Artists Archive

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Aaron Guice: 1 Event; Aaron Guice - Founder + Director Of Cultural InnovationTM at AFRORACK®
Aaron Guice is a rising social advocate whose work focuses on community wellness, STEM learning, and technology justice. Born and raised in Chicago, Guice earned a bachelor's degree in Audio Arts and Acoustics at Columbia College (Chicago). Early in his profession, he worked as an on-set recording engineer, later establishing himself as a prominent Los Angeles commercial sound designer. Following a 15 year career with cutting-edge directors and ground-breaking advertising agencies, his return to Chicago has led to an expansion into the world of modular synthesis.
Aaron's new vision for STEM education is a composite style that bridges the gap between communities of color and equity opportunities in the tech industry. Through this unique lens, modular becomes more than just sounds, more than just music, and more than just technology—it's literally a space for new ideas and dialogue, a platform where students can aim to reformat solutions for tomorrow's needs. His creative process is tailored to each project's content, community, or space to produce truly unique and advanced innovative experiences.
He has held masterclasses and frequently lectures on modular synthesis performance, technology, and their relationships to activism. The continuously evolving practice strives for civic empowerment and investment to increase access. Aaron not only provides talented young African American students with means of approaching modular synthesis, but also creates cultural products that link art with social, spatial, and sonic realms—shaping community narratives into a creative production.
Abigail DeVille: 3 Events; Abigail DeVille received an MFA from Yale University and a BFA from the Fashion Institute of Technology. She is the recipient of the 2014-15 fellowship at the Radcliffe Institute for Advanced Study at Harvard University, the 2015 Creative Capital grant, the 2015 OBIE Award for Design, the 2017 Louis Tiffany Comfort Prize and the 2017-18 Chuck Close Henry W. and Marion T. Mitchell Rome Prize fellow.
DeVille’s work has been exhibited at venues including the Institute of Contemporary Art Miami; the Whitney Museum of American Art; the Studio Museum in Harlem, New York; the Carnegie Museum of Art, Pittsburgh, PA; the Kemper Museum of Contemporary Art, Kansas City; Cooper Gallery at Hutchins Center, Harvard University, Cambridge; Contemporary Art Museum St. Louis; and the Shelley & Donald Rubin Foundation, New York. She has designed sets for theatrical productions at venues such as the Stratford Festival (2014), Harlem Stage (2016), La Mama (2015), JACK (2014-16), and Joe’s Pub (2014).
A Black Art Ecology of Portland (BAEP): 1 Event; A Black Art Ecology of Portland (BAEP) is a multi-faceted, multi-discipline, multi-sited new initiative that brings together community organizations in coalition to devote resources to creating, reclaiming, and redefining spaces for Black art, youth, and audiences in Portland. Responding to this rupture in Portland’s Black community, the City of Portland’s Arts Affordability resolution, and most importantly, the Arts & Culture section of the Portland African American Leadership Forum’s (PAALF) “People’s Plan,” BAEP brings together community organizations prioritizing residents who have experienced, or are at risk of, forced displacement from places that have long been hubs of Black life. BAEP is supported by an Oregon Community Foundation Creative Heights grant, Miller Foundation, The Douglas F. Cooley Memorial Art Gallery at Reed College, the Regional Arts & Culture Council, The Ford Family Foundation, Community Development Partners, Portland Institute for Contemporary Art, Portland Art Museum, and the Pacific Northwest College of Art. PICA is the fiscal sponsor and a core partner of A Black Art Ecology of Portland through the SPACE Program. SPACE Program SPACE (Supporting Partners, Artists, and Community Events) offers PICA’s space, equipment, staff and other resources in support of local artists and community organizations to curate and produce residencies, programs, and events. SPACE is supported in part by the Regional Arts & Culture Council, Maybelle Clark Macdonald Fund, James F. and Marion L. Miller Foundation, Pacific Power Foundation, and Rose E. Tucker Charitable Trust.
a canary torsi: 1 Event; a canary torsi is a Bessie-award-winning, interdisciplinary group of artists formed by Puerto Rican artist and choreographer Yanira Castro. a canary torsi’s work examines the encounter between spectator and event, developing scenarios where the audience’s presence dramatically impacts the work. We investigate what brings us together, the nature of the space we inhabit, and how every aspect of our convergence is loaded with cultural, social, historical, and personal dynamics that influence how we form meaning and how power is structured. We develop indeterminate performative systems that catalyze—in performance—spontaneous structures, patterns, and instructions. We do this to complicate authorship, ensure multiplicity, and to form the work together in real-time. This way of working is for us a conscious de-centered politic. a canary torsi persists in the idea that live performance is uneasy communal action.
Adam Linder: 2 Events; Adam Linder (b. 1983, Sydney) lives and works in Los Angeles and Berlin. He makes stage works and provides Choreographic Services. FULL SERVICE (Services No. 1 - 5) was presented by CCA Wattis Institute (San Francisco, 2018) and Musée d’Art Moderne Grand-Duc Jean (2019), alongside a new work for the 2019 Venice Biennale. Linder will premiere a new work at MoMA New York in 2020. Recent solo or two person shows include South London Gallery, Kunsthalle Basel, Schinkel Pavillon, Berlin and Institute of Contemporary Arts, London. His works have been commissioned, presented or hired by HAU Hebbel am Ufer, Berlin; Museu de Arte Contemporânea de Serralves, Porto; Museum of Modern Art, Warsaw; Kampnagel, Hamburg; Sadler’s Wells, London; American Realness, NYC; MoCA, Los Angeles; 356 Mission, LA; Frieze LIVE, London; and National Gallery of Victoria, Melbourne. Linder participated in the 20th Biennale of Sydney, Liverpool Biennial and Made in LA at the Hammer Museum. He has performed with the Michael Clark Company, Meg Stuart’s Damaged Goods, and The Royal Ballet London.
Adam Sorenson: 1 Event; Adam Sorensen’s work explores the landscape as subject and depicts the natural world with an intellectual remove. His dark otherworldly scenes suggest the lonely contemplation of overwhelming beauty. Sorensen’s work has been exhibited as part of the Portland Art Museum's 2011 APEX Project Space series, in Los Angeles as part of “High Five: Emerging Art in America,” in the Portland Art Museum’s 2003 Biennial as well as the “Core Sample” exhibition of that year. He was selected as one of ten artists for the annual young painters competition at Miami University in Oxford, Ohio and was recently featured in New American Paintings. His work has been exhibited throughout the Northwest. Sorensen is currently represented by PDX Contemporary in Portland, Oregon, and James Harris Gallery in Seattle, Washington. An exhibition of new paintings is currently on view at PDX Contemporary Art.
Adee Roberson: 1 Event; Adee Roberson is an interdisciplinary artist whose work is a meditation on symbolism and texture. Synthesizing performance and installation, her work melds vibration and technicolor visions through paintings, video, and melodic compositions. These works offer a refracted timeline of black diasporic movement, weaving sonic and familial archives, with landscape, rhythm, and spirit.
They have exhibited and performed at numerous venues including, Portland Institute of Contemporary Art, Yerba Buena Center for the Arts, Antenna Gallery, Project Row Houses, Palm Springs Art Museum, Human Resources , UTA Artist Space, NADA Miami, Contemporary Art Center New Orleans, MOCA Los Angeles, and Art Gallery of Ontario. Adee has been an Artist-In-Residence at Echo Park Film Center, Treehouse Lagos, and ACRE. She is a recipient of the New York Foundation for the Arts Cutting Edge Grant and the 2021 Los Angeles Artadia Award. She is based in Los Angeles, California.

www.adeeroberson.com
Adela Demetja: 2 Events; Adela Demetja is a curator and author born in 1984 in Tirana, Albania. She holds a Master's Degree in Curatorial and Critical Studies from Goethe University and Städelschule, Frankfurt/Main, Germany. Demetja was first trained as a painter and studied from 2002 to 2006 at Academy of Art in Tirana, Albania. She is the director of Tirana Art Lab – Center for Contemporary Art, Albania's leading independent art institution, which she established in 2010. As an independent curator, she has organized, managed, and curated numerous international exhibitions and events in a number of European countries. In 2016, she was appointed curator of Focus: Ex-Yugoslavia and Albania at viennacontemporary international art fair in Vienna, Austria. In 2015, she co-curated the Third Edition of the International Contemporary Project Biennale D-0 Ark Underground, which took place in the anti-atom shelter build by Tito in Konjic, Bosnia and Herzegovina. Other thematic exhibitions she has curated include: The aesthetic of the small act at Action, Action Field Kodra Festival in Thessaloniki, Greece and Voices of Truth in Villa Roman, Florence, Italy. As an author, she writes exhibition reviews, catalogue texts, and articles for online platforms and publications in Albania and throughout Europe.
