arts Emerging Leaders Network advisory council and has won four Americans for the Arts Public Art Year in Review Awards for her work. She currently co-manages Wa Na Wari, a Black art center in Seattle’s Central District that uses the arts to build community and resist displacement.
Learn moreLeCompte, a founding member of the Group, has directed all of the company’s works. Her honors and awards include a NEA Distinguished Artists Fellowship for Lifetime Achievement in American Theater, a MacArthur Fellowship, a Guggenheim Fellowship, a US Artists Fellowship and a Chevalier de l’Ordre des Arts et des Lettres from the French Ministry of Culture. Abbas has worked with The Wooster Group since 1999 as a technical director and sound engineer. He received a Drama Desk Nominee for the Group’s To You, The Birdie! (Phédre).
Learn moreEmily Johnson is an artist who makes body-based work. Originally from Alaska, she is currently based in Minneapolis. Since 1998 she has created work that considers the experience of sensing and seeing performance. Her dances function as installations, engaging audiences within and through a space and environment—interacting with a place's architecture, history, and role in community. Her work is currently supported by Creative Capital, Map Fund, a Joyce Award and The Doris Duke Residency to Build Demand for the Arts. Emily is a 2013 Institute for Advanced Study Fellow at the University of Minnesota, a 2012 Headlands Center for the Arts and MacDowell Artist in Residence, a Native Arts and Cultures Fellow (2011), a MANCC Choreographer Fellow (2009/2010/2012), a MAP Fund Grant recipient (2009/2010/2012/2013), and McKnight Fellow (2009). She received a 2012 New York Dance and Performance “Bessie” Award for Outstanding Performance for her work, The Thank-you Bar, at New York Live Arts. Her current work, Niicugni, is touring to Florida State University/MANCC/Seven Days of Opening Nights, Coil Festival/PS122/Baryshnikov Arts Center (NYC), Redfern Arts Center at Keene State (NH), Arizona State University, Tigertail (Miami), Northrop Auditorium (MN), PICA (Portland, OR) and Bunnell Street Gallery (AK).
Selected Press
"Shedding Light on the Last Frontier," Gia Kourlas, The New York Times, January 4, 2013.
"Emily Johnson in Conversation with Ain Gordon," Movement Research Critical Correspondance, January 9, 2013.
Call & Response: Spandex and Basketballs, Emily Johnson, Mental Contagion, July/August 2008.
Learn moreEmily Jones (she/they) is a dancer and choreographer based in Portland, OR. Emily’s choreography materializes from sensitivity and intuition, and they are curious about the tensions that exist between social power dynamics and unnamed personal needs. In recent years Emily has been collaborating with Hannah Krafcik. Their performances together are shaped by consent, emphasizing relationality over virtuosity. Emily and Hannah’s performances have included self-made components such as sound scores and video and audio descriptions — they seek to broaden accessibility through the use of multiple mediums. Emily and Hannah’s work has been presented at New Expressive Works (Portland, OR), Art Klub NOLA (New Orleans, LA), Pieter Performance Space (Los Angeles, CA), Performance Works NW, and Portland Institute for Contemporary Art (Portland, OR). Emily has also performed in others’ works in Portland and the Bay Area. Additionally Emily facilitates movement practices and is a bodyworker.
Learn moreEmily Jones and Hannah Krafcik make performances and facilitate movement practices together. They are white settlers residing on the unceded lands of the Cowlitz, Confederated Tribes of Grand Ronde, Clackamas, and many other Tribes, also known today as Portland, OR. Hannah (they/them) is a neurodivergent dancer and writer. Emily (she/they) is a dancer, movement educator, and bodyworker. The artists’ long-standing collaboration is driven by considering how power dynamics impact their body/minds and behaviors.
Learn moreEmily Roysdon (1977) is a New York and Stockholm based artist and writer. Her working method is interdisciplinary and recent projects take the form of performance, photographic installations, printmaking, text, video, curating, and collaborating. Roysdon developed the concept "ecstatic resistance" to talk about the impossible and imaginary in politics. The concept debuted with simultaneous shows at Grand Arts in Kansas City, and X Initiative in New York. She is editor and co-founder of the queer feminist journal and artist collective, LTTR. Her many collaborations include costume design for choreographers Levi Gonzalez, Vannesa Anspaugh and Faye Driscoll, as well as lyric writing for The Knife, and Brooklyn based JD Samson & MEN. Recent solo projects include new commissions from Performance Room, Tate Modern (London), If I Can't Dance (Amsterdam), PICA's TBA Festival, Visual Art Center (Austin), Art in General (NY), The Kitchen (NY), Konsthall C (Stockholm) and a Matrix commission from the Berkeley Art Museum. Roysdon is a recently appointed Professor of Art at Konstfack in Stockholm, Sweden.
