Artists Archive
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Abigail DeVille received an MFA from Yale University and a BFA from the Fashion Institute of Technology. She is the recipient of the 2014-15 fellowship at the Radcliffe Institute for Advanced Study at Harvard University, the 2015 Creative Capital grant, the 2015 OBIE Award for Design, the 2017 Louis Tiffany Comfort Prize and the 2017-18 Chuck Close Henry W. and Marion T. Mitchell Rome Prize fellow.
DeVille’s work has been exhibited at venues including the Institute of Contemporary Art Miami; the Whitney Museum of American Art; the Studio Museum in Harlem, New York; the Carnegie Museum of Art, Pittsburgh, PA; the Kemper Museum of Contemporary Art, Kansas City; Cooper Gallery at Hutchins Center, Harvard University, Cambridge; Contemporary Art Museum St. Louis; and the Shelley & Donald Rubin Foundation, New York. She has designed sets for theatrical productions at venues such as the Stratford Festival (2014), Harlem Stage (2016), La Mama (2015), JACK (2014-16), and Joe’s Pub (2014).
Learn moreAdela Demetja is a curator and author born in 1984 in Tirana, Albania. She holds a Master's Degree in Curatorial and Critical Studies from Goethe University and Städelschule, Frankfurt/Main, Germany. Demetja was first trained as a painter and studied from 2002 to 2006 at Academy of Art in Tirana, Albania. She is the director of Tirana Art Lab – Center for Contemporary Art, Albania's leading independent art institution, which she established in 2010. As an independent curator, she has organized, managed, and curated numerous international exhibitions and events in a number of European countries. In 2016, she was appointed curator of Focus: Ex-Yugoslavia and Albania at viennacontemporary international art fair in Vienna, Austria. In 2015, she co-curated the Third Edition of the International Contemporary Project Biennale D-0 Ark Underground, which took place in the anti-atom shelter build by Tito in Konjic, Bosnia and Herzegovina. Other thematic exhibitions she has curated include: The aesthetic of the small act at Action, Action Field Kodra Festival in Thessaloniki, Greece and Voices of Truth in Villa Roman, Florence, Italy. As an author, she writes exhibition reviews, catalogue texts, and articles for online platforms and publications in Albania and throughout Europe.
Learn moreDolan is an artist who lives and works in Portland, Oregon, where he is a co-curator of Appendix Space. Recent exhibitions include Infinite Cell at Autzen Gallery (Portland), Cherry Picking at Karma International (Zurich), ZERTZ Player with Koch Snowflake at West Lane South (London), and Deep Freeze at Generation Works (Tacoma). Dolan is a 2013 artist-in-residence with the Park Avenue Armory in conjunction with 89plus, an ongoing research project conducted by Hans-Ulrich Obrist and Simon Castets, which examines the generation of artists born in or after 1989.
Selected Press
"22 Year Old Sculptor to Do Residency at Park Avenue Armory," Kyle Petreycik, Animal New York, April 23, 2013.
Learn moreAlissa DeRubeis lives in Portland, where she works for 4MS and S1. A co-founder of the S1 Synth Library, Alissa enjoys teaching intro workshops, facilitating library hours, and patching pre-amps and resonant filters. Her interests include playing music, curating, collaborating, education, improvisation, sharing, and experiments.
Learn moreAmalia DacheAn Afro-Cuban American scholar, Amalia Dache is an assistant professor in the Higher Education Division. Her experiences as a Cuban refugee and student traversing U.S. educational systems—among them urban K–12 schools, community college, state college, and a private research-intensive university—inform her research and professional activities. Dr. Dache’s major research areas are postcolonial geographic contexts of higher education, Afro-Latina/o/x studies, community and student resistance, and the college-access experiences of African diasporic students and communities. She is lead editor of Rise Up! Activism as Education, published in 2019 by Michigan State University Press. Her most recent article, “Ferguson’s Black radical imagination and the scyborgs of community–student resistance,” appeared in The Review of Higher Education in 2019.
Learn moreAndrew Dickson has been part of the PICA community for over two decades, first as an artist premiering shows like AC Dickson: eBay PowerSeller, Sell Out, and Life Coach at the Time-Based Art Festival, and for the past six years as a board member. He’s also a storyteller and host of The Moth, co-host of the podcast BACKFENCE Unhinged, and is developing his Life Coach performance into a web series.
Learn moreAndrew Dinwiddie and Jeff Larson are performers and creators in Brooklyn. Together, they curate a dance, theater, performance, and video series called Catch. They premiered Get Mad at Sin !, their first full-length collaboration, at the Chocolate Factory Theater, with sound design by Jon Moniaci, set design by Sara C. Walsh, and lighting design by Chlöe Z. Brown. They have recently presented the show at Minneapolis’ Bryant-Lake Bowl and in Austin’s Fusebox Festival. Dinwiddie is a frequent performer with David Neumann / Advanced Beginner Group, and Larson is currently designing video for Big Dance Theater.
Selected Press
Not Exactly Preaching to the Choir, Jason Zinoman, The New York Times, June 2, 2010.
Andrew Dinwiddie at the Chocolate Factory, Andy Horowitz, Culturebot, May 28, 2010.
Learn moreAntoine Defoort tries to maintain a good atmosphere and a high level of porosity between his seasonal whims, life, as in real life, and contemporary art. He therefore often finds himself struggling with blatant contradictions that are either proudly assumed or shamefully hidden through the use of mind numbing non-sequiturs and wild digressions. Failures and accidents are welcomed with open arms and create a crispy granularity particularly appreciated by connoisseurs. Together, Julien Fournet, Antoine Defoort and Halory Goerger co-founded l’amicale de production, a small production house in Lille / Brussels (France / Belgium) For greater context and a more in-depth exploration of Antonie Defoort and his collaborative work with Halory Goerger, click here to view a PDF of collected reviews, interviews, articles and links. A great resource for those who really want to dive into the Festival!
Learn moreMusician, poet, and performing artist Ashot Danielyan advocates art as an instrument for social change, a new and unfamiliar concept in Uzbekistan. The repressive political regime in Uzbekistan over the past three decades has resulted in isolation in artistic and social life leading to severe stasis. The dominance of the academic art school inherited from the Soviet past ensures that the local art community follows conformist self-censorship and aggressively rejects new ideas or socially engaged art practices.
Ashot’s project A Man With The Stool addresses many of these issues through performance, poetry, music, photography, and video. Having introduced the project in the major cities of Uzbekistan, Ashot is planning to tour it around Central Asian republics to build cultural bridges among these disconnected nations.
During his ArtsLink International Fellowship 2020 (virtual and in-person residencies), Ashot met professional and civic communities and explored cross-cultural experiences and socially engaged art practices which emerge from poetry, alternative music, and theater. Sharing interest and practice in Japanese history, language, culture, experimental poetry, performance, and book-making, Ashot and his US collaborator Mami Takahashi of PICA, launch a series of poetry readings, artist talks, and conversations. The multi-city cultural exchange resulted from Ashot’s and Mami’s virtual residency in 2020 and takes place at PICA and other cultural and educational institutions in Portland, Seattle, San Francisco, and Chicago in 2021.
Learn moreBen Darwish is a pianist and composer who has been playing music since the age of six. He attended University of Oregon and received a Bachelor of Music in Jazz Studies. Upon graduation, he was awarded "Outstanding Undergraduate Performer in Jazz Studies." Darwish has played with many artists, including Kevin Mohagany, Rich Perry, Ron Miles, Devin Phillips, Esperanza Spalding, Alan Jones, Reggie Watts, Bill Summers (of The Headhunters), Stephanie Schneiderman, Ohmega Watts, and Ryan Dolliver. In 2009, he was nominated for “Outstanding Achievement In Jazz” by the 2009 Portland Music Awards and recently released his second album Ode To Consumerism with his band, the Ben Darwish Trio.
Learn moreChoreographer Suniti Dernovsek and visual artist David Stein began making work together in 2004 under the name Hot Little Hands, which, in 2011, evolved into the Portland-based contemporary dance company bobbevy. In addition to 18 shorter works, Dernovsek and Stein have produced six evening-length shows: This is how we disappear (2013); Palace of Crystal (2011); ill-starred (2009); Lawn of the Limp (2008); Avian Fable (2007); and Marionette (2004). They have been presented by Conduit Dance, Reed College Arts Week, Danspace in NYC, Velocity Dance Center, Northwest New Works at On the Boards, Ten Tiny Dances’ South Waterfront Project, and PICA’s Time-Based Art Festival. They have received several grants from the Regional Arts and Culture Council, as well as the Dance New Work Award from UWM.
Learn moreBrookfield Duece arrived on the hip-hop scene in the early 2000's as Duece, a 20 year old rapper whose style provided a chilled, lyrical, storytelling alternative to the rising street dance influenced sound controlling the Bay Area. With soul samples, 808 drums, and funk strings under detailed lyrical ability taught to him by his late cousin Eugene Vasquez from Rochester, NY, Duece brought a message in every song while having both a west and east coast feel. Being the best of both worlds in style put Duece on the frontline in re building an underground hip-hop subculture for the Bay Area.