Adrienne Truscott: 1 Event; Adrienne Truscott received a 2014 Doris Duke Impact Artist Award and is a 2017 Foundation for Contemporary Arts grantee for Theater/Performance Art. Her solo comedic work and group choreographic works have been presented at Melbourne International Comedy Festival, Just For Laughs, Darwin Festival, PS122, Joe's Pub, The Kitchen, Dublin Fringe Festival, Danspace Project, Boom Arts, New York Live Arts, the Malthouse Theatre (Melbourne), and Dance Theater Workshop. Her form-busting show Adrienne Truscott’s Asking For It: A One-Lady Rape About Comedy Starring Her Pussy and Little Else! won the 2013 Edinburgh Foster's Panel Prize, was a finalist for the Total Theatre Award for Playing With Form, and is considered a critical impetus to the evolving conversation about rape culture. It has been presented by or included in curriculum at CalArts, New York University, the University of Pennsylvania, Princeton University, and Lewis and Clark College, among others. THIS was nominated for a 2017 New York Dance and Performance Award (Bessie) for Outstanding Production. The Wau Wau Sisters, her boundary-defying neo-vaudevillian collaboration with Tanya Gagne, have been presented by the Sydney Opera House, Joe's Pub, CBGB, Victoria Arts Centre, and The Roundhouse, and won the prestigious 2009 Herald Angel Award. Her piece Wild Bore, a “meta rebuke to critical writing,” was nominated for a Green Room Award for New Writing for the Australian Stage and won for Best Ensemble. Current touring pieces MASTERCLASS, a collaboration with Dublin-based Brokentalkers was recently presented at Dublin Fringe, in Harstad, Norway and at The Pleasance at Edinburgh Fringe and Grey Arias, a desecration of the problematic Madame Butterfly through the lenses of race and drag with UK-based opera performer Le Gateau Chocolat is premiering in Melbourne in April 2023. Truscott's essays have been published in Between Us: Women of Letters and Doing It: Women Tell the Truth about Great Sex, as well as in the Guardian. She's appeared as a storyteller at the Sydney Opera House's Festival of Dangerous Ideas and on The Moth. Truscott has guest taught for the Wesleyan University Dance Department, Sarah Lawrence College, Princeton University, Bard College, and is currently the MA Coordinator at the Center for Human Rights and the Arts at Bard College/Open Society University Network.
Ahamefule J. Oluo: 6 Events; Ahamefule J. Oluo (they/them) is a multi-instrumentalist, composer, writer, comedian, and creator of live performance. They were a founding member of the award-winning experimental jazz quartet Industrial Revelation and is a Mellon Foundation Creative Research Fellow, a Creative Capital awardee, an Artist Trust Arts Innovator awardee, and a semifinalist in NBC’s Stand Up for Diversity comedy competition. Oluo co-produced comedian Hari Kondabolu’s albums Waiting for 2042 and Mainstream American Comic for Kill Rock Stars, and the album Who the Hell is Dwayne Kennedy? by the eponymous standup legend. They have premiered two autobiographical, music-based performances at The Public Theater’s Under the Radar Festival: Now I’m Fine, 2016, which was described by The New York Times theater critic Ben Brantley as “a New Orleans funeral march orchestrated by Arnold Schoenberg,” and by Time Out New York as "A day later, it's as though I grabbed a live wire; I can still feel the electricity in my skin;" and Susan, 2020, which Brantley called “virtuosic” and “crackerjack.” Oluo has written for television, including the stop motion animated comedy Santa Inc. on HBO Max, starring Sarah Silverman and Seth Rogen. Now I’m Fine was adapted into the feature film Thin Skin, which Oluo wrote, scored, and starred in. Thin Skin won Best Director at the 2020 Harlem Film Festival and is now available on streaming services. They have appeared on This American Life. Oluo has been commissioned, presented, invited, or supported by Under the Radar, On the Boards, PICA, Meany Center, Clarice Smith Performing Arts Center, Seattle Theatre Group, Seattle Repertory Theatre, Intiman Theatre, REDCAT, MacDowell, Yaddo, Wa Na Wari, Langston, and more.
A.K. Burns: 5 Events; A.K. Burns is an artists and compulsive collaborator who lives and works in Brooklyn, NY. Using sculpture, video, collage and performed social actions, Burns exploits and perverts utilitarian forms, in an effort to upend the pathology of language and meaning. Burns is a founding member and co-organizer of W.A.G.E. and co-editor of RANDY, an annual trans-feminist arts magazine. Burns has shown and screened works internationally, including the Tate Modern (UK), The Brooklyn Museum (NY), Hessel Museum of Art (NY), Los Angeles Contemporary Exhibitions (CA); Sculpture Center (NY), TAG (Netherlands), and Callicoon Fine Arts (NY). Burns received a BFA from Rhode Island School of Design and an MFA from Bard College, Milton Avery Graduate School of the Arts.
Akela Jaffi: 5 Events; Akela Jaffi is a writer and dancer living in Portland, OR. A graduate of Jefferson High school, she is the founder of Black Artists Summer Showcase. Dance has been her method of expression and healing, and her greatest contribution to the Portland art world. She is grateful for her role in building community, and the dedication of others seeking equality and change.
Aki Onda: 5 Events; Aki Onda is an artist and composer. His musical and visual works are often catalyzed by and structured around memories—personal, collective, historical—such as his widely-known project "Cassette Memories", drawn from three decades of field recordings (or, as Onda refers to them, ‘sound diaries’). Crossing genres, he has been active internationally in the fields of art, film, music, and performance. His artistic collaborators include Michael Snow, Ken Jacobs, Raha Raissnia, Loren Connors, Alan Licht, David Toop, and Akio Suzuki. Onda has presented his works at documenta 14, the Louvre Museum, Centre Pompidou, Palais de Tokyo, Argos, Bozar, International Film Festival Rotterdam, MoMA, The Kitchen, and Walker Art Center, Nam June Paik Art Center among other institutions. After residing in New York for many years, he currently lives and works in Mito, Japan.
Akio Suzuki: 3 Events; AKIO SUZUKI is known as a pioneer of sound art, but the breadth of his activities and the form of his works far exceeds the normal boundaries of sound art. It is perhaps more as a “quester after sound and space” that he has received the most attention from artists in many fields. Suzuki’s journey as an artist began in 1963 with a performance at Nagoya station, in which he threw a bucket full of junk down a staircase. The inspiration behind this performance is the idea that if one were to hurl an object down a well-balanced stairway, a pleasant rhythm might be the result— took the desire to “listen” as its subject. That desire to hear, to listen has remained the one constant in Suzuki’s stance as an artist. During the sixties, Suzuki’s sense of playfulness led him to undertake a series of Self-Study Events, where he explored the processes of “throwing” and “following”, taking the natural world as his collaborator. The experiences he gained in these events led him in the seventies to invent an echo instrument he named Analapos. The instrument’s structure resembles that of two mirrors facing each other, reflecting into infinity. As an extension of the principles underlying Analapos, Suzuki constructed the Hinatabokko no kukan (Space in the Sun) in 1988. This space consists of two huge parallel walls, in between which the artist can sit all day and purify his hearing by listening to the reflected sounds of nature. This space leads the artist to discover a new method of listening. Suzuki himself comments: “Sound, which had been conceptually imprisoned in various spaces, is freed to circle the world.”
His performances and installations have been presented at major venues internationally including: Yokohama City Art Gallery, Japan, 2010; The 21st Century Museum of Contemporary Art, Kanazawa, Japan, 2010; The National Museum of Modern Art, Kyoto, Japan, 2007; Gelbe Musik, Berlin, Germany, 2007; The Museum of Modern Art, Wakayama, Japan, 2005; British Museum, UK, 2003 and DAAD Galerie, Berlin, Germany, 2000.
He has also participated in major international events and Festivals including: Tuned City, Brussels, 2013; LISTE Art Fair Basel, Switzerland, 2013; MaerzMusik, Berlin, Germany, 2012; Nuit Blanche Festival, Paris, France, 2004; Adelaide Festival, Australia, 1999; Sonambiente Festival, Berlin, Germany, 1996; Documenta 8, Kassel, Germany, 1987; and Festival d’Automne, Paris, France, 1978.
Aki Sasamoto: 3 Events; Aki Sasamoto is a New York-based artist who works in performance, sculpture, dance, and whatever medium it takes to communicate her ideas. In her installation and performance works, Sasamoto moves and talks inside the careful arrangements of sculpturally altered objects, activating the complex emotions at work in her daily life. Sasamoto’s works appear in theater spaces, gallery spaces, and landscapes. Sasamoto has shown in exhibitions at Mori Museum, Take Ninagawa, Yokohama Triennale 2008, Japan; Gwangju Biennial 2012, South Korea; Chocolate Factory Theater, the Kitchen, Soloway, Whitney Biennial 2010 at Whitney Museum, Greater New York 2010 at MOMA-PS1, New York; and numerous other international and domestic venues. Sasamoto has collaborated with visual artists, musicians, choreographers, mathematicians, and scholars.
Selected Press:
"String Theory," Jennifer Krasinski, Artforum, March 19, 2014.
"After Magritte," Martha Sherman, Dance View Times, March 11, 2014.