Learn moreErika Vogt (b.1973, East Newark, New Jersey) is a Los Angeles based artist represented by Overduin and Kite in Los Angeles and Simone Subal Gallery in New York City. She received an MFA from California Institute of the Arts and a BFA from New York University. Solo exhibitions include: The Engraved Plane, Simone Subal Gallery, New York (2012); Geometric Persecution, Overduin and Kite, Los Angeles (2010); Room Gallery, University of California at Irvine, Irvine, CA (2010); and Daniel Hug, Los Angeles, CA (2008). Selected screening and group exhibitions include: Affective Turns at Pepin Moore, Los Angeles (2012) and Made in L.A. at The Hammer, Los Angeles (2012), Foam, Amsterdam, Netherlands (2011); San Francisco Museum of Modern Art, San Francisco, CA (2011); Henry Art Gallery, Seattle, WA (2010); Whitney Biennial, New York, NY (2010) and Anthology Film Archives, New York, NY (2009).
Learn moreMusician Erik Friedlander is widely considered a master avant-garde jazz and classical cellist. Friedlander has released nine solo albums and three albums as a member of the John Zorn-led avant-jazz group Bar Kokhba. In high demand as a session musician, he has played with a wide range of artists, from pop stars Kelly Clarkson and Courtney Love, to indie folk stars Dar Williams and Paula Cole, to fellow vanguard artists Ikue Mori (TBA:07) and Laurie Anderson (TBA:06). Friedlander’s father, Lee Friedlander, has been a MacArthur Fellow whose photographs of street scenes and jazz greats have been widely shown at galleries across the world, including the Museum of Modern Art.
Learn moreEthan Seltzer currently serves as the Interim Director of the School of Art+Design, and as a Professor in the Nohad A. Toulan School of Urban Studies and Planning at Portland State University in Portland, Oregon. He served as Director of the Toulan School from 2003 through 2009. From 1992, through August, 2003, he was the founding director of Portland State’s Institute of Portland Metropolitan Studies, created to better connect the resources of higher education to the needs and issues of the communities in the 6-county, bistate Portland-Vancouver metropolitan region. Prior to joining Portland State University, he held positions as the Land Use Supervisor for Metro, the regional government in the Portland area, as an assistant for planning and budget issues to Portland City Commissioner Mike Lindberg, and as the Assistant Coordinator for the Southeast Uplift Neighborhood Program. Current scholarly interests include regional planning, regional development, and Cascadia. He has been a resident of the Portland metropolitan area since 1980 and has served as president of the board of the Oregon Environmental Council, the City of Portland Planning Commission, the Portland Institute of Contemporary Art, and the 40-Mile Loop Land Trust.
Learn moreExplode into Colors is a band from Portland that won’t do it unless it’s fun. Heather Treadway, Claudia Meza, and Lisa Schonberg play heavy rhythms, pulsing bass, and melodic echo that has been described as “gritty dance-punk,” “the late-night love child of Fela Kuti and ESG,” and “completely unclassifiable.” Whether performing in basements, living rooms, galleries, or stages, their intention is to positively affect their audience with music that will make them dance. They are fond of celebrations and collaborations with talented local artists that have inspired them. They are also known to make clothes, videos, pictures of all kinds, and studies of insects.
Learn moreGabel Eiben, from Codorus, PA, now lives and works in Brussels, Belgium. He has worked and toured extensively with OBIE Award-winning New York-based performance group Nature Theater of Oklahoma on their 10 episode piece Life and Times since 2008. He earned a BFA from Shenandoah University and studied and performed with SITI Company in NYC. He and dancer Tale Dolven will premiere their second piece, That catastrophe is a fire this fall in Trondheim, Norway at the Bastard Festival. It is a theater performance exploring the magic and danger of understanding the physical world through the thoughts of Richard Feynman.