In 2016, Duece moved from Oakland to Portland to engage with his heaviest fanbase area while continuing to record and build for a debut mainstream release. Continue to look for new things from this artist in 2016.
Learn moreCarissa Dez: Dedicated advocate for social justice and policing reform. With a background in investigative journalism and involvement in community organizing, Carissa would like to promote accountability, equity, and transparency in law enforcement practices. As a panelist, Carissa brings a wealth of experience and insights to the discussion, aiming to drive positive change and foster safer, more equitable communities for all.
Website: https://carissadez.com/
Learn moreCatherine Ming T'ien Duffly is an Assistant Professor in the Theatre Department at Reed College where she teaches courses on race and identity in American theatre, performance studies, and community-based performance, in addition to courses in acting and directing. Kate’s written work has appeared Theatre Journal and Theatre Annual. She is currently researching the use of food in socially engaged performance practices.
Learn moreC Davida Ingram is an award-winning artist who is passionate about beauty and social justice. Her primary subjects are race, gender, and social relationships. Ingram’s impulse is to imagine tactics to get free—not further prescribing Otherness. With this in mind, she uses unorthodox mediums—Craigslist ads, hypnosis, drones, cell phone videos among other things to reshape what is possible in her own identification with being a black queer woman. Her art has been shown at the Frye Art Museum, Northwest African American Museum, Evergreen College, Bridge Productions, Intiman Theater, Town Hall and more. Her writings have been included in Monday, Arcade, Ms blog, James Franco Review and The Stranger. Ingram received the 2014 Stranger Genius Award in Visual Arts. She is a 2016 Neddy art award finalist. She is a former 2016 Kennedy Center Citizen Artist fellow and was recently voted both one of the “20 most talented and most influential people in Seattle” by Seattle Magazine. She is recent Jacob Lawrence fellow at the University of Washington and the winner of the Museum of Northwest Luminary Award in Innovative media.
Learn moreChristi Denton is a Portland based composer and sound installation artist who works with found sounds, electronics, and homemade and modified instruments.
Learn moreCleo Davis started his education in architecture at the University of Oregon further changing to industrial design at San Jose State. He is an artist whose work takes a critical view of the social, political and cultural issues and through his work, he continues to reconstruct the cultural view modernizing while also highlighting traditions. Although he engages with multiple subjects and mediums his methodology remains consistent. He also has started the Screw Loose Studio, the Mayo House Project, and most recently, the archives project in collaboration with Kayin.
Learn mored.a. carter is a writer, teacher, and cognac sipper. He is co-editor of The Iconic Obama, 2007-2009: Essays on Media Representations of the Candidate and New President (2012). He is currently completing Obscene Material, a book examining black girlhood and scandal in 1919 Washington, D.C. and is also a member of the Queering Slavery Working Group, an interdisciplinary scholarly collective that uses Tumblr to place black queer studies in conversation with the history of enslavement: http://qswg.tumblr.com and http://qswgremix.tumblr.com. He is an assistant professor of Black Studies at Portland State University, with research interests in 20th Century African American History, gender and sexuality studies, and black cultural studies.
Learn moreDakhaBrakha is music quartet from Kyiv, Ukraine. Reflecting fundamental elements of sound and soul, Ukrainian “ethno chaos” band DakhaBrakha creates a world of unexpected new music. DakhaBrakha was created in 2004 at the Kyiv Center of Contemporary Art “DAKH” by the avant-garde theatre director Vladyslav Troitskyi, and given the name that means “give/take” in old Ukrainian. Theatre work has left its mark on the band performances—their shows have never been staged without a strong visual element.
After experimenting with Ukrainian folk music, the band has added rhythms of the surrounding world into their music, thus creating the bright, unique and unforgettable sound of DakhaBrakha. They strive to help open up the potential of Ukrainian melodies and to bring it to the hearts and consciousness of the younger generation in Ukraine and the rest of the world. Accompanied by Indian, Arabic, African, Russian and Australian traditional instrumentation, the quartet’s powerful and uncompromising vocal range creates a trans-national sound rooted in Ukrainian culture. At the crossroads of Ukrainian folklore and theatre, their musical spectrum is at first intimate then riotous, plumbing the depths of contemporary roots and rhythms, inspiring cultural and artistic liberation.
In March 2010, DakhaBrakha won the prestigious Grand Prix prize named after S.Kuriokhin, in the sphere of contemporary art, and confirmed its place in the culture once again. They have played hundreds of concerts, performances, and have taken part in major international festivals throughout Eastern and Western Europe, Russia, Asia, Australia, and North America. DakhaBrakha has also collaborated with such international musicians as: Port Mone (By), Kimmo Pohjonen Cluster (Fi), Karl Frierson (DePhazz) (Ge), Steve Cooney (IRL), Inna Zhelannaya (Ru), Kievbass (UA), Djam (UA-Iran), and David Ingibaryan (Hu).
Learn moreDakota Camacho is a Matao•CHamoru multi-disciplinary artist / researcher working in spaces of Indigenous lifeways, performance, musical composition, community engagement, and education.
Learn moreDana Ghazi was born and raised in Damascus, Syria before moving to the United States in 2002. In 2016, Dana graduated with a Master of Arts degree in Conflict Resolution and Peace Studies from Portland State University. She also served as the student body president at PSU from 2015-2016. Dana is passionate about informing theories of conflict resolution/transformation with hands-on practices and vice versa. She has worked with international programs focused on addressing major conflicts like the ones in Syria, Colombia and the Balkans. She has also been active locally with groups addressing structural violence and racism.
Learn moreDana Michel is a choreographer and performer based in Montreal, Canada. Her practice is rooted in exploring the disorderly multiplicity of identity using intuitive improvisation and image creation. Before entering the BFA in Contemporary Dance program at Concordia University in her late twenties, she was a marketing executive, competitive runner, and football player. In 2011, She received a danceWEB scholarship, allowing her to deepen her research process at ImPulsTanz (Vienna, Austria). She has been making and internationally touring work for the past nine years.
Michel’s newest solo, Yellow Towel, premiered at the 2013 Festival TransAmériques (Montreal) to critical acclaim. The work featured on the “Top Ten” 2013 dance moments in Dance Current Magazine (Canada) and was recently singled out as one of the most remarkable productions at the 2014 American Realness Festival (New York City) by The New York Times. In August 2014, she received the ImpulsTanz Award for artistic excellence in life.
Learn moreDan Attoe (American, b. 1975) creates a world of teenage nihilism, fantasy, and alienated rural youth. Simultaneously sincere and ironic, Attoe’s work questions what is real and what is imagined. Operating between indeterminate boundaries between fiction and dreams, Attoe illuminates his work with text. Juxtaposing the luminous glare of neon with phrases and drawings, these works elevate doodles and notes to humorous, poignant, and sometimes perverse effect.
Learn moreAtlanta, Georgia, is a hotbed of contemporary art with an abundance of choreographers and performance artists seeking affordable and accessible venues. Recognizing this scarcity of performance space as an opportunity, curator and lighting designer Malina Rodriguez founded Dance Truck: a mobile project that uses the back of a rental truck as a stage. With its inventive technical direction, diverse artistic lineup, and stunning visual platform, Dance Truck has been an enormous success in “bringing dance to the people” at festivals, museums, parks, and streets throughout the Dirty South.
Selected Press
Dance Truck Pulls into the Contemporary, Andrew Alexander, Creative Loafing Atlanta, February 9, 2011.
Learn moreLike an explosion, DBC unleashes on assault of screaming synthesizers, demonic beats, laser lit fog and passionate singing akin to a Black Mass given by Morrissey.
The Dangerous Boys Club is the baby birthed by Aaron Montaigne (singer), Mac Mann (Synth/electronique Organ) of the legendary 90′s harcore bands Antioch Arrow and Get Hustle. Started in the fog of Portland Oregon in 2009, DBC adopted Mark Burden (bass) of Silentist / Glass Candy and Sam Ott (electronique drums) of Year Future to create a very Unique experimental / pop / noise / dark wave inspired by Roxy Music, Soul Side, Suicide the Misfits and David Bowie.
in 2010 DBC released “VRIL” on Nathan Howdeshell of the GOSSIP’s Portland lable Fast Weapons and toured the west coast numerous times and tour of the east coast playing with bands such as Cold Cave, Salem, The Soft Moon and Bronze.
DBC’s second full release “PRIS” will be released on DAIS records in spring 2012 and will be touring the states and Europe.
Learn moreDan Gilsdorf is a Portland-based multimedia artist whose works address sculptural physicality using immaterial technologies such as digital video, sound, and language. He has exhibited nationally and internationally at Parko Gallery (Tokyo); the East/West project (Berlin); Artists’ Television Access (San Francisco); and Disjecta and Marylhurst Art Gym (Portland). Gilsdorf has been awarded grants and residencies from organizations including the Regional Arts and Culture Council and the John Michael Kohler Arts Center.
Selected Press
Interstate, Isaac Peterson, PORT, August 9, 2005.
Dark Corners: Dan Gilsdorf, Richard Speer, Willamette Week, November 26, 2008.