"Stilts Aren’t the Only Way to Rise Above It All," Brian Seibert, The New York Times, March 7, 2014
Alan Licht: 0 Events; Alan Licht has spanned the worlds of indie rock, experimental music, and sound installation, appearing on close to 100 recordings and touring the world in the process. Licht is the editor of Will Oldham on Bonnie Prince Billy (Faber & Faber/W.W. Norton, 2012), Sound Art: Beyond Music, Between Media (Rizzoli, 2007), and An Emotional Memoir of Martha Quinn (Drag City, 2002). He is also on faculty in the Music/Sound Department at Bard College's Milton Avery Graduate School of the Arts and a contributing editor at BOMB magazine.
Alessandro Sciarroni: 7 Events; Alessandro Sciarroni is an Italian performing artist with an extensive background in visual art and theater. His works are featured in contemporary dance and theater festivals, museums, and art galleries, as well as in unconventional spaces and involve professionals from different disciplines.
His work goes beyond the traditional definitions of gender. He starts from a conceptual Duchamp-like matrix, makes use of a theatrical framework, and he can use some techniques and experiences from dance, as well as circus or sports. In addition to the rigor, coherence and clarity of each creation, his work tries to uncover obsessions, fears and fragilities of the act of performing, through the repetition of a practice to the limits of the physical endurance of the interpreters, looking at a different dimension of time, and to an empathic relationship between the audience and the performers.
His works have been performed in 21 European countries, the United States, Canada, Brazil, Uruguay, and the United Arab Emirates. Among the main events he took part: the Biennale de la Danse in Lyon, Kunstenfestivaldesarts in Brussels, Impulstanz Festival in Wien, the Venice Biennale, the Festival d'Automne and the Festival Séquence Danse at 104 in Paris, Abu Dhabi Art Fair, Juli Dans Festival in Amsterdam, and he exhibited his work at the Centre Pompidou in Paris and the MAXXI Museum in Rome.
Alessandro Sciarroni is supported by APAP - Advancing Performing Arts Projects - and his shows are produced by Marche Teatro in collaboration with international co-producers such as the Comune di Bassano del Grappa / Centro per la Scena Contemporanea, the Biennale de la Danse / Maison de la Danse de Lyon, the Mercat de les Flors-Graner / Barcelona, Centrale Fies and the Association Corpoceleste-C.C.00# of which he is artistic director. It is also one of the artists of the Project Matilde, regional platform for the new scene in Marche. In 2015, Alessandro Sciarroni was appointed Associate Choreographer of the company of the Ballet of Rome and he is supported for his latest creation Aurora from the Fondation d’Entreprise Hermès.
alessandrosciarroni.it
Alexandria Saleem: 1 Event; Alexandria Rema Saleem is a first generation Palestinian American* artist and cultural worker. She works with individuals, communities, and the land to reclaim our right to sacred spaces through land tending, worldbuilding, dance, ritual, risk, and tenderness. Flowers are her deepest ally and main medium, working between the land as a regenerative flower farmer and her community as florist, event designer, and installation artist. She is currently co-stewarding the Black Oregon Land Trust and is the Director of Arts and Culture with the Center for Study and Preservation of Palestine.
*Saleem grapples with an appropriate way to name her locations amidst the ongoing legacies of harm to land and people by colonialist projects.
Alexandro Segade: 2 Events; Segade is a member of My Barbarian, a performance and video art collective, exhibiting and performing at MoMA, New Museum, Whitney Museum, The Kitchen, Participant inc., New York; Hammer Museum, Human Resources, Los Angeles; Hirschhorn, DC; Museo El Eco, Madrid; Townhouse Gallery, Cairo; Yaffo23, Jerusalem, Israel, among many others. Segade received Art Matters Grants in 2008 and 2011; Creative Capital Grant in 2012; and Foundation for Contemporary Art Award, 2013. A Native Californian, Alexandro Segade lives in Brooklyn.
Alex Cecchetti: 3 Events; Alex Cecchetti is an artist based in Paris, France, who works primarily in writing and performance. Cecchetti has published several books of his writing, and performed internationally at places including: La Vatrine, Paris, France (2010); Art Pavillion, Zagreb, Croatia (2010); Kadist Art Foundation, Paris, France (2009); and Artists Space, New York, NY (2009). Cecchetti was an artist in residence at Palais de Tokyo, Paris, France (2006) and SMART Project Space, Amsterdam, The Netherlands (2003).
Alex Felton: 0 Events; Alex Felton is an artist and publisher who lives and works in Portland, Oregon. His work has been exhibited widely throughout the Pacific Northwest including: Small A Projects, Fourteen30 Contemporary, Ditch Projects, Carhole, Half/ Dozen and the Lee Cason Doss Center for Garden Arts. Along with his collaborator Kevin Abell, Felton founded and curates the periodical poster Nudity in Groups. The most recent installment was featured at the 2011 Time-Based Art Festival at the Portland Institute for Contemporary Art. In addition Felton is the editor of the annual literary journal Weekday, published by Publication Studio, which also published and distributes, Felton’s artist book Touched by an Email (2010). Felton’s second artist book Funny or Die (2011) was published by Container Corps. Felton received his BFA from the Pacific Northwest College of Art. Felton sells his sculptural editions through Stand Up Comedy, and his work is regularly featured on Collectionof.net.
Selected Readings
I (not love) Information, Anthony Hubermann, Afterall 16, Autumn/Winter 2007.
In Defense of the Poor Image, Hito Steyerl, e-flux Journal #10, November, 2009.
IMG MGMT: Teen Image, Seth Price, Art Fag City, October 22, 2009.
The Accidental Bricoleurs, Rob Horning, N+1, June 3, 2011.
Alex Ian Smith: 1 Event; Alex Ian Smith is an artist, musician, and curator based in Portland, OR.
Alexis Blair Penney: 1 Event; Penney is a New York City-based singer, performer, writer, DJ, and personality. He has kept a meticulous public photographic record of his life, spanning his years as a teenage punk growing up in Kansas City, to a four-year stint as a staple of the Bay Area drag scene (including a year hosting the longest-running drag show in San Francisco, as well as his own nationally acclaimed high-concept freakout High Fantasy), to his current moment as “a menace to the monotony of nightlife” (VMagazine.com) in New York City. He has lent his voice to SSI ON, Hunx and His Punx, Miracles Club, the Myles Cooper Band, and Total Accomplishment and is currently finishing his debut full-length record, a collaboration with Teengirl Fantasy’s Nick Weiss, to be released on Ecstasy Records.
Alex MacKenzie: 2 Events; MacKenzie is an experimental film artist working primarily with relic analog film equipment and hand-processed imagery. He creates works of expanded cinema, light projection installation, and projector performance. His work has screened at the Rotterdam International Film Festival, the EXiS Experimental Film Festival in Seoul, Lightcone in Paris, Kino Arsenal in Berlin, and others. MacKenzie was the founder and curator of the Edison Electric Gallery of Moving Images, the Blinding Light!! Cinema, and the Vancouver Underground Film Festival. He was an artist in residence at Atelier MTK in Grenobles, France, and Struts Gallery/ Faucet Media in New Brunswick. MacKenzie is currently Artist in Residence at Cineworks’ Analog Film Annex in Vancouver.
Alex Mackin Dolan: 2 Events; Dolan is an artist who lives and works in Portland, Oregon, where he is a co-curator of Appendix Space. Recent exhibitions include Infinite Cell at Autzen Gallery (Portland), Cherry Picking at Karma International (Zurich), ZERTZ Player with Koch Snowflake at West Lane South (London), and Deep Freeze at Generation Works (Tacoma). Dolan is a 2013 artist-in-residence with the Park Avenue Armory in conjunction with 89plus, an ongoing research project conducted by Hans-Ulrich Obrist and Simon Castets, which examines the generation of artists born in or after 1989.
Selected Press
"22 Year Old Sculptor to Do Residency at Park Avenue Armory," Kyle Petreycik, Animal New York, April 23, 2013.
Alex S. Vitale: 1 Event; Alex S. Vitale is Professor of Sociology and Coordinator of the Policing and Social Justice Project at Brooklyn College and the CUNY Graduate Center. He has spent the last 30 years writing about policing and consults community based movements, human and civil rights organizations, and governments internationally. Prof. Vitale is the author of City of Disorder: How the Quality of Life Campaign Transformed New York Politics and The End of Policing. His academic writings on policing have appeared in Policing and Society, Police Practice and Research, Mobilization, and Contemporary Sociology. He is also a frequent essayist, whose writings have been published in The NY Times, Washington Post, The Guardian, The Nation, Vice News, Fortune, and USA Today. He has also appeared on CNN, MSNBC, CNBC, NPR, PBS, Democracy Now, and The Daily Show with Trevor Noah.
www.alex-vitale.info
Alex Tatarsky: 2 Events; Called a “hilarious, finely tuned absurdist” by Theatre Jones and “outrageous and profane" by The New York Times, Alex Tatarsky makes performances in the uncomfortable in-between zone of comedy, dance-theater, performance art, and deluded rant—sometimes with songs. Tatarsky experienced fleeting fame as Andy Kaufman’s daughter and used to perform as a mound of dirt. Playing with perceptions of language and narrative structure, their live performances are highly responsive to venue and audience, often breaking the fourth wall and embracing humor to reveal vulnerability and humanity. Venues include La Mama Experimental Theater Club, The Museum of Modern Art, MoMA PS1, Playwrights Horizons, The Kitchen, Judson Memorial Church, the Whitney Museum of American Art, and many bars and basements. As curatorial fellow at The Poetry Project, they organized a series on the poetics of rot. Research interests include bootlegs, hellscapes, and compost.
https://tatarsky.biz/
Alfredo Jaar: 2 Events; Alfredo Jaar is an artist, architect, and filmmaker who lives and works in New York. His work has been shown extensively around the world. He has participated in the Biennales of Venice (1986, 2007, 2009, 2013), Sao Paulo (1987, 1989, 2010, 2021), as well as, Documenta in Kassel (1987, 2002).