Learn moreConsistently delivering a jaw-dropping performance experience, ISAIAH ESQUIRE is intensely emotive, athletic, and explosive, exhibiting an impressive and unique array of disciplines. He is most known for his mastery of face, character, intricate lip-sync, and absolute connection. A seasoned dancer/instructor/choreographer/creative director and internationally acclaimed entertainer, ISAIAH has over 13 years of professional experience. From studios to classrooms, universities to international festivals, ISAIAH instructs classes ranging from Hip-Hop to Jazz, African to Ballroom, Twerking to Heel-o-graphy, and more. The one consistent aspect to any Isaiah Esquire class is the confidence and self-awareness/acceptance that he inspires in his students.
Over the past year, in addition to joining the cast of the Super-Star Divas Megashow @ CC Slaughters, this powerhouse entertainer has been touring the country with Portland’s own gender fluid cabaret troupe, the Caravan of Glam, referred to by America’s Got Talent scouts as one of the top 10 traveling queer performance groups in the country. ISAIAH has been featured in multiple music videos (including “9inch Heels” By DJ Beyonda Doubt, “Quicksand” by Acoustic Minds, and “Put Em Up” By Priory). He has also appeared in film documentaries, magazines, websites, and even comic books.
You can catch ISAIAH and his partner, JOHNNY NURIEL, on stage and in life, headlining as their duo IZOHNNY every first Thursday for the mostly male spectacular: BOYeurism @ the Star Theater, a show created and produced by Isaiah himself.
ISAIAH continues to break down barriers of gender, sexuality, culture, and age. As a teacher he invites you to join in this movement and witness the magic as he shows you limitlessness self-expression through fearless art.
Learn moreJasmine Elizabeth Johnson is a scholar-practitioner and Assistant Professor of Africana Studies at the University of Pennsylvania. Her work explores the politics of Black movement including dance, diasporic travel, and gentrification. Johnson’s work has been supported by the Ford Foundation, the Schomburg Center for Research in Black Culture, and the National Endowment for the Humanities, and elsewhere.
Learn moreLars Jan is a director, writer, visual artist, and the founding artistic director of Early Morning Opera (EMO), a genre-bending performance + art lab whose works explore emerging technologies, live audiences, and unclassifiable experience. He is the son of émigrés from Afghanistan and Poland.
Jan has received multiple commissions from the Whitney Museum and developed his recent projects with major commissioning and residency support from the Experimental Media and Performing Arts Center (EMPAC). His works have been also presented by The BAM Next Wave Festival, Sundance Film Festival, REDCAT, Hammer Museum, Guggenheim Museum, Symphony Space, Kirk Douglas Theatre, Ringling Museum of Art, Pasadena Museum of California Art, and Toronto Nuit Blanche Festival.
His work has been supported by multiple awards from the NEA and Center for Cultural Innovation; Rauschenberg Foundation; MAP Fund; Adam Mickiewicz Institute; Surdna Foundation; NEFA’s National Theatre Project; NPN’s Creation Fund; New York State Council on the Arts; and the Sherwood Award. He has spoken at The Metropolitan Museum of Art, Performa, and the 92Y, and held residencies at the MacDowell Colony, Lower Manhattan Cultural Council, and Princeton Atelier; CalArts; and the Center for the Art of Performance at UCLA, where he was an inaugural artist-in-residence.
In August 2015, EMO’s lecture performance ABACUS will be presented by Summerhall at the Edinburgh Fringe, and in October 2015, the public performance spectacle HOLOSCENES will be presented by the Yerba Buena Center for the Arts in downtown San Francisco, prior to an exhibition of related video works at the Istanbul Museum of Modern Art in January 2016. Jan is a TED Senior Fellow.
Learn moreMichelle Ellsworth co-mingles technology, carpentry, and quilting with dance in an attempt to choreograph high-functioning coping strategies for geopolitical (and personal) phenomena. Ellsworth is currently making a 7-inch recording with drummer Sean Meehan, creating a new dance for wood camera and starting her next quilt, Quilt Complex #9. Among her honors are a Doris Duke Impact Award (2015), Creative Capital Fellowship (2013), Doris Duke Building Demand for the Arts Grant (2014), a NEFA National Dance Project Grant (2014), and an NPN Creation Fund Grant.