Selected Videos
Dan Gilsdorf talks about art and technology at DorkbotPDX (Vimeo)
Learn moreDan Handelman is a co-founding member of Peace and Justice Works and its police accountability project group Portland Copwatch. In 1991 he also helped co-found Flying Focus Video Collective, which has produced a program on cable access every week on social justice topics. Dan attended nearly every police oversight meeting in the City since 1992 (PIIAC 1992-2001/Citizen Review Committee 2001-present). He was appointed to sit on four City commissions looking at the oversight system - Mayor Katz's Work Group in 2000, on stakeholder groups in 2010 and 2016, and the Police Accountability Commission in 2021-2023. He is a member of the Steering Committee of the Albina Ministerial Alliance Coalition for Justice and Police Reform.
Learn moreWinnipeg-based artist Daniel Barrow uses obsolete technologies to present written, pictorial, and cinematic narratives centering on the practices of drawing and collecting. Since 1993, he has created and adapted comic book narratives to manual forms of animation by projecting, layering, and manipulating drawings on overhead projectors. Barrow has exhibited widely in Canada and abroad. He has performed at The Museum of Contemporary Art (LA), The International Film Festival Rotterdam (Netherlands), The Contemporary Art Gallery (Vancouver, BC), and the Gene Siskel Film Center (Chicago). Barrow is the 2007 winner of the Canada Council’s Victor Martyn Lynch-Staunton award and the 2008 winner of the Images Festival’s Images Prize. Barrow is represented by Jessica Bradley Art + Projects, Toronto.
Learn moreDaniel Beaty is an award-winning actor, singer, writer, composer and poet. His critically acclaimed solo play Emergence-See!, directed by Kenny Leon, ran off-Broadway to a sold-out, extended run at The Public Theater in the fall of 2006. For this production, he received the 2007 Obie Award for Excellence in Off-Broadway Theater for Writing and Performing and the 2007 AUDELCO Award for Solo Performance. New York Magazine awarded him a 2006 Culture Award for Best in Theater. He is the recipient of the 2007 Scotsman Fringe First Award for the best new writer at the Edinburgh Festival, and in November 2007, he was presented with a Lamplighter Award from the Black Leadership Forum in Washington, DC.
Learn moreRepresenting from Portland, Oregon (and originally from Mexico), Daniel Girón is a well-rounded dancer with a background in a few Latin partner dance styles, House, Waacking, Contemporary and Vogue. As a voguer, Daniel has won multiple trophies in the ball scene, Holding the title of Portland’s first ever vogue champion after his victory at the 2014 Black and White Ball. He is the Father / Founder of House of ADA and is on a mission to help cultivate a strong Vogue community in the North West, teaching the history and fundamentals of this style on a weekly basis at Vitalidad Movement Art Center in Portland.
Learn moreDaniel Godinez Nivón (Mexico City) - Godinez Nivón is a multimedia artist based in Mexico City. Originally from Oaxaca, Godinez Nivón was raised in the Mexican state of Chiapas. He studied visual arts at the National Academy of Arts, UNAM, and is currently pursuing a Masters in Arts and Designs at San Carlos Academy (UNAM). Godinez Nivón has had solo shows at the Tlaltelolco Cultural Center, UNAM, and group shows at MUAC, The University Museum of Contemporary Art. Godinez Nivón participated in the print-based program, Medios Multiples, and was awarded the prestigious Jóvenes Creadores grant from the Fondo Nacional de la Cultural y las Artes for his project, Asamblea Musical, which will be exhibited in part at Galería de la Raza. In this experimental, sound-based project, Godinez Nivón studies the relationship between art and life through the Tequio, a traditional form of collective decision making.
Learn moreDaniel Granias received a BFA in Fine Arts and Teaching License in K-12 Art Education from the University of Iowa in 2009 and a Post-Baccalaureate Certificate in Ceramics from the Oregon College of Art and Craft in 2012. He is a working ceramics artist in Portland, Oregon and a full-time production assistant at Mudshark Studios, LLC. His work focuses on soft and hard forms, internal anatomy, touch and intimacy, and social engagement across all age levels.
Learn moreDaniel Kok is an alumnus of BA (Honours) Fine Art & Critical Theory at Goldsmiths College (London), MA (Distinction) Solo/Dance/Authorship (SODA) at the Inter-University Centre for Dance (HZT, Berlin), and the Advanced Performance and Scenography Studies (APASS) in Brussels. From 2005 to 2010, he was Associate Artist at The Substation (Singapore). In 2008, he received the Young Artist Award from National Arts Council (Singapore).
His performance work deals with the relational politics in spectatorship and audienceship. Q&A (2009), Planet Romeo (2011), Cheerleader of Europe (2014), ALPHA (2014), PIIGS (2015) and Bunny (2016) have been presented across Asia, Europe, Australia, and the USA. Kok is currently researching queerness and a notion of trans-individuality.
As a pole dancer, he won the SG Pole Challenge (2012) and represented Singapore at the International Pole Championships (IPC, 2013). He also identifies as a bondage practitioner and Thai masseur.
Learn moreDanielle Kelly is a Las Vegas-based artist and writer, who received her BA from Beloit College and her MFA from the University of Nevada, Las Vegas. Working in disciplines ranging from installation to performance, she has participated in solo and group exhibitions in Los Angeles, Seattle, Las Vegas, and Portland.
Learn moreTrained in the humanities, she got her start in the art world. After graduating from Yale in 1996, she moved to New York, where she worked for Goldin in her studio on the Bowery. Following a brief stint working at an art school in France, she returned to Manhattan where she resumed working for Goldin before departing for graduate school at NYU. In her master's program, she studied critical theory – “post-structuralists: Derrida, Baudrillard, all that kind of stuff.” In 2001, she began to work as the art director for Byrne, the former lead singer of one of the most acclaimed bands of the ‘80s, Talking Heads.
Learn moreDanny Hoch won an Obie award for his solo show Some People at Performance Space 122 and enjoyed an extended run at the Joseph Papp Public Theater in 1994 (directed by Jo Bonney). Since then, Some People has toured over 20 US cities as well as Austria, Cuba and Scotland, where Mr. Hoch won a Fringe First Award at the Edinburgh International Fringe Theater Festival. The television version of Some People can be seen on HBO, and was nominated for a 1996 Cable Ace Award. Danny spent the first half of this decade bringing conflict-resolution-through-drama to adolescents in NYC's jails and alternative high schools with NYU's Creative Arts Team. Mr. Hoch is the recipient of an 1994 Solo Theater Fellowship from the National Endowment for the Arts, and is a 1997 Sundance Fellow. A graduate of the High School of Performing Arts NYC, he has also trained at the North Carolina School of the Arts and in London. Mr. Hoch's play Clinic Con Class appeared as part of Alma Delfina's Pieces Of The Quilt at the Magic Theater in 1996. Danny wrote and acted in HBO's Subway Stories, which premiered this past summer, and just finished shooting Terrence Malickís new epic film, The Thin Red Line. Danny's new show Jails, Hospitals & Hip-Hop, premiered at Berkeley Repertory Theater in October, and will tour to twelve US cities before opening in New York in the Spring of 1998.
Learn moreDan Seward, also known as Bunnybrains, is a musician, curator and promoter in Hudson, New York, where he runs the celebrated (and somewhat nomadic) record store, John Doe Records. This exhibition focuses on Bunnybrains thirty plus years as a transgressive, mutable, collaborative, performative project and what it means to illustrate the life of a true muse. From live broadcasts of Bunnybrains radio show Battlefield Earth, participatory workshops, rotating guest exhibitions, spontaneous happenings and performances, the artist shares their space with you in an effort to vivify "Bunnybrains is all".
Bunnybrains’ career highlights include a vinyl only pressing with Matador, a national tour supporting Devendra Banhart, a four CD boxset that garnered raves from the indie press, and opening for a reunited Hawkwind—a set credited with giving the many hippies in attendance bad trips.
Learn moreDao Strom is an artist who works with three “voices”—written, sung, and visual—to explore hybridity and contemplate the intersection of personal and collective histories. Using practices of polyvocality, fragmentation, and (re)assemblage, Strom writes arrangements of poetry, music, image, song, and sound, to be experienced as performance, installation, multimedia, recordings, and inside the spaces of a book. Although separate, these elements are unified by a shared (under)current that transposes itself through or despite its conduits, and endeavors toward “re-membering” and attempting to synchronize the divided ‘languages’ within the self and concerning the self as placed in the world.
Strom is the author/composer of several hybrid works, including the music/poetry project TENDER REVOLUTIONS/YELLOW SONGS (2025), and INSTRUMENT (2020), which won the 2022 Oregon Book Award for Poetry, and its musical companion of song-poems, TRAVELER’S ODE. She co-curated and co-edited the hybrid-literary anthology and exhibition, A Mouth Holds Many Things (2024), and released an album of ambient-folk songs, Redux (2022). She is also the author of a bilingual poetry-art collection, You Will Always Be Someone From Somewhere Else; a hybrid-form memoir, We Were Meant To Be a Gentle People, with song cycle, East/West; and two books of fiction. Her work has received support from the Creative Capital Foundation, Oregon Community Foundation, Ford Foundation, Precipice Fund, NEA, and others. She is the co-founder of She Who Has No Master(s), a collective of Vietnamese women writers and artists making polyvocal poetry-art works; and de-canon, a literary social art project centering BIPOC writers. Born in Vietnam, Strom grew up in the Sierra Nevadas of northern California and now lives in Portland, OR.