Important individual exhibitions include The New Museum of Contemporary Art, New York (1992); Whitechapel, London (1992); Moderna Museet, Stockholm (1994); The Museum of Contemporary Art, Chicago (1995); and The Museum of Contemporary Art, Rome (2005). Major recent surveys of his work have taken place at Musée des Beaux Arts, Lausanne (2007); Hangar Bicocca, Milan (2008); Alte Nationalgalerie, Berlinische Galerie and Neue Gesellschaft fur bildende Kunst e.V., Berlin (2012); Rencontres d’Arles (2013); KIASMA, Helsinki (2014); Yorkshire Sculpture Park, UK (2017), Zeitz MOCAA, Cape Town, South Africa (2020) and SESC Pompeia, Sao Paulo (2021).

The artist has realized more than seventy public interventions around the world. Over sixty monographic publications have been published about his work. He became a Guggenheim Fellow in 1985 and a MacArthur Fellow in 2000. He received the Hiroshima Art Prize in 2018 and the Hasselblad Award in 2020.

His work can be found in the collections of The Museum of Modern Art and Guggenheim Museum, New York; Art Institute of Chicago and Museum of Contemporary Art, Chicago; MOCA and LACMA, Los Angeles; MASP, Museu de Arte de São Paulo; TATE, London; Centre Georges Pompidou, Paris; Nationalgalerie, Berlin; Stedelijk Museum, Amsterdam; Centro Reina Sofia, Madrid; Moderna Museet, Stockholm; MAXXI and MACRO, Rome; Louisiana Museum of Modern Art, Humlaebeck; Hiroshima City Museum of Contemporary Art and Tokushima Modern Art Museum, Japan; M+, Hong Kong; and dozens of institutions and private collections worldwide.
alfredojaar.net
Ali Chahrour: 4 Events; Ali Chahrour (Beirut, Lebanon) is a choreographer, dancer, and graduate of the theatre department at The Lebanese University. Influenced by techniques from several European countries, he studies contemporary dance in the Arab world and movement that is related to society’s memory and its local circumstances that contribute to creating an identity for contemporary dance, whose techniques and problematics are inspired by its surroundings and history. His work examines the relationship between dancing and the body, and the religion and the sacred, relying on the Islamic and Shiite religious rituals and practices in the Arab world.
Alicia ayo Ohs: 1 Event
Alicia J. Rose: 0 Events; Known for her slyly subversive pop portraiture and a keen understanding of cultural zeitgeist, Rose has created inventive music videos for popular national artists like First Aid Kit, Cake, EMA and Bob Mould as well as playing a key role in branding NW bands like The Decemberists, Menomena and many others.
Rose has directed over 30 music videos and released her first narrative short “The Gift of Gravity” in 2014. She is an award-winning still photographer who spent 20 years in the music business doing marketing and sales before turning her eye to filmmaking in 2008.
The scripted comedic web series The Benefits of Gusbandry is her debut foray into digital episodic storytelling and has received wide acclaim from press outlets like The New York Times, A/V Club, PASTE and others. - even landing on the "Must List" of Entertainment Weekly. She is currently in development on future seasons of Gusbandry as well as multiple new TV and feature projects.
Rose is also an accordion player and singer that recorded under the moniker Miss Murgatroid from 1990-2008. She currently writes and performs with Portland Oregon Rock Band Moon Tiger.
Alima Lee: 1 Event; Alima Lee is a transdisciplinary afrolatinx artist from New York City and is currently based in LA. Their work explores themes of identity and intersectionality. A recent Frieze LA x Ghetto Film School Fellow and Co-Host of a monthly radio show, "Rave Reparations" on NTS. Working in an uninhibited range of mediums from video installation and performance to printmaking and sculpture, Alima is on an ever-constant freefall from structure. Their video work is currently on view at HVW8 Gallery in Berlin and has been presented at the Tate Modern, MOCA, Smithsonian African American Museum, Gavin Brown's Enterprise, and ICA Boston among other global entities.
Alison O’Daniel: 1 Event; Alison O’Daniel is a visual artist and filmmaker who works with moving image, performance, sculpture, and large-scale installation. Informed by her experiences of being d/Deaf/Hard of Hearing and collaborations with others across the d/Deaf spectrum, including composers, athletes, musicians and actors, O’Daniel builds a visual, aural, and haptic vocabulary that reveals (or proposes) a politics of sound that exceeds the auditory. She has screened and exhibited in galleries and museums internationally. O’Daniel is a United States Artist 2022 Disability Futures Fellow and a 2022 Guggenheim Fellow and has received grants from Ford Foundation; Sundance; Creative Capital; Field of Vision; ITVS; Chicken & Egg; SFFILM. She was included in Filmmaker Magazine’s 2019 25 New Faces of Independent Film issue. She is represented by Commonwealth and Council in Los Angeles. Her film “The Tuba Thieves' premiered at the 2023 Sundance Film Festival.
www.alisonodaniel.com
Alissa DeRubeis: 1 Event; Alissa DeRubeis lives in Portland, where she works for 4MS and S1. A co-founder of the S1 Synth Library, Alissa enjoys teaching intro workshops, facilitating library hours, and patching pre-amps and resonant filters. Her interests include playing music, curating, collaborating, education, improvisation, sharing, and experiments.
Al Knight-Blaine: 0 Events; Al Knight-Blaine is a lighting designer and technician working in Portland and the surrounding PNW. Alongside his day job lighting events and music festivals with Outlaw Lighting, he is the resident lighting designer for Open Space Dance and Night Flight Aerial, is the festival lighting designer for Risk Reward, and is the head of lighting here at PICA. Al is a graduate of Southern Oregon University, with a BFA emphasiis in lighting design (and three math minors!).
Allie Hankins: 10 Events; Allie Hankins is a dancer, choreographer, and sound artist who has been producing and performing experimental works in Portland since 2013. Her interdisciplinary practice has led to her professional engagements with choreographers Heather Kravas (Seattle), Milka Djordjevich (LA), Morgan Thorson (Minneapolis); and Portland artists Linda Austin, Takahiro Yamamoto, keyon gaskin, Tahni Holt, Danielle Ross, claire barrera, and Emma Lutz-Higgins. Allie co-initiated the ongoing Queer performance cooperative Physical Education (PE) with keyon gaskin, Takahiro Yamamoto, and Lu Yim in 2013. PE produces festivals, hosts reading groups, and teaches workshops nationally. She’s been awarded residencies at Centrum, Ucross, Headlands Center for the Arts, Caldera, Djerassi Resident Artist Program, and the Robert Rauschenberg Residency.
alliehankins.com
Allison Akootchook Warden: 1 Event; Allison Akootchook Warden is an Iñupiaq futurism artist that resides in Fairbanks, Alaska, and is a tribal member of the Native Village of Kaktovik. She translates her traditional values through the mediums of installation, music, performance, visual art, poetry, and dance. Her most recent contribution took form as poems as a part of a hyphen-labs project for Google Arts and Cultures. She is the recipient of a 2019 United States Artists Fellowship in the field of traditional arts. She is most excited to work with Aqqalu Berthelsen, an Inuit producer and beat maker from Greenland.
www.allisonwarden.com
A.L. Steiner: 9 Events; A.L. Steiner is a collective member of Chicks on Speed, co-curator of the project Ridykeulous, founding member of Working Artists and the Greater Economy (W.A.G.E.) and collaborates with numerous visual and performing artists. Her works have been featured internationally at such venues as P.S.1/MoMA, Tate Modern, The New Museum, Institute of Contemporary Art/Boston, Centre Pompidou, The Kitchen, REDCAT, and Zacheta National Gallery of Art, among others. Her work is included in such public collections as the Brooklyn Museum of Art, The Museum of Modern Art and the Marieluise Hessel Collection. Steiner is currently based in Los Angeles and is faculty at the University of Southern California.
Selected Press
The Lowdown: A.L. Steiner, Io Tillet Wright, New York Times T Magazine, May 11, 2011.
Eve Fowler & A.L. Steiner, North Drive Press #4, 2007.
Would it be okay if I kept my sweater on?, Naomi Fry, Paper Monument.