Learn moreEducated at the Institut supérieur d'art dramatique (ISAD) of Tunis, choreographer Radhouane El Meddeb was rewarded as 'young hope of the Tunisian theatre' in 1996 by the Tunisian section of the International Theatre Institute. Subsequently, he was selected to participate in the education and research courses at the Théâtre National de Toulouse under the direction of Jacques Rosner.In Tunisia he worked with key artists of the Arab world such as Fadhel Jaïbi, Taoufik Jebali and Mohamed Driss. In France he collaborated with theatre directors Jacques Rosner, Lotfi Achour and Catherine Boskowitz, and with authors such as Adel Hakim and Natacha de Pontcharra. He performed in two films by Férid Boughedir (Un été à la Goulette et Halfaouine, l’enfant des terrasses) and took dance classes with Jean-Laurent Sasportès and Lisa Nelson.
In 2005 he created his first dance solo, performing himself, Pour en finir avec MOI, followed by a creation for Montpellier Danse in 2006, Huwa, ce lui. In 2007, Radhouane performed in Héla Fattoumi and Eric Lamoureux' 1000 Departures of Muscles. In 2008 he created Quelqu’un van danser…, commissioned by the festival Rencontres Chorégraphiques de Seine-Saint-Denis. That same year, invited by choreographer Salia Sanou, he conceived a culinary dance performance for the event “Sonorités et corps d’Afrique”, entitled Je danse et je vous en donne à bouffer. It premiered at Centre National de la Danse and is still a highly demanded piece. In 2010 he created his first group piece, Ce que nous sommes, premiering as well at the Centre National de la Danse. Other works since: Chant d’amour (2011), Aletroit (2011), Tunis, 14 janvier 2011 (2011), Sous leurs pieds, le paradis (2012), and Nos Limites (2012, a piece for two young circus performers, produced by the 104-Centquatre in Paris). In spring 2014 followed Au temps où les Arabes dansaient… (2014) premiered at CDC Toulouse. In April 2015, Radhouane will present a prelude to his new creation, Heroes, with ten performers, at the Paris Panthéon, premiering within the framework of the festival Séquence Danse of the 104-Centquatre, where Radhouane has been associate artist since 2011.
Learn moreRoyal Osiris Karaoke Ensemble (ROKE) has performed rituals at the Guggenheim Museum, Under the Radar Festival, FringeArts, Under the Radar’s Incoming! Series, Gibney Dance Center, Kate Werble Gallery, Special Effects Festival at Participant Inc., Prelude Festival, AUNTS Arts@Renaissance, and JACK. ROKE received a 2016 Creative Capital award for The Art of Luv series, and has been awarded a Franklin Furnace Fund grant (2013) and a BAX Space Grant (2014). They were part of the Public Theater’s Devised Theater Working Group and PS122’s RAMP residency program. They spent the summer of 2014 at the Skowhegan School of Painting and Sculpture and were 2015 CUNY Hunter Artists-in-Residence in ceramics. The Art of Luv (Part 1): Elliot is created with support from The Public Theater’s Devised Theater Working Group, Gibney Dance Center, The Skowhegan School of Painting and Sculpture, and a residency at CUNY City Tech. Royal Osiris Karaoke Ensemble is supported by Immediate Medium’s AGENCY program, which provides financial, administrative, and equipment support to emerging artists. The Art of Luv is a project of Creative Capital.
Learn moreJacob Ciocci is an artist; a current Eyebeam Fellow; one third of the American art collective Paper Rad; and a prolific producer of music, installations, websites, and animations. David Wightman is completing a PhD in Music Composition at UC San Diego where he is a Lecturer of Pop Music Studies. Some of his many musical projects include Fortress of Amplitude, Powdered Wigs, and Chariots of Fire. Together, Jacob and David connect like Voltron in the high-NRG electronic music band Extreme Animals. They have toured the country every summer for the past 8 years presenting their music, videos, and art.
Selected Press
Eleven Evocations (For Paper Rad), Ed Halter, Rhizome, September 2, 2009.
Learn moreTimothy White Eagle is a mixed race artist. He graduated from the University of Utah with a BFA in theater. His art practice rises from a decades-long exploration of traditional ritual and embodiment practice. His preferred mediums include objects, photography, durational performance, storytelling, and installed space.
He has served as an artist-in-residence at Town Hall and On The Boards in Seattle, as well as La Mama ETC in NYC. Timothy was the recipient of the WAA/AIP Launch Pad award in 2019 as well as a Seattle City Artist award in 2020.
Timothy toured internationally as one of the artistic directors and a performer with MacArthur Fellow Taylor Mac’s Pulitzer Prize finalist “A 24-Decade History of Popular Music.”
Timothy’s new ritual performance work, “What To Do When The Air Returns,” will premiere at LaMama in November 2021.
Learn more