Learn moreBorn in Iran, Dariush Dolat-shahi entered the Tehran Conservatory of Music at age ten, where he studied the traditional Persian instruments tar and setar. He continued his studies in music and composition through the doctorate level, attending the Amsterdam Conservatory of Music (Masters work), the Institute of Sonology in Utrecht, and doctoral work in composition and electronic music at Columbia University in New York. In addition to his ongoing commitment as a composer and professor of composition, Dolat-shahi has for many years traveled throughout Europe and the United States improvising on the tar and setar, creating a complex fusion of traditional Persian sounds with contemporary, Western influences.
Learn moreDarla Migan | Image from vanderbilt.academia.edu/DarlaMigan
Darla Migan is a writer and critic based in New York. Her latest review, Brown’s a Color, Black is Not: ecofeminism(s)’s Anti-Intersectional Feminism and the Use and Abuse of Diversity was published in the Brooklyn Rail’s July/August 2020 issue. In 2019 Darla successfully defended her Ph.D dissertation, Orienting Authentic Judgements: Adrian Piper’s Contributions to Black Aesthetics, in the Philosophy Department at Vanderbilt University.
TBA:20 INSTITUTE
Friday Sessions with home school:manuel arturo abreu with Darla Migan
ON ADRIAN PIPER'S THWARTED PROJECTS, DASHED HOPES, A MOMENT OF EMBARRASSMENT
September 18, 2020
Learn moreDarren O'Donnell is an artist, writer, actor, and city planner. He is the director and founder of Mammalian Diving Reflex, and the author of Social Acupuncture (Coach House Books, 2006), a manifesto calling for a more socially and politically profound art and theater. His art is often described through the lens of relational aesthetics. O'Donnell is the Artistic and Research Director of Mammalian Diving Reflex (which presented projects for TBA during 2007 and 2014), a "research-art atelier" that produces performances, community-based events, and theoretical texts. The organization fosters dialogue and audience participation, and creates activist performance described by the group as "ideal entertainment for the end of the world." Its programs work to dissolve boundaries between art and life in an attempt to create an aesthetic of civic engagement.
Learn moreUS/British filmmaker David Brooks is an award-winning editor whose debut film Member has won first place honors at numerous festivals worldwide.
Learn moreDavid Byrne is a Scottish-American singer, songwriter, musician, record producer, actor, writer, music theorist, visual artist, and filmmaker. He was a founding member, principal songwriter, lead singer, and guitarist of the American new wave band Talking Heads.
Learn moreDavid Commander’s In Flight questions the reliability of two modern comforts: airplanes and news media. Aboard a crashing airliner, a banal drama unfolds as the puppet passengers relax with daytime talk show reruns and SkyMall infomercials. In Flight mocks our cultural embrace of misinformation and our limitless potential for mass apathy, even in the face of immediate danger. Commander has been a member of Big Art Group for 12 years, working as a performer, assistant director, videographer, and miniature set/prop builder. Outside of the group, he has written, directed, and performed in his own works at the NYC International Fringe Festival, the 2007 Philadelphia Fringe Festival, and the Toy Theater After Dark Festival in Minneapolis
Learn moreDee's love of movement and music led him to experience a wide assortment of dance styles including hip-hop, house, capoeira, and his favorite, Vogue Fem. A former Burlesquire dancer and no stranger to performance, Dee is excited to share the art of Vogue Fem and its Five Elements with the ever-growing ballroom scene in PDX!
Learn moreDavid Eckard is an artist, educator, and performer based in Portland, Oregon. His practice as a visual artist includes fabricated objects, drawings and prints, installations and performances. Through these varied approaches and diverse presentational strategies, Eckard fabricates residual, fictive artifacts, creates biomorphic, sexualized schematics, assembles arrested moments and orchestrates transient theatrics and temporary monuments for incidental audiences in civic spaces. Futility, authority, theatricality and persona enter into his creative explorations as notions to investigate, critique, utilize and exploit. Solo shows include Kim Foster Galley, New York; Fassbender Gallery, Chicago; Consolidated Works, Seattle; and Elizabeth Leach Gallery, Portland. He has performed at PICA’s TBA Festival in 2004, 2006, and 2011, and for Northwest New Works at On The Boards, Seattle, in 2005. Eckard was awarded the Bonnie Bronson Fellowship for 2010, was one of the inaugural recipients of the Hallie Ford Fellowship in Visual Arts for 2010, and was a Juror’s Award recipient at the 2006 Oregon Biennial. Selected Press David Eckard's Liveries (summer stock) at Mark Woolley Gallery, Jeff Jahn, PORT, July 28, 2007.
Learn moreSince 1979, when David Greenberger first encountered the residents of Boston's Duplex Nursing Home (where he was the Activities Director), he has been illustrating the axiom, "when you get older everything will be different," in a variety of ways. Posing evocative questions such as "Which do you prefer, coffee or meat?" and "How close can you get to a penguin?" to the nursing home residents, Greenberger recorded their free-ranging responses and began publishing them in a 'zine entitled, The Duplex Planet. Eventually the 'zine spawned a book of the same name, a Duplex Planet comic series (Fantagraphics), a card set (Kitchen Sink), a CD (East Side Digital), video (Gravita International) and a theatrical work entitled 1001 Real Apes.
Learn moreDavid Sedaris burst into the national spotlight in 1992 when he read his SantaLand Diaries, a hilarious account of his experiences as a Macy's elf, on National Public Radio. Since then, he has written three collections of autobiographical essays, Barrel Fever (1995), Naked (1997), and Holidays on Ice, which has just been released in paperback. He is also the author of five plays which he co-produced with his sister, Amy, at the legendary Cafe La Mama in New York and is a frequent contributor to The New Yorker. He continues to entertain the nation with his wry and witty observations of American culture as a commentator for NPR. In his Portland appearance, Sedaris will read from a new collection of essays inspired by his recent move from New York to Paris.
Learn moreDavid Thomson is an interdisciplinary artist whose practice borders on choreographic situations and installations centered around questions of identity, unconscious narratives, and the expression of presence and absence as performative states.
He has been supported or presented by The Kitchen, Movement Research at Judson Church, The Bronx Museum of the Arts, BRIC Arts, Performance Space NY, The Invisible Dog, Mt Tremper Arts, The Yard and Danspace Project, among other institutions.
His work has been recognized with awards and fellowships including a Foundation for Contemporary Arts Artist Award (2022), Robert Rauschenberg Residency (2018), Yaddo (2016), MacDowell (2014), a New York Foundation for the Arts Fellowship in Choreography (2013), and the US Artists Ford Fellowship (2012).
Thomson has worked across the fields of music, dance, film, theater, and performance with Bebe Miller, Trisha Brown, Ralph Lemon, Tracie Morris, Marina Abramović, Meg Stuart, Grisha Coleman|Hot Mouth, Yvonne Rainer, Sekou Sundiata, Maria Hassabi, Yanira Castro, and Okwui Okpokwasili, among others.
He has served on the faculties of Movement Research, NYU, Sarah Lawrence, The New School, Barnard, Bennington, Pratt and Middlebury. In 2017, he and Kate Watson-Wallace initiated The Sustainability Project, which serves as a platform for expanding the discourse surrounding financial, artistic, and personal empowerment within the arts community.
Thomson received an interdisciplinary B.A. from State University of New York at Purchase.
Learn moreWojnarowicz was an American artist whose work provoked bigotry and sustained campaigns by the religious right to revoke funding for the arts during the 'Culture Wars' of the late 80s and early 90s. His art--and A Fire in My Belly, in particular--dealt eloquently and powerfully with the issues of being an openly gay man in America, and the harsh realities of living with HIV/AIDS. Wojnarowicz died in 1992 of AIDS-related complications.
His estate is represented by PPOW Gallery.
Learn moreDawn Kasper is an interdisciplinary performance artist. Kasper's work has been exhibited widely; The Migros Museum, Zurich (2005), Human Resources, LA (2011), Tramway, Glasgow (2012), 2012 Whitney Biennial, Whitney Museum of American Art, NY (2012) Redling Fine Art, LA (2014) David Lewis, NY (2014) Kasper lives and works in New York.
Learn moreA multi-disciplinary artist and 2006 Guggenheim Fellow in Choreography, Dayna Hanson has been creating dance, film and performance in Seattle for more than 20 years. She was one-half of dance/theater company 33 Fainting Spells and a founding member of Run/Remain Ensemble. She has performed her work at venues including Dance Theater Workshop, On the Boards, Wexner Center for the Arts, Walker Art Center, and ICA in London. Hanson’s award-winning dance films have screened worldwide at the Edinburgh International Film Festival, New York Film Festival and Melbourne International Festival of Arts, and can be found on First Run Features’ Dance For Camera DVD.