Amalia Dache: 1 Event; Amalia DacheAn Afro-Cuban American scholar, Amalia Dache is an assistant professor in the Higher Education Division. Her experiences as a Cuban refugee and student traversing U.S. educational systems—among them urban K–12 schools, community college, state college, and a private research-intensive university—inform her research and professional activities. Dr. Dache’s major research areas are postcolonial geographic contexts of higher education, Afro-Latina/o/x studies, community and student resistance, and the college-access experiences of African diasporic students and communities. She is lead editor of Rise Up! Activism as Education, published in 2019 by Michigan State University Press. Her most recent article, “Ferguson’s Black radical imagination and the scyborgs of community–student resistance,” appeared in The Review of Higher Education in 2019.
Amanda Hadingue: 1 Event; Amanda Hadingue is an actress known for The Queen (2006), The Darkest Universe (2016) and Black Pond (2011).
Amanda Lee: 4 Events; Amanda Lee is a queer artist located in Los Angeles, CA.Their primary mediums are media and ceramics (porcelain). In addition, they love to create hand-made flora inspired earrings.
@amandalee_faa
Amber Boydston: 1 Event; Amber Boydston is a Portland born Abolitionist educator, with an Irish mother and an Ethiopian father who has been teaching and facilitating trainings around social justice and equity for 25 years since she was a young teen. Her organization Spirited Justice focuses on police abolition in addition to the abolition of all anti-Black and oppressive systems. She works with businesses interested in decolonizing the way they sustain their practice within communities, in addition to teaching inside and outside of the educational industrial complex, elementary through higher ed. Amber's work focuses largely on healing the epigenetic impacts of colonialization and combating ACE's (adverse childhood experiences) that People of the Global Majority experience through the sanctioned systems of fascism and genocide. She weaves in large amounts of breath and meditation practice with her education, supporting the journey of Liberation across the Global Majority diaspora. As a parent and lifelong learner, Amber is incredibly passionate about remaining curious, using her access to open doors, and keeping the pressure on creating the kinds of worlds in praxis that we hope to one day leave behind for the youth.
Amber Gayle: 1 Event; Amber Gayle Thalmayer (Ph.D, psychology, University of Oregon 2013) has collaborated on scientific studies seeking to distinguish culturally specific personality concepts from more universal, directly translatable, attribute distinctions. She has also published on how to best measure personality, and on personality predictors of life outcomes and mental health treatment. As half of underground publishing duo Evil Twin Publications, Amber spent the ‘90s writing a zine called “My Evil Twin Sister”, and books of poetry and natural history. Evil Twin books and zines are included in the permanent collections of over a dozen institutions, including the Victoria Albert Museum of London, MOMA NY, and SF MOMA. Amber lives on a farm in Eugene with her family, and teaches at the University of Oregon.
Amber Kay Ball: 1 Event; Born in Portland, OR, Amber Kay Ball (citizen of the Confederated Tribes of Siletz Indians) is a theatre maker, visual artist, and community-based advocate. As a contemporary Native multi-practice artist, Ball uses theatre, multimedia, and beadwork as mediums for sharing stories, truths, laughter and joy. These mediums allow them to critically explore, honor, and weave Native pasts, presents, and futures in a just and liberated format. Ball studied theater arts and Native American Studies at the University of Oregon where they were able to study theatrical arts abroad in London, UK.

Most recently, Ball co-directed The Nut, The Hermit, The Crow and The Monk in New Native Theatre’s 15th season at Gremlin Theatre, Minneapolis, MN. Their play Finding BigFoot was selected for the Fertile Ground PDX New Play festival and premiered as a staged reading at Barbies Village. Ball has previously directed with Creative Nations First Storyteller’s Festival and Red Eagle Soaring Native Youth Theatre, as well as a workshop production of Tipi Tales From the Stoop at New York Theatre Workshop. They are a Miller Foundation Spark Awardee, a PICA Precipice Fund Awardee, and a recipient of the Indigenous Place Keeping Artist Fellowship through the Confederated Tribes of Grand Ronde. Ball additionally received the Community Mentor Award from Southern Oregon University’s Native American Studies Department.
Amelia Reeber: 1 Event; Amelia Reeber is a choreographer and performer. She received a BA in dance from the University of Washington in 2000. Her solo work has been presented in Seattle at On the Boards, Velocity’s MainSpace Theatre, Freehold Theater, and Chamber Theater, and in Portland, Oregon at PICA’s TBA Festival. She has danced for and/or collaborated with Corrie Befort, Sheri Cohen, KT Niehoff, Katie Duck, and Deborah Hay, among others.
Amelia has received an Office of Arts & Cultural Affairs City Artist Grant, a 4Culture grant, an Artist Trust GAP Award, among others. Currently Amelia is a licensed craniosacral therapist and offers a variety of movement classes.
www.ameliareeber.com
Amenta Abioto: 4 Events; Songwriter, music producer, and actor Amenta Abioto is on the cutting edge of all that is performances musical, theatrical, and literary. Her music is boldly mystical and soul-fired, and her raw invoke elements of both theatrical surprise and magic through ancient African diasporic sounds and stories. Weaved into syncopated rhythms and dichotomies of comedic proportions, Amenta surprises and tantalizes audiences with mind bending ideas. She brings to the music scene funky academia while skipping vocally from soul shaking gospel to smooth jazz and then onto hip hop rhythms wrapped in West African beats. Amenta was born and raised in Memphis, TN. She became a part of the Portland community in 2010 after graduating from Idyllwild Arts Academy where she trained in musical theatre. Since graduating she has courted the music scene and produced one self-titled EP, Amenta Abioto, and one album, Opening Flower Hymns. Mythological characterization and cultural stories are reflected in her original works. Boldly striking, Amenta brings beauty, charm, and creativity to any stage as an ode to funk.
AMERICAN ARTIST: 2 Events; AMERICAN ARTIST makes thought experiments that mine the history of technology, race, and knowledge production, beginning with their legal name change in 2013. Their artwork primarily takes the form of sculpture, software, and video. Artist is a recipient of the Herb Alpert Award in Visual Art and a Creative Capital grantee. They are a former resident of Smack Mellon, Red Bull Arts Detroit, Abrons Art Center, Recess, EYEBEAM, Pioneer Works, and the Whitney Museum Independent Study Program. They have exhibited at the Whitney Museum of American Art, the Museum of Modern Art, the Studio Museum in Harlem, the Museum of Contemporary Art Chicago, Kunsthalle Basel, Switzerland, and Nam June Paik Art Center, Seoul. Their work has been featured in The New York Times, Cultured, Artforum, and Art in America. Artist is a co-director of the School for Poetic Computation and a core faculty at Yale.

ig: @ivorytower_headass
Amy Bessone: 0 Events; Amy Bessone is a painter who lives and works in Los Angeles, California. She is represented by David Kordansky Gallery.
Amy Bessone at David Kordansky, Christopher Knight, LA Times Culture Monster, May 13, 2010.
Amy O'Neal: 4 Events; Amy O’Neal is a dancer, performer, choreographer, and dance educator based in Seattle, WA. For the last 15 years, she has taught and performed throughout the US, Japan and Mexico and choreographed for stage, commercials, rock shows, galleries, dance films and music videos. Her work is an amalgam of her diverse movement and life experiences presenting social commentary with dark humor and heavy beats. She is the recipient of numerous grants including awards from Creative Capital, the National Performance Network, the National Dance Project, Mid Atlantic Arts and the James W. Ray Project Venture Award through Artist Trust and Frye Art Museum. Amy has been an artist-in-residence at Bates Dance Festival, Headlands Center for the Arts, the US/Japan Choreographer’s Exchange, and Velocity Dance Center. She is a two-time Artist Trust Fellow, a DanceWEB Scholar, and two-time Stranger Genius Awards nominee. She has worked extensively with musician/comedian Reggie Watts since 2002 both on stage and screen. She choreographed his Comedy Central produced “Fuck, Shit, Stack” video and toured nationally in his show Disinformation. She has created commissioned pieces for Degenerate Art Ensemble and Spectrum Dance Theater and collaborated with Savion Glover and Daniel Bernard Roumain through Seattle Theater Group. She has performed in the work of Pat Graney, Scott/Powell Performance, and Mark Haim. From 2000 to 2010, she was co-director of locust (music/dance/video) with musician/composer Zeke Keeble, creating 6 evening length works and several shorter works. She teaches Contemporary Dance and Urban Styles at Velocity Dance Center and House at The Beacon: Massive Monkees studio in Seattle. She also teaches dance composition and improvisation for Seattle Theater Group’s Dance This program. She holds a BFA from Cornish College of the Arts, and her dance writing has been published in Dance Magazine, City Arts Magazine, and ArtDish Forum.
Amy O’Neal and Ellie Sandstrom: 2 Events; Amy O’Neal and Ellie Sandstrom have danced together in other people’s productions and in O’Neal’s own choreographic work for 10 years. O’Neal is a performer, choreographer, dance educator, the creator of Amyo/tinyrage, and the co-director of locust (music/dance/video) with musician/composer Zeke Keeble.
Amy Sillman: 0 Events; Amy Sillman is an artist who works primarily in painting and drawing. Born in Detroit and raised in Chicago, she moved to NYC at age 19 to study language and literature before turning to visual art, but has retained an interest in the psychological (and sometimes comic) spaces between form and language. Sillman’s active exhibition record began in the 1990’s, and her work is now included in many public and private collections. In 2013 she had a traveling mid-career survey show called one lump or two, which opened at the ICA Boston, accompanied by a monograph published by Prestel, NYC. Her bibliography also includes Amy Sillman: Works on Paper, a book on her drawings published in 2006 by Gregory R. Miller. Sillman got her MFA at Bard College, and then taught there until 2012. In 2015 she begins a Professorship at the Staedelschule in Frankfurt.
Anchi Lin [Ciwas Tahos]: 0 Events; Anchi Lin [Ciwas Tahos] is a performance and new media artist of Taiwanese Indigenous Atayal and Hō-ló descent based in Taipei, Taiwan. Following a Bachelor of Fine Art in Visual Art at Simon Fraser University (Canada), Lin is currently undertaking a Master of Fine Art in New Media Art at Taipei National University of the Arts (TNUA). Through her practice and interest in language, identity, gender, and the environment, Lin seeks out new forms of understanding beyond the hetero-patriarchal status quo, using video, performance, cyberspace, and installation.
anchilin.ca
Andra Rotaru: 2 Events; Rotaru is a poet and journalist, and the author of two collections of poetry, including In a bed under a white sheet and Southern Lands. She has received numerous awards, including the Mihai Eminescu National Poetry Prize and The Bucharest Writer's Association Prize. Rotaru’s poetry frequently intersects with other artists and practices: she has participated in live poetry performances with jazz musicians and in train stations her first collection of poems dealt with the legacy of Frida Kahlo, and her current explorations involve collaborations with local dancers.
Andrea Geyer: 0 Events; A 2000 graduate of the Whitney Museum Independent Study Program, Andrea Geyer works with photography, video and performance, using both fiction and documentary strategies in order to address larger concepts such as national identity, gender, and class in the context of the ongoing re-adjustment of cultural meanings and social memories.
Geyer’s work has been shown at The Museum of Modern Art, the Whitney Museum of American Art, Apex Art, and Artists Space, in New York City; the Stedelijk Museum, Amsterdam; RedCat and LACE, in Los Angeles; Tate Modern and Serpentine Gallery, London; Kunstmuseum St.Gallen, Switzerland; Göteborgs Konsthall, Gothenburg, Sweden; Generali Foundation and Secession, Vienna; Smart Project Space, Amsterdam; Govett-Brewster Art Gallery, New Zealand; the Turin Biennale; the São Paulo Biennial; and dOCUMENTA (12), Kassel, Germany.
Geyer was born in 1971 in Freiburg, Germany. She lives and works in New York City.
Andrea Stolowitz: 1 Event; Andrea Stolowitz is a playwright living in Portland, Oregon and a proud member of Playwrights West. Her plays have been produced nationally and internationally. The LA Times calls her work “heartbreaking” and the Orange County Register characterizes her approach as a “brave refusal to sugarcoat...issues and tough decisions.”
A recipient of Artists Repertory Theatre’s $25,000 Fowler/Levin Prize, Andrea premiered her newest work, Ithaka, at the theatre in June 2013.
Her previous play Antarktikos premiered at Pittsburgh Playhouse in March, 2013 and won the Oregon Book Awards’ Angus L. Bowmer Award for Drama in April 2013. Andrea’s screenwriting work includes Jonathan’s War, a feature-length action film; the treatment for Code Name: Pelicano, which was sold to independent producers; and the upcoming web series Crackerjacks, which is currently in development.
A Walter E. Dakin Fellow at The Sewanee Writers’ Conference, Andrea has also been awarded residencies at Ledig House, Soapstone, and Hedgebrook; and arts grants from North Carolina, Oregon, and private foundations. An MFA playwriting alumna of UC-San Diego, Andrea teaches at Willamette University and the University of Portland and has served on the theatre studies faculty at Duke University and UC-San Diego.
AndrewAndrew: 1 Event; The world's first iPad DJs, AndrewAndrew have a career that is riddled with amazing coincidences and actual facts. They are both really named Andrew, which, if you think about how many people live in New York City, may not actually be all that impressive. What is impressive is that they've been dressing identically for almost 10 years. Of course, this may just seem obsessive, maybe even cause for concern.
One time they opened for Jessica Simpson, and one time they opened for Liza Minelli! They also review theatre for Theater Talk, a very respectable, nationally syndicated show on PBS and run a creative agency named — what else — AndrewAndrew.
Andrew Dickson: 6 Events; Andrew Dickson has been part of the PICA community for over two decades, first as an artist premiering shows like AC Dickson: eBay PowerSeller, Sell Out, and Life Coach at the Time-Based Art Festival, and for the past six years as a board member. He’s also a storyteller and host of The Moth, co-host of the podcast BACKFENCE Unhinged, and is developing his Life Coach performance into a web series.
Andrew Dinwiddie: 2 Events; Andrew Dinwiddie and Jeff Larson are performers and creators in Brooklyn. Together, they curate a dance, theater, performance, and video series called Catch. They premiered Get Mad at Sin !, their first full-length collaboration, at the Chocolate Factory Theater, with sound design by Jon Moniaci, set design by Sara C. Walsh, and lighting design by Chlöe Z. Brown. They have recently presented the show at Minneapolis’ Bryant-Lake Bowl and in Austin’s Fusebox Festival. Dinwiddie is a frequent performer with David Neumann / Advanced Beginner Group, and Larson is currently designing video for Big Dance Theater.
Selected Press
Not Exactly Preaching to the Choir, Jason Zinoman, The New York Times, June 2, 2010.
Andrew Dinwiddie at the Chocolate Factory, Andy Horowitz, Culturebot, May 28, 2010.
Andrew Gilbert: 5 Events; Andrew Gilbert is a Los Angeles-based performer, musician, and teacher. In 2007 he co-founded Poor Dog Group, an experimental performance collective with whom he has developed six works as a sound designer and performer, performing in venues including REDCAT, the Experimental Media and Performance Art Center (EMPAC), The Getty Villa, Grotowski Institute in Poland, Bitef Theater in Serbia, and the Pula International Theater Festival in Croatia. House Music, an ongoing co-creation with choreographer Jennie Liu, is a performance for 16 guests rooted in an ongoing study of Japanese tea ceremony, and has been performed since 2014 at venues including Prelude Festival, Live Arts Exchange, HomeLA, The Mistake Room and the Printed Matter Art Book Fair. He most recently designed sound for choreographer Faye Driscoll's Thank You for Coming: Space. Andrew is one half of the band Royal Auditorium. @royalauditorium @andrewgilbertindependentartist
Andrew J. Brown/Sister James: 1 Event; TBA Guest Scholar and Asst. Professor of Performance Art, Fairhaven College Western Washington University.
Andrew Ritchey: 2 Events; For the TBA Festival, Mr. Ritchey has specially composed a totally unique narrative-form biography of no more than 150 words. This personal biography provides context for the 16mm programs he has organized. At each of the screenings, Mr. Ritchey's exclusive, narrative-form biography will be distributed as an addendum to the program notes. This biography totaling at least less than 150 words will be an important and unrepeatable part of the unique experience of each individual program, as well as the exhibition as a whole. All attendees of the TBA Festival are encouraged to read the program notes for additional details. These program notes will be made available no later than the date of each individual program, at or prior to the start time of each event.
Andrew Schneider: 2 Events; Andrew Schneider is an OBIE award-winning, Drama Desk nominated performer, writer, and interactive-electronics artist who creates original works for theater, video, and installation since 2003. Schneider creates and performs original performance works, builds interactive electronic art works and installations, and was a Wooster Group company member (video/performer) from 2007-2014. Rooted at the intersection of performance and technology, Schneider’s work critically investigates our over-dependence on being perpetually connected in an always-on world. Andrew’s original performance work in NYC includes AFTER (2018 Under the Radar Festival), YOUARENOWHERE (2015 OBIE award –The Invisible Dog, 2016 Drama Desk nom – 3LD); DANCE/FIELD (2014 – Dance Roulette), TIDAL (2013 – River to River festival); and WOW+FLUTTER (2010 –The Chocolate Factory Theater) among others.
Andrew Tay: 2 Events; Andrew Tay is a hybrid performer, choreographer, curator and DJ. He is the cofounder of Wants&Needs Danse with Sasha Kleinplatz. Together, they produce the popular dance events Short&Sweet and Piss in the Pool which take place in non-traditional venues in Montreal. Tay received the Buddies in Bad Times Vanguard Award for Risk and Innovation at the SummerWorks Performance Festival for his work Fame Prayer / EATING (2016). He was named the first artistic curator at Le Centre de Création O Vertigo (CCOV) in Montreal and recently became the Artistic Director of Toronto Dance Theatre (TDT) one of Canada’s oldest contemporary dance companies. Tay actively thinks about community, irreverence and resistance in both his performance and curatorial practices.