As Co-Artistic Director of 33 Fainting Spells, Dayna Hanson co-curated New Dance Cinema from 1999–2003. With 33 Fainting Spells and independently, Hanson’s award-winning dance films have screened worldwide, including at Edinburgh International Film Festival, New York Film Festival, Melbourne International Arts Festival, Festival Internacional de Videodanza de Buenos Aires and Los Angeles International Short Film Festival. Hanson recently directed a mini-documentary for MTV.com about Seattle band The Dutchess and the Duke and choreographed a dance scene for Korean director Tae Yong Kim’s feature film, Late Autumn.
Selected Press
A clever musing on our demise, Alice Kaderlan, Seattle Post-Intelligencer, December 2, 2006.
Learn moreDB Amorin (b. Honolulu, Hawai'i) is an interdisciplinary media artist who explores audio-visual non-linearity as a container for intersectional experience. He frequently emphasizes the generative role of error as an opportunity for creation, resulting in media-centered projects driven by DIY methodologies, lo-fi translations, and persistent, inquisitive experimentation with available materials.
His work has garnered awards from esteemed organizations including the Jersey City Arts Council, Oregon Arts Commission, the Ford Family Foundation, Regional Arts & Culture Council, the Precipice Fund grant funded by The Andy Warhol Foundation for the Visual Arts and the Calligram Foundation and administered by Portland Institute for Contemporary Art (PICA). His visual art, performances, curatorial & collaborative programming have been presented internationally at A4 Arts Foundation; the ImagineNative Film + Media Arts Festival; Onassis Foundation; ICA at MECA&D; Luggage Store Gallery; Soundwave ((7)) Biennial; PICA; Portland Art Museum; the Honolulu Museum of Art; Honolulu Biennial 2019.
Learn moreDean & Britta are Dean Wareham and Britta Philips, formerly of iconic 90s band Luna. Started by Wareham in 1992, Luna made seven studio albums and played their final shows in 2005. Prior to Luna, Wareham fronted Galaxie 500. Philips joined Luna in 2000, before which she played in several bands, starred in the movie Satisfaction, and was the singing voice of 80s cartoon character JEM. The duo released L’Avventura, an album of covers and duets, in 2005, and Back Numbers in 2009. Dean & Britta have scored several films, most notably Noah Baumbach’s The Squid & The Whale.
Selected Press
For Warhol Visitors and Would-be Superstars, 4 Minutes of Mystique, Stephen Holden, The New York Times, January 19, 2009.
Learn moreDean Daderko is Curator at the Contemporary Arts Museum Houston. His first exhibition at CAMH, It is what it is. Or is it? (2012), explored how contemporary artists have recast the readymade to address a variety of social, political, and temporal concerns as this artistic form nears its 100th anniversary. Parallel Practices: Joan Jonas & Gina Pane (2013) brings together a selection of works made between 1965 and 2010 by two foundational performance artists with multidisciplinary practices working in New York and Paris respectively. His upcoming CAMH exhibitions include a solo exhibition of documentary work by LaToya Ruby Frazier, which will travel to the ICA Boston. Previously working as an independent curator based in New York, Daderko has mounted curatorial projects in Buenos Aires, Argentina; Montreal, Canada; and Vilnius, Lithuania, among other locations. He has also organized programming for Art in General, Artists’ Space, The Kitchen, and Visual AIDS in New York. Daderko has been a graduate seminar instructor at Yale University School of Art where he led the course Queer Strategies, and a visiting curator at Centro de Investigaciones Artisticas in Buenos Aires; Cooper Union School of the Arts in New York; the École des Hautes Études en Sciences Sociales in Paris; M.I.T. in Cambridge, MA; and the University of Houston. He writes and speaks extensively in conjunction with his exhibitions, and his writing has been published in catalogues by CAMH, The Studio Museum in Harlem, El Museo del Barrio, P.S.1 Contemporary Art Center, The Americas’ Society, and Rutgers University.
Learn moreYou seen her on BET comic view, and also she was a finalist in funny is Mom’s in America. She has been in the business over 30 years and has open for all the fellow comedians such as Jamie Foxx,Sinbad, And recently perform at the Northwest black comedy festival with Marsha Warfield that is just a few. She believes laughter is a healer and is known as comedy nurse because she knows the power of laughter, she is the diva Comedy Debbie Wooten.
Learn moreDeborah Hay is an American choreographer, dancer, dance theorist, and author working in the field of experimental postmodern dance. She is one of the original founders of the Judson Dance Theater.
Learn moredee bustos is a queer, genderfluid multimedia artist living in Portland. with family roots to méxico— dee loves color, texture, sound, memory, and the vivid language of dreams. they are curious about death, grief, and the ways to creatively and compassionately tend to those wounds. their chrysalis has cracked open.
Learn moreDeelay Ceelay is a collaboration between video artist/musician Chris Lael Larson and percussionist Delaney Kelly, fusing live instrumentation with synched projected visuals. Deelay Ceelay blur the divide between music, experimental film and performance while emphasizing the creation of a two-way exchange with audiences.
The duo have performed/screened in over 30 cities across the U.S., with work appearing at the Berkeley Museum of Art, the Portland Documentary and Experimental Film Festival, the Experimental Media and Movement Arts Lab, PICA and the Northwest Film Center. Deelay Ceelay live in portland, oregon.
Learn moreDee Lyrium is a performance artist and dancer whose work comments on the limits of bodily autonomy through physical pain. Their work features themes of pain, ecstasy, grief, and personal power.
Learn moreFounded in 2015, Deep Under Ground (DUG) is a community-based arts platform that curates intentional gatherings in support of local artistry striving to encourage young, diverse talent to change the landscape of the Portland arts community. Through organizing and making art, DUG’s intention is to uplift individuals and synchronize different avenues of expression; emphasizing artistic cultivation as an essential outlet to every individual and community.
Learn moreDemian DinéYazhi´ (born 1983) is a Portland-based Diné transdisciplinary artist, poet, and curator born to the clans Naasht’ézhí Tábąąhá (Zuni Clan Water’s Edge) & Tódích’íí’nii (Bitter Water). Their practice is a regurgitation of purported Decolonial praxis informed by the over accumulation and exploitative supremacist nature of hetero-cis-gendered communities post colonization. They are a survivor of attempted european genocide, forced assimilation, manipulation, sexual and gender violence, capitalist sabotage, and hypermarginalization in a colonized country that refuses to center their politics and philosophies around the Indigenous Peoples whose Land they occupy and refuse to give back. They live and work in a post-post-apocalyptic world unafraid to fail.
Instagram @heterogeneoushomosexual
Learn moreDennis Nyback was an American independent film archivist, found footage filmmaker, historian and writer. Nyback operated the Dennis Nyback Film Archive, which has over 13,000 short films, from 1895 onward, mostly in 16mm. It is located in Portland, Oregon.
Learn moreDennis Scholl is the Vice President of Arts for the Knight Foundation. He oversees the foundation's national arts program, including the Knight Arts Challenge and Random Acts of Culture. He is well known as a collector of contemporary art for over three decades. Scholl is also the founder of a series of initiatives dedicated to building the contemporary art collections of museums, including the Guggenheim, the Tate Modern and the Pérez Art Museum Miami. He is a four-time regional Emmy winner for his work in cultural documentaries. His first feature documentary “Deep City: The Birth of Miami Sound,” premiered at the 2014 SXSW Film Festival. Dennis is also the co-founder of Betts and Scholl, an award-winning wine project. In 2012, Scholl was a Harvard University Advanced Leadership Fellow, focusing on the role of culture in community engagement. Dennis is currently a Visiting Scholar at the Massachusetts Institute of Technology Media Lab. Previously, he was a practicing attorney and CPA.
Learn moreDescending Pharaohs is an ethno-psych project soundtracking the alleyway fight scenes to near-eastern films of the ’70s. Half structure/half improvisation, drawing influence from Arabic/Anatolian electric music, spiritual jazz, British psych, and the heavier side of Krautrock, Descending Pharaohs is Ricardo Esway (Militant Children’s Hour, Gazillions, Gamelan Sekar) on guitar; Larold Will (Les Etrangers, Topiary Kings, Brainwarmer) on drums and electronics; and Theo Khoury (Tunneler, Gaza Tunnels) on bass, oud, and djoura.
Learn moredevynn emory is a mixed Lenape/Blackfoot transgender choreographer, dance artist, bodyworker, ceremonial guide, acute care and hospice nurse currently working as a COVID-19 nurse in NYC. emory's performance company devynnemory/beastproductions draws from their multiple in-between states of being, holding space for liminal bodies bridging multiple planes of transition. their formal dance training pulls on mathematical and mapped scores to support bodies decolonizing and bleeding human truths, opening peep holes and revelations for collective performers and audiences. they are currently working on a trilogy centering medical mannequins processing transitional mediumship. deadbird with it’s touring public altar can anyone help me hold this body will be first. Cindy Sessions and boiling-rain are to follow which are interactive storytelling projects with an elder mannequin holding a collection of grandmother wisdom. As a healer they have dual licenses in "western" and "eastern" bodywork and run a private practice sage-massage that offers end of life consultation, channeled counseling and hands on care modalities in conversation with thresholds. you can find their work at devynnemory.com and sage-massage.