Andy Warhol: 0 Events; Andy Warhol was born Andrew Warhola on August 6, 1928, in a two-room row house apartment at 73 Orr Street in Pittsburgh. His parents, Carpatho-Rusyn immigrants Andrej and Julia Warhola, had three sons. Andy was their youngest.
Warhol attended Carnegie Institute of Technology (now Carnegie Mellon University) from 1945 to 1949. He earned a Bachelor of Fine Arts degree in Pictorial Design with the goal of becoming a commercial illustrator. During these years he worked in the display department at Horne’s department store.
Soon after graduating, Warhol moved to New York City to pursue a career as a commercial artist. His work debuted in Glamour magazine in September 1949. Warhol became one of the most successful illustrators of the 1950s, winning numerous awards. He had a unique, whimsical style of drawing that belied its frequent sources: traced photographs and imagery. At times Warhol employed the delightfully quirky handwriting of his mother, who was always credited as “Andy Warhol’s Mother,” Julia Warhola left Pittsburgh in 1952 and lived with her son for almost 20 years before her death in Pittsburgh in 1972.
In the late 1950s, Warhol began to devote more energy to painting. He made his first Pop paintings, which he based on comics and ads, in 1961. The following year marked the beginning of Warhol’s celebrity. He debuted his famous Campbell’s Soup Can series, which caused a sensation in the art world. Shortly thereafter he began a large sequence of movie star portraits, including Marilyn Monroe, Elvis Presley, and Elizabeth Taylor. Warhol also started his series of “death and disaster” paintings at that time.
Between 1963 and 1968 Warhol worked with his Superstar performers and various other people to create hundreds of films. These films were scripted and improvised, ranging from conceptual experiments and simple narratives to short portraits and sexploitation features. His works include Empire (1964), The Chelsea Girls (1966), and the Screen Tests (1964-66).
Warhol’s first exhibition of sculptures was held in 1964. It included hundreds of replicas of large supermarket product boxes, including Brillo Boxes and Heinz Boxes. For this occasion, he premiered his new studio, painted silver and known as “The Factory”. It quickly became “the” place to be in New York; parties held there were mentioned in gossip columns throughout the country. Warhol held court at Max’s Kansas City, a nightclub that was a popular hangout among artists and celebrities. By the mid-1960s he was a frequent presence in magazines and the media.
Warhol expanded into the realm of performance art with a traveling multimedia show called The Exploding Plastic Inevitable, which featured The Velvet Underground, a rock band. In 1966 Warhol exhibited Cow Wallpaper and Silver Clouds at the Leo Castelli Gallery.
Warhol self-published a large series of artists’ books in the 1950s, but the first one to be mass-produced was Andy Warhol’s Index (Book), published in 1967. Two years later he co-founded Interview, a magazine devoted to film, fashion, and popular culture. Interview is still in circulation today. His later books include THE Philosophy of Andy Warhol (From A to B and Back Again) (1975), Exposures (1979), POPism (1980), and America (1985). Most of his books were based on transcribed conversations.
In 1974, Warhol started a series of Time Capsules: cardboard boxes that he filled with the materials of his everyday life, including mail, photos, art, clothing, collectibles, etc. The artist produced over 600 of them and they are now an archival goldmine of his life and times.
In 1984, Warhol collaborated with the young artists Jean-Michel Basquiat, Francesco Clemente, and Keith Haring. Warhol returned to painting with a brush for these artworks, briefly abandoning the silkscreen method he had used exclusively since 1962.
In the mid-1980s his television shows, Andy Warhol’s T.V. and Andy Warhol’s Fifteen Minutes were broadcast on New York cable television and nationally on MTV. He created work for Saturday Night Live, appeared in an episode of The Love Boat and produced music videos for rock bands such as The Cars. Warhol also signed with a few modeling agencies, appearing in fashion shows and numerous print and television ads.
Warhol was a prolific artist, producing numerous works through the 1970s and 1980s. Warhol’s final two exhibitions were his series of Last Supper paintings, shown in Milan and his Sewn Photos (multiple prints of identical photos sewn together in a grid), exhibited in New York. Both shows opened in January 1987, one month before his death.
Read more at warhol.org
Angélica Maria Millán Lozano: 2 Events; Angélica Maria Millán Lozano is a Portland based artist from Bogotá, Colombia. She creates abstract and figurative compositions on distressed fabrics that question the social injustices that affect Latinas in the home. She received her MFA in Visual Studies at Pacific Northwest College of Art and is currently the Curatorial Fellow for Community Engagement at Portland Institute for Contemporary Art (PICA). Millán is also a co-founder at cvllejerx, a poc focused fashion, poetry, and performance collaboration. Millán has presented work at Disjecta, Williamson | Knight, Nationale in Portland, OR; Gallery Protocol in Gainesville, Florida; and Bridge Productions in Seattle, Washington.
Angelo Scott: 3 Events; Angelo Scott is an interdisciplinary artist from the South currently living in Portland, OR and completing their BFA in Intermedia at PNCA. Their sonic compositions build shifting layers of melodic sentiments from splintering phrases, emphasizing irregularities in live sampling, synthesis, and insisting upon fleeting swells of emotive expression as a passage through intricate patterns in overwhelming soundscapes. Scott received their Associate of the Arts from Linn-Benton Community College in 2019, where they worked as the photo editor for The Commuter. While living in Corvallis, Oregon, they began operating in DIY sonic arts communities, co-organizing and curating installation and video works for Corvallis Experiments In Noise's What is Noise? festivals. In 2016, they co-initiated and co-created Sponsored Trash, an ongoing performance arts collective. They currently perform solo sound compositions as Tyronza and participate in improvisational ensembles, create video projections, and make collaborative CRT installations for interactive music events.
Angel Robinson: 1 Event; Angel Robinson is a woman who wears many hats and is deeply passionate about impacting others through sport and life. A former WNBA and international professional basketball player, she carries the lessons of discipline, resilience, and teamwork into everything she does today.
Outside of her professional role, Angel co-owns a basketball training program where she develops young athletes—teaching not just skills, but confidence, work ethic, and character. She is also involved in her community through coaching, officiating, and mentoring, with a special focus on empowering young girls to find their voice and thrive in sports.
Grounded in faith, family, and purpose, Angel is committed to inspiring the next generation and creating meaningful impact both on and off the court.
Anh Vo: 0 Events; Anh Vo is a Vietnamese dancer, writer, teacher, and activist. They create dances and produce texts about pornography and queer relations, about being and form, about identity and abstraction, about history and its colonial reality. They receive their degrees in Performance Studies from Brown University (BA) and New York University (MA).
www.anhqvo.com
Anissa Mack: 3 Events; Anissa Mack received her BA in Studio Art from Wesleyan University and an MFA from Tyler School of Art. She also attended Skowhegan School of Painting and Sculpture and participated in the PS1 National Studio Program. Her work has been featured solo exhibitions in New York, Atlanta, and Portland, Oregon. She has also created commissioned public projects and performances for the Santa Barbara Contemporary Arts Forum (California), WaveHill Gardens (Bronx, New York), The Public Art Fund (New York), and the Queens Museum (New York). She lives and works in Brooklyn, NY. Mack is represented by Laurel Gitlen in New York.
Selected Press
Anissa Mack at Small A Projects, Micah J. Malone, Big, RED & Shiny, March 17, 2008.
Anissa Mack: The Last Full Weekend Each September, John Motley, Portland Mercury, March 27, 2008.
Pies for a Passerby (with audio), Melissa Block, NPR, June 14, 2002.
Anna Craycroft: 1 Event; Anna Craycroft’s exhibitions explore how we use culture to define individuality. Craycroft’s solo shows have been held at the Portland Institute for Contemporary Art Portland, Oregon, the Blanton Museum of Art in Austin Texas, Tracy Williams Ltd in NYC, Le Case del Arte in Milan Italy. She has collaborated on performances and installations with numerous artists including Ohad Meromi, Ian Cooper, Felicia Ballos and Alex Waterman. Within some her solo exhibitions, Craycroft has organized event series, inviting artists such as Jill Magid, Pablo Bronstein, Tara Matiek, Jessica Dickenson, and Lisi Raskin to share their work. Craycroft has also had two person shows at Sandroni Rey in Los Angeles and upcoming at Redcat Gallery in Los Angeles. She participated in notable group exhibitions such as PS1’sGreater New York in 2005, Public Holiday Project’s Bunch Alliance and Dissolve at Cincinatti’s Contemporary Arts Center and in Champs Elysees at Palais de Tokyo Paris, France. She has been commissioned to make public sculpture for Socrates Sculpture Park NYC, Lower Manhattan Cultural Center NYC, Art in General NYC and Den Haag Sculptuur, the Hague Netherlands. Craycroft received her MFA from Columbia University School of Arts in 2004. Craycroft is represented by Tracy Williams Ltd Gallery in New York.