Learn moreDez Ramirez is a writer, filmmaker, artist and DJ. Known as DJ La Cosmica, Dez has been a member of the Noche Libre DJ Collective since 2018, and has hosted, recorded and produced episodes of Radio Noche Libre! on XRAY FM. Currently living between the Mojave Desert, Los Angeles, and Portland - La Cosmica's style and musical curation ranges widely as she draws from the influences of dramatic wilderness, urban vibrancy, and the pulse of collective and radical liberation in the communities in which she lives and creates. Recent flavors consist of electrocumbia, electronica, house, synth, R&B, bass, reggaeton, norteno, salsa, and disco.
Find her at:
@silver_mother
Learn moreArgentine director, dancer and choreographer Diana Szeinblum began her career with the prestigious contemporary Ballet of the San Martin General theatre under the direction of Oscar Araiz. On a Goethe Institute scholarship, she studied at the Folkwang Tanz Schule and danced with the FTS company under the artistic direction of Pina Bausch, where she worked with choreographers such as Bausch, Susanne Linke and Urs Dietrich, among others. Her award-winning independent dance theatre work Secreto y Malibú toured across Europe, Asia and the US in 2003 including performances at PICA, The Walker Art Center, Dance Theatre Workshop and the Fresh Terrain Festival in Austin. ALASKA, her last piece, premiered in 2007, in the Konex Art Center, Buenos Aires, Argentina, and toured through the NPN Performing Americas Program in 2008. ALASKA will also be included in the Teatro a mil Festival (Chile) CINARS (Canada) the Feria de San Sebastian (España) and he Festival in Madrid 2009. Szeinblum is a sought-after teacher of composition and improvisation classes in Buenos Aires and throughout Argentina.
Lucas Condro began his studies in Argentina in 1997. In 1999 he was invited by the teacher and choreographer David Zambrano to take a seminar at the School for New Dance Development in Amsterdam, where he studied for three years and received the degree of "Dance Maker." In Amsterdam he worked with the choreographers Red Peace, Hooman Sharifi; Nicole Butler and David Zambrano. In 2004 he improved his skills in the Montpellier Choreographic Center, under the direction of Mathilde Monnier. Condro is one of the key performers of Diana Szeinblum's work, appearing in her play 34 Metros, Homage to Kagel and ALASKA. He teaches Improvisation and technical courses in Argentina and throughout Latin America.
Learn moreDisorientalism is an ongoing collaboration between Katherine Behar and Marianne M. Kim. Through live performance, video, and photographic projects, the duo explores how technologized labor, junk culture, and consumerism mediate race, gender and bodies. In character, the Disorientals expose our hapless submersion in junk culture, and our failed attempts to rationalize it by mistakenly resorting to industriousness and work. Recent exhibitions include de la Cruz Collection in Miami, the Poznan Biennial, and The Wassiac Project. Behar and Kim have individually been supported with grants from the Franklin Furnace Fund, NEA/Dance USA, Meet the Composer, Arizona Commission on the Arts, Illinois Arts Council, and the U.S. Consulate General in Leipzig.
Learn moreSeattle native DJAO, aka Alex Osuch, is a producer/vocalist of electronic music: hazy bass, sung echoes, swungout drums, zones. Alex began to produce in earnest after joining up with Dropping Gems in 2010, and his live performances have since evolved to their current state: a combination of singing, triggering, and dancing. His music covers a wide fuzzy swath of the electronic spectrum. It exemplifies the progressive tradition of mixing elements from different disciplines into a cohesive whole, all in service of a central harmonic vision. It confronts everything from sadness to relaxation to the warm revelation of a burden lifted. Behind it all is a profoundly mundane daily routine.
Selected Press:
"The Alchemist: Alex Osuch aka DJAO," City Arts, by Jonathan Zwickel, January 2, 2014
"DJAO / Running in the Fog / Natasha Kmeto - 'Bass Camp SF'," Tiny Mix Tapes, by Top Heavy, May 30, 2014
Learn moreDJ Black Daria is a Portland-based DJ and selector of R&B, hip hop, funk, afro caribbean and latinx sounds. She co-hosts Everyday Mixtapes on XRAY.FM with DJ Shi Shi (Saturdays 5-6pm) and is a part of the Noche Libre collective. She draws inspiration from her Black and Latinx roots and brings a variety of bass-heavy, beat-laden sounds to the Northwest scene. She holds a residency at Dig a Pony and the 1905.
Learn moreDJ Klyph has been bringing the very best from the northwest and worldwide to the airwaves since ’09. Featuring hip hop, funk, soul, and providing a platform for artists that are often underserved to share exclusive content like in-studio interviews and on-air rhyme sessions. A fan of conscious hip hop with a lean towards the golden era east coast sound, Klyph utilizes the multimedia platforms of radio broadcast, podcasting, and visuals to impact the community consciousness and real good music.
Learn moreDJ Mixed Messages is a local Portland, OR DJ and electronic music artist. They perform at regional venues, art spaces, and events—such as the Sines and Vines electronic music series and local club sets—often supporting community groups like the Synth Library Portland or Elbow Room.
Learn moreD’Lo is a queer transgender Tamil Sri L.A.nkan-American, political theatre artist/writer, director, comedian and music producer based in Los Angeles, California. D’Lo has performed and/or facilitated performance and writing workshops extensively (US, Canada, UK, Germany, Sri Lanka and India). D’Lo is also the creator of the “Coming Out, Coming Home” writing workshop series which have taken place with South Asian and/or Immigrant Queer Organizations nationally (LA, NY and SF). D’Lo’s work has been published in various anthologies and academic journals, most recently: Desi Rap: Hip Hop and South Asia America and Experiments in a Jazz Aesthetic (co-edited by Sharon Bridgforth). D’Lo holds a BA from UCLA in Ethnomusicology and is a graduate of New York’s School of Audio Engineering (SAE).
Learn moreDNVN is an alternative R&B project by Portlanders Damon Boucher and Donovan Edwards. The duo met in 2013, through mutual friend Chanti Darling. After Edwards had a particularly hard break up, the duo released first EP, "Ex-Boyfriend" on SoundCloud in 2015. Between the two they have worked with various local artists including Sassy Black, Natasha Kmeto, The Last Artful, Dodgr, Chanti Darling, and Maarquii. "SOFT PINK" the duo’s debut LP is due later this year
Learn moreFounded in 2014, Dohee Lee Puri Arts (DLPA) is the producing organization of performance artist, Dohee Lee. Our mission is to create and tour multi-disciplinary performance rituals under the direction of Dohee Lee. We utilize art to heal fractured relationships in the urban environment – relationships between humans and the land and between individuals and their communities. We say "performance ritual" because Dohee's work arises from her intensive training in the practices of mudang (Korean shamanism). This tradition combines singing, dancing, drumming, costuming into communal village healing gatherings. DLPA applies this ancient, indigenous approach to community healing to our urban village of the Bay Area, updated with modern tools of multi-disciplinary immersive art. Since her arrival in the US in 2002, Dohee Lee (Artistic Director) has been a vital contributor to both the traditional and contemporary arts landscape of the Bay Area, working with Kronos Quartet, Degenerate Art Ensemble, Anna Halprin, Amara Tabor Smith, inkBoat, Kunst-Stoff Dance. Recent awards: 2016 Alpert Prize, Music; 2016 Rainin Grant; Korean Americans for Peace, 2016 Korean American Peace Award; 2015 CCI; 2015 Doris Duke Impact, Theater; 2015 Gerbode, Choreographer; 2015 Ucross Residency; 2014 Djerassi Residency; 2014 William and Flora Hewlett Honorary Fellowship; 2013 East Bay Community Foundation; 2013 Creative Capital; 2013 MAP.
Learn morephotographer/filmmaker/writer
Learn moreHailed by Ms. Magazine’s end of the century issue as “a choreographer making great leaps forward into the 21st century,” Donna Uchizono is the Artistic Director of Donna Uchizono Company, a New York-based company established in 1990. Since her choreographic debut in 1990, Uchizono rapidly emerged from the “downtown scene” as a choreographer known for her spicy movement, wit, and rich invention. Donna Uchizono Company has toured throughout the United States, Europe, South America, Asia and Australia and has created work for notables Mikhail Baryshnikov, Pulitzer Prize-Winning Playwright, Paula Vogel, MacArthur Fellow, David Hammons, and neurologist/writer Oliver Sacks.
In 2011, after decades of critically-acclaimed dance works that toured nationally and internationally, Donna Uchizono was identified by the New York Public Library for the Performing Arts and Dance Heritage Coalition as a master choreographer whose works require preservation. Donna Uchizono Company received a 2021 National Endowment for the Arts award for Phase 1 of the archival and preservation of her work.
In addition to being a Unites States Artist, Guggenheim Fellow and a “Bessie” award winner, Uchizono has been recognized by many awards including United States Artist Award in dance, an Alpert Award in Dance, Rockefeller, the National Dance Project, the National Endowment for the Arts, the New York State Council on the Arts, Creative Capital Foundation, Altria Group, Inc., the Jerome Foundation, Dance Magazine Seed Grant, the Joyce Mertz-Gilmore Foundation, Arts International, Foundation for Contemporary Performance, Metropolitan Life Foundation/ADF Commission, the National Performance Network, the Suitcase Fund, the Harkness Foundation for Dance, the Mary Flagler Cary Charitable Trust, the Greenwall Foundation, Meet the Composer, and the Bossak Heilbron Charitable Foundation. Uchizono has received fellowships from the National Endowment for the Arts and five New York Foundation for the Arts Fellowship.
Learn moreDontavious Body, Meet Me On Da Floor Chief Executive Officer and Founder
Dontavious Body is the young urban professional who had the forethought to establish MEET ME ON DA FLOOR, Inc., a 501c3 nonprofit company, as well as the courage to use his company to embark upon the journey to be a positive force of enlightenment, change, and inclusion for society. Prior to him establishing this company, he served in corporate America for both for-profit and not-for-profit organizations; most notably Microsoft and with Forever family, Inc. While at Microsoft, Body served as the company’s Product Advisor and Community Development Captain where he was responsible for introducing the world of MICROSOFT to corporate partners and non-profit agencies, launching new product lines, and facilitating corporate education. He has earned a number of Microsoft certifications.
Learn moreDon’t Shoot Portland is an arts and education organization that promotes social justice and civic participation. Our year-round programming allows us to advocate for community members facing racism and discrimination by providing legal representation and direct advocacy. Since our inception in 2016, Don’t Shoot Portland has hosted its own dialogues, community forums and workshops focusing on history, archiving and social culture. The art proponent of our work acts as a communicative tool to facilitate discussions about race in America while providing educational assets to those most affected by discrimination in public policy.
As we uplift and amplify social movements around the world, your solidarity and commitment to change is the impact needed. We must continue to evolve alongside one another to extend this work. Our community action plan provides direct essential resources, legal advocacy and more to support communities that have been systemically marginalized. Our programming will remain free and low-barrier to keep our resources accessible to all.
Teressa Raiford is a community organizer, philanthropist and fourth generation Portlander. Her experiences with gun violence inspired her to demand accountability from leaders and lawmakers surrounding public safety. In 2016 Teressa established a human rights organization, Don’t Shoot Portland, focusing on civic education, art and nonviolent direct action while providing legal access to vulnerable communities.
Tai Carpenter (she/her) is a writer, gallerist and community archivist with a passion for social impact in the realms of art and civil rights. She is also the founder of Compose Yourself Magazine, an independent online publication spotlighting music, culture and social justice. She has curated political art installations, facilitated panel discussions and organized artmaking workshops centered on civic action with Portland Art Museum, University of Oregon’s Special Collections and University Archives, Society of American Archivists, The Schomburg Center for Research in Black Culture, Shift Collective and Documenting the Now, among others.
Her work allows her to intersect two passions, art and civil rights, to create a more equitable and creative world by utilizing critical research to facilitate dialogues around art in relation to current social movements.
Tai is currently the Board President of Don’t Shoot Portland, a community-based advocacy nonprofit and Director of The Black Gallery. Most recently she was Gallery Coordinator for the Jordan Schnitzer Museum of Art at Portland State University, Gallery Manager at HOLDING Contemporary and an Archives & Records Management Coordinator at the City of Portland Archives.
Learn moreDorothée Munyaneza (Marseille, France) is a singer, writer and choreographer who spent her childhood in Rwanda. Her style of creating and performing on stage is directly inspired by what life has so intensely given her. Her artistic research draws from the diversity of her cultural heritage but more so by her appetite for encounters. In all her projects, the human dimension is especially of great importance. Her artistic curiosity and interest for a dialogue between music and other modes of expression blossomed through her participation in François Verret’s shows. In 2013, she created Compagnie Kadidi to start developing her own work, including “Samedi Détente,” her first work as a choreographer which has been presented 100 times touring all over Europe and in the USA.
Learn moreThe work of Glasgow native Douglas Gordon epitomizes a new fluidity between video and film in contemporary art. Gordon received the Turner Prize in 1996, the Premio 2000 at the 1997 Venice Biennale, and the Hugo Boss Prize in 1998.
Learn moreDouglas J McCarthy is a founding member of NITZER EBB, formed in 1982. McCarthy has a long standing partnership with French Techno producer, Terence Fixmer as FIXMER/MCCARTHY. In 2010 NITZER EBB released their sixth studio album, ‘INDUSTRIAL COMPLEX’. Subsequently McCarthy embarked on his first solo album, 'KILL YOUR FRIENDS', collaborating with Cyrusrex for the first time. Released in 2013, it led to this new musical partnership, BLACK LINE.
Learn moreSeattle’s [self professed] hottest postmodern nightlife performance duo, Drama Tops was born of the artistic partnership of Elby Brosch and Shane Donohue. They began making work together seven years ago with the creation of a solo on two bodies. The dynamic between their trans body and cis body has created beautiful moments of frustration, competition, tenderness, and comedy. Drama Tops blends the worlds of nightlife and concert modern dance to create an interesting and unique blend of accessible and funny modern dance. You may have seen Drama Tops perform their smash hit Boys! Boys! Boys!, presented by Velocity Dance Center’s Made in Seattle program, or their self-produced show, Drama Tops, this is for you at Washington Hall in Seattle. Other performances include NW New Works Festival presented by On the Boards, Seattle, WA; Family Meal and Catharsis at Kremwerk, Seattle, WA; Heels! at Cha Cha, Seattle, WA; High F@ggotry, Seattle, WA, and more.
Learn moreDrew Michael was born in Bethel, Alaska, and raised in Eagle River, Alaska. He started his art career at the University of Alaska Anchorage in a carving class with Joe Senungetuk in 1997. From there, his practice has developed through the study of other artists' work and through his own experience in trial and error. He has learned under the guidance of Kathleen Carlo and Larry Ahvakana in Anchorage, AK.
His art is deeply influenced by the people and events he has encountered in his life. Currently, his work uses imagery of religious iconography blended with traditional mask making with the hopes of bringing to light different ways of healing. His work is created with a focus on using new materials and combinations of mixed media. He uses carving as a form of expression, to draw understanding and compassion from within, and is constantly using new materials to broaden the form of his work.
"With everything I create I aim to exemplify my thoughts on how our humanity exists within this world, emotions about my relationships with others, perceptions of energy in all things and the constant acceptance into balance. As I learn about my own path I blend my traditional knowledge with everyday living experience and somehow try to connect with that ancestral wisdom that I see us all having within and around."
Learn moreNow a resident of New York City, Drew Pisarra began performing solo works five years ago at various work-in-progress forums around Portland. His initial short pieces culminated in his evening-length work, Queer Notions. His subsequent monologue, Fickle, debuted at Portland Actor's Conservatory and toured to Highways in Los Angeles and On the Boards in Seattle as part of their Northwest New Works series. His piece, The Gospel According to Saint Genet, was commissioned as part of the Portland Art Museum's 1995 Biennial. Pisarra has also appeared in numerous productions with the Imago Theatre, and has collaborated with several local artists including Katherine Peterson, Linda K. Johnson, and Cynthia Ciamente. His poetry has been published in various magazines, and a collection of his short fiction entitled Public Spanking was released by Future Tense Press in 1996.
Learn moreDr. Simonis has a PhD in Ecology and Evolutionary Biology from Cornell University and is the Owner & Lead Scientist of DAPPER Stats, a Portland, OR-based quantitative ecology consulting company. They are also the Founder & Director of the Chemical Weapons Research Center, a research, education, and activism organization focused on understanding the impact of chemical weapons on people, communities, and the environment.
When not working, Dr. Simonis plays competitive roller derby, and is a current member of the four-time, currently defending world champion and #1 ranked Rose City Rollers Wheels of Justice. Alongside competing, Juniper has been recognized for their activism and advocacy for inclusion of transgender athletes.
Website: https://www.juniperlsimonis.com/
Learn moreMiller & Shellabarger create artist books and public performances that examine queer identity, politics, and displays of affection and intimacy. They are recipients of a 2008 Artadia Chicago Award and a 2007 Louis Comfort Tiffany Foundation award. Together, Miller & Shellabarger have presented their projects at venues across the United States and at art fairs including Volta in Basel; Switzerland; NEXT in Chicago; NADA in Miami; and the Affair at the Jupiter in Portland, Oregon. The two artists also maintain separate artistic practices. Miller & Shellabarger are represented by Western Exhibitions in Chicago, where they live and work.
Selected Press
Run, Don't Walk, Carlos Suarez de Jesus, Miami New Times, September 17, 2009.
Learn moreDylan Mira is an artist moving between video and text, recording how language makes bodies within the limits of representation and the thickness of time. Her recent projects have been presented at Performa, Elizabeth Foundation for the Arts, Film Society of Lincoln Center, Artist Curated Projects, Los Angeles Nomadic Division, and Human Resources. She holds an MFA in New Genres from University of California Los Angeles and a BFA in Video from the School of the Art Institute of Chicago.
Learn moreFaye Driscoll (b. 1975, California, lives and works in New York) is an award winning art and performance maker who uses an alchemy of bodies and voices, objects and live sound to conjure worlds that are, like ourselves, alive and forever changeable. She creates immersive worlds of sensorial complexity and perceptual disorientation aimed to rile up the passive, numb, screened-out body. These interventions come in the shape of intimacies: a performer holding your hand, death metal song made through recording your stomping feet, a place to rest and a private guided choreography in your ear.
In Thank You For Coming, her recently completed trilogy of performance works—Attendance (2014), Play (2016), and Space (2019)—each took a distinct genre blurring while summoning the unnamed forces that surge between the viewer and the viewed. For her first solo exhibition, at Walker Art Center, Driscoll brought the immersive experience of theater into the exhibition space, inviting viewers to become active participants through a series of prompts and subtle directives from her series of audio works, Guided Choreographies for the Living and the Dead.
She is currently the Randjelovic/Stryker Resident Commissioned Artist at New York Live Arts, and is the recipient of a Doris Duke Award, Guggenheim fellowship, a Bessie award and the Jacob’s Pillow Artist Award, among many others. Select presentations include Kunstenfestivaldesarts, La Biennale di Venezia, Brooklyn Academy of Music, Walker Art Center, Melbourne Festival, Wexner Center for the Arts, Onassis Cultural Centre in Athens, Centro de Arte Experimental in Buenos Aires.
Learn moreFernanda D’Agostino is a public art and new media installation artist based in Portland, OR. USA. D’Agostino has exhibited nationally and internationally with video installation, large scale public art projects, and performance. Her work has been featured in numerous public art and new media festivals, and exhibitions, and she strives to share what she has learned with others. Most recently, she has collaborated with Collection Action Studio, led by Curator Justin Hoover, to produce large scale outdoor projection works in San Francisco and Hong Kong. Her Borderline series of installations was exhibited in 2018-19 at 1A Space Hong Kong, Disjecta Contemporary Art Center, Open Signal, and Portland Art Museum. (all Portland, OR.) D’Agostino works between sculpture, installation, creative coding and video mapping on several programming platforms. The connecting thread in all her work is creating an immersive, interactive environment that places viewers within the work. D’Agostino’s work has been recognized by the Flintridge Foundation, Bonnie Bronson Fellowship, Andy Warhol Foundation, Oregon Community Foundation, Ford Family Foundation, 4Culture TechSpecific Award, National Endowment for the Arts, and with the Oregon Arts Commission Artist Fellowship. D’Agostino is co-founder and co-director with Sarah Turner of Mobile Projection Unit. MPU is a creative platform, curatorial platform, and a supporter of social justice movements through volunteer tech support.
Learn moreFin de Cinema is a recurring live film score series curated by Gina Altamura of Portland music venue and nightclub, Holocene. This series, established in 2009, allows local pop and experimental musicians to reinterpret the soundtracks to classic art films. FIN DE CINEMA returns to TBA for the third year in a row, and celebrating the 10 year anniversary of the series. This year’s edition will be an original live score of Black Orpheus (1959), composed and performed by visionary local musicians.
Learn moreFUTURE DEATH TOLL (F-DT) is an art-oriented collective that releases Creative Commons licensed audio and video primarily online. The elusive group creates work circumventing the normal bounds that geography (namely museums and galleries but also physical media) imposes on an art form. Armed with modular synthesizers, projectors, and uniformed in blaze orange, F-DT is a throbbing mess of noise that mutates sound and video in a sculptural fashion.
Learn moreWith strong ties to the visual art community and almost boundless creative energy, Gang Gang Dance grew out of the turn-of-the-century Null New York scene, with members who played or worked with The Cranium, Actress, Russia, SSAB Songs, and Jackie-O Motherfucker. The genesis of the band was collaborative in nature, with Brian Degraw, Tim Dewit, Lizzie Bougatsos, Nathan Maddox, and Josh Diamond experimenting in tiny practice spaces. Tragically, in 2002 Maddox was struck by lightning and killed while watching a storm on the roof of his apartment building.
By 2003, the band had refined the tribal-futurism sound to its purest form. GGD samples and processes beats and melodies, looping them into pulsating rhythms that pull from ancient traditions but deliver a modern sound. Exploring dance, performance art, theatre, DJing, film, and visual art as well as music, the group regularly performs in galleries, museums, and art fairs and was included in the 2008 Whitney Biennial.
Gang Gang Dance has toured with Sonic Youth, TV on the Radio, and Animal Collective; played venues and festivals worldwide; and released four albums: Revival Of The Shittest (2004), God’s Money (2008), RAWWAR (2004), and Saint Dymphna (2004), as well as the DVD Retina Riddim (2007), a multimedia project consisting of a 33-minute art film and a 20-minute audio collage, both of which were drawn from the band’s archives and authored by band member Brian Degraw.
Learn moreHeather Donahue received her BFA from Maryland Institute College of Art. Her studies and interests have included interpersonal communication, queer theory, fine arts, spiritual discourse, dance, and cognitive sciences. Donahue’s work has been included in exhibitions, programs, and residencies at the Museum of Contemporary Craft (OR), Museum of Modern Art (NY), Portland Art Museum (OR), DUMBO Studios (NY), Low Road Gallery (IN), Pinkard Gallery (MD), and Mildred’s Lane (PA).
Learn moreBecoming Mexican, Helday de la Cruz | Photo credit Carly Diaz
Heldáy de la Cruz is an artist and community organizer. Through illustration and design, his work explores the identities that are lost and found within the queer and latinx diaspora. This, alongside his undocumented status, are at the very core of his community work. Heldáy's artwork and story has been shared in Milk X Magazine (Hong Kong), The Huffington Post, AIGA Portland, She Shreds Magazine, Ecotrust, Street Roots, East Oregonian, The Oregonian, ACLU of Oregon, Design Week Portland, Brand New Podcast, Social Justice League Podcast, Talking with Ghosts Podcast, Homebase Gallery, CultureStrike, and the Define American Film Festival. He also co-leads a collective called UndocuPDX that provides resources, education, and news for the undocumented community.
Learn moreIna Diane Archer is a Media Conservation and Digitization Assistant at The Smithsonian National Museum of African American History & Culture. She is a filmmaker and visual artist whose multimedia works and films have been shown nationally. Ina was a Studio Artist in the Whitney Independent Study program, a NYFA multidisciplinary Fellow, a 2005 Creative Capital grantee in film and video, and she has been awarded numerous residencies. Prior to joining NMAAHC, Ina was adjunct faculty at Parsons The New School for Design. She is the former co-chair of New York Women in Film and Television’s Women’s Film Preservation Fund. Ina earned a BFA in Film/Video from RISD and a Master’s in Cinema Studies at NYU focusing on race, preservation, early sound cinema and technology and she studied Moving Image Archiving and Preservation at UCLA (MIAS) and NYU (MIAP). Finally, Ina is a regular contributor to Film Comment Magazine, and she participates on their podcasts and she is juggling at least three blogs!
Learn moreIvo Dimchev is the author of more than 30 performances. He has received numerous international awards for dance and theater and has presented his work across Europe, South America, and North America. He has led master classes at the National Theater Academy in Budapest, the Royal Dance Conservatory of Belgium in Antwerp, Hochschule der Künste in Bern, Switzerland, DanceWeb in Vienna, Giessen University in Germany, the Bremen Academy of Art, and other institutions. Dimchev is the founder and director of the Humarts Foundation in Bulgaria and organizes an annual competition for contemporary Bulgarian choreography. Dimchev is currently an Artist in Residence at Kaaitheater in Brussels. In 2014, he opened MOZEI in Sofia, Bulgaria, as an independent space for presenting contemporary art and music.
Learn morePeople are universally intrigued by mystery and delighted by discovery and understanding. This is the essence of science and it is why we all spend at least the first 10 years of our lives exploring the unknown universe just as scientists do. But at that age, we call it play.
With good fortune, I have been able to continue the work of my inner 10 year old and to share the mystery, discovery and understanding with my students. The delight I have in teaching comes every term when I get to see the universe through their eyes and perspectives. And in reminding everyone to tap into that 10 year old scientist that lives within.
My career in science began at age 5 with a visit to the Hayden Planetarium in New York City. It almost ended when I was 12 when I set fire to the basement of my house with a chemistry set! But I survived that test (and my parents never knew!). That’s when I knew I had a future in science!
My formal education includes a B.A. in Physics and Astronomy from the University of Virginia and a Ph.D. in Astronomy from the University of Pittsburgh.
I started teaching astronomy and physics in 1975 at various universities and have served as director of three planetariums, including OMSI’s Kendall Planetarium. At OMSI I moved into the exhibit design and development phase of my career and totally reinforced my commitment to hands-on, discovery-based learning. That is the philosophy I use in my classes at Marylhurst University where I teach now.
I have also worked for two other Portland-based science exhibit companies, Levy Design and Promotion Products, Inc. Exhibits that I have developed are here in Portland, and museums in California, Ohio, Alaska, New Jersey, Boston, Saudi Arabia and Israel, among other places.
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