Selected Press
"Anna Craycroft: On Being Understood," MutualArt.com, August 21, 2013.
Anna Gray & Ryan Wilson Paulsen: 2 Events; Gray and Paulsen are artists who live and work collaboratively. Their idea-based practice fuses history, fiction, autobiography, and artistic commentary into a wide variety of material works. Their work has been shown and published internationally. They live and work in Portland, where they are represented by PDX Contemporary Art.
Selected Press
Anna Gray & Ryan Wilson Paulsen, Nat Andreini, Shift.jp, June, 2011.
Review: Anna Gray and Ryan Wilson Paulsen at PDX Gallery, DK Row, The Oregonian, July 15, 2010.
Anna Martine Whitehead: 4 Events; Anna Martine Whitehead does performance from the homelands of the Council of the Three Fires; the Odawa, Ojibwe, and Potawatomi Nations; as well as the Miami, Ho-Chunk, Sauk and Meskwaki; the Kiikaapoi, Peoria, and the Očeti Šakówiŋ (Sioux) Nations. Their solo and collaborative work has been presented by the Museum of Contemporary Art Chicago, IL; REDCAT, Los Angeles; Chicago Symphony Orchestra, IL; Museum of Modern Art, New York; San José Museum of Art, CA; Links Hall, Chicago; and Yerba Buena Center for the Arts, San Francisco. She has developed her craft working closely with Onye Ozuzu, Jefferson Pinder, taisha paggett, Every house has a door, Keith Hennessy, BodyCartography Project, Julien Prévieux, and the Prison + Neighborhood Arts/Education Project, among others. She has been recognized with awards and fellowships from the New England Foundation for the Arts, National Performance Network, Graham Foundation for Advanced Studies in the Fine Arts, MAP Fund, Dance/USA, PICA’S Creative Exchange Lab, Arts + Public Life at the University of Chicago, 3AP (3Arts Projects), Chicago Dancemakers Forum, Foundation for Contemporary Arts, Headlands Center for the Arts, and the Robert Rauschenberg Foundation. Whitehead has written about Blackness, queerness, and bodies in action for Art21 Magazine, C Magazine, Frieze, and Art Practical. They have also contributed chapters to a range of publications, including Queer Dance: Meanings and Makings (Oxford University Press, 2017), Organize Your Own: The Politics and Poetics of Self-Determination Movements (Sobsercove, 2016), and Platforms: Ten Years of Chances Dances (Gallery 400, 2016). Whitehead is the author of TREASURE | My Black Rupture (Thread Makes Blanket, 2016).

Anna Martine Whitehead Website
Anna Oxygen: 0 Events; Anna Huff is a multi-media artist, composer and performer. She has extensively toured Europe and the United States under the name Anna Oxygen, performing dance pop recitals and interactive performance pieces. Best known for her aerobics live performances, she has released several albums of electronic and acoustic music, most recently "This is an Exercise” on indie label Kill Rock Stars. Her performance and video work has been presented at PS1 MOMA Contemporary, The Seattle Art Museum, NYU, The Hammer Museum, PICA, and the Rohsska Museet in Gothenburg, Sweden.
At Calarts she co-founded media group Cloud Eye Control with director Chi-wang Yang, and animator/performer Miwa Matreyek. The group has performed at numerous festivals including the Images Festival in Toronto, FUSEBOX Festival in Austin, REDCAT in LA, Exit Festival in Paris , and TBA in Portland.
She is also a member of the LA ladies Choir.
Anna Vo: 1 Event; Anna Vo is a radical educator for 8 years in over 20 countries in Inclusion, Refugee Support, Trauma-Informed Care, and Racial Justice. Editor of an internationally renowned publication for People of Color that has been going for 6 years, and a speaker, artist and musician who has exhibited and toured in Australia, Germany, The Netherlands, Croatia, Finland, Denmark, Sweden and the States. Anarchist and local festival organizer.
Ann Hamilton: 1 Event; Ann Hamilton is an American artist who studied textile arts at the University of Kansas, where she completed her BFA in 1979. She went on to earn an MFA from Yale University in sculpture in 1985. Her varied background in the visual arts informs her artistic practice, which takes the form of installations, videos, objects, and performance. Hamilton’s work has been the subject of numerous solo exhibitions, including the Irish Museum of Modern Art (2002), Musèe d’Art Contemporain in Lyon, France (1997), and the Museum of Modern Art, New York (1994). In 1999, Hamilton was selected to represent the United States at the Venice Biennale. Her honors include the National Medal of Arts (2014), a John D. and Catherine T. MacArthur Fellowship (1993), The Louis Comfort Tiffany Foundation Award (1990), and a Guggenheim Memorial Fellowship (1989).
Annika Hansteen-Izora: 1 Event; Annika Hansteen-Izora (she/they) is a queer Black artist and writer from Palo Alto, California, based in Brooklyn, New York. Annika uses poetry, design, and performance to explore themes of healing, Black liberation, afrofuturism, and queerness. Annika is a creative contributor at Black Feast and head of design at Somewhere Good, a social media platform that connects people of color to each other and the things they love. Annika believes in the sacredness of Black joy, and uses her work to explore tenderness as a liberation practice. annikaizora.com @annika.izora
annikaizora.com / @annika.izora
Ant Hampton: 2 Events; Ant made his first works under the name Rotozaza—a performance-based project starting in 1998, which ended up spanning theatre, installation, intervention, and writing-based works. His work, though varied in tone and content, has consistently played with a tension between liveness and automation. Most often, Ant’s practice has involved guiding people through unrehearsed performance situations, and since 2007, it has included the audience itself within structures loosely defined as Autoteatro. Rotozaza became a partnership with Silvia Mercuriali and ended in 2009 after their last production, Etiquette, which was also the first Autoteatro work. Since then, Ant has worked with Tim Etchells, Christophe Meierhans, Britt Hatzius, Gert-Jan Stam, Glen Neath, Joji Koyama, and Sam Britton to create the works listed here, which continue to tour internationally; over 80 different language versions exist of the various Autoteatro productions created so far.
At times, Ant’s performances do not require travel; a paradoxical outcome (especially for an artist committed to liveness and presence), which in turn informed his recent advocacy and research project, ShowingWithoutGoing.live.
In September 2023, he founded Time Based Editions with David Bergé, an ongoing series of “live books” binding print to time, merging sound with paper. The first edition was his own Borderline Visible, which won the 2024 IDFA DocLab Special Jury Award for Creative Technology. For the second edition, ADE DEA, he collaborated with musicians Ulla and Perila.
Other solo projects include experimentation around “live portraiture” as The Other People: structured encounters with people from non-theatrical milieu. He was head dramaturg for Projected Scenarios at Manifesta 7, the European Biennial for Contemporary Art and has contributed to projects by other artists, including Ivana Müller, David Weber-Krebs, Anna Rispoli, Jerome Bel, and Forced Entertainment.Ant has created and led workshops worldwide, including FANTASY INTERVENTIONS: Writing for Site-Specific Performance and has also worked as a coach/mentor for artist programs such as MAKE (Ireland); a.pass and Sound Image Culture (Belgium); Onassis AiR (Greece); and DasArts (Netherlands) where, together with Edit Kaldor in 2013, he designed and mentored a 10-week block, Every Nerve. The work with Kaldor spawned his own wider investigation of radical trust, risk-taking, and leaps of faith, most obviously via the The Thing: An Automatic Workshop in Everyday Disruption, created with Christophe Meierhans.
http://www.rotozaza.co.uk/
http://www.rotozaza.co.uk/autoteatro.html
https://www.anthampton.com/menu.html
Anthony Hudson / Carla Rossi: 9 Events; Anthony Hudson is a Grand Ronde/Siletz artist and writer also known as Carla Rossi, Portland's premier drag clown. Hudson’s performance work—from his award-winning solo show Looking for Tiger Lily to Queer Horror at the Hollywood Theatre—have earned him national fellowships, international engagements including the US Pavilion’s drag clown in residence at the 2024 Venice Biennale, features in Hyperallergic and Art in America, and sainthood from the Portland Sisters of Perpetual Indulgence. A 2023 FSG Writer’s Fellowship finalist and 2024 Tin House resident, Hudson’s writing has appeared in American Theatre, BOMB Magazine, and Arts and International Affairs. Hudson is currently adapting Looking for Tiger Lily into a book.
Anthony Robinson: 1 Event; Combining spontaneous off the cuff wit and well-written punches to the gut, Anthony's comedy can best be described as Chuck D and Flavor Flav in one person. Beginning stand up in Kansas City, MO at 21, he left the Midwest to further pursue comedy and hasn't looked back since.
Worked with comedians like Ty Barnett, Aparna Nancherla, Rory Scovel, Amy Miller, Aamer Rahman, Baron Vaughn, Curtis Cook, Neel Nanda, JohnRoy, just to name a few.
Credits include Bumpershoot, NW Comedy Festival, Seattle International Competition, NBC Stand Up for Diversity
Antoine Catala: 3 Events; Catala's practice, aside from making video, includes performance-based works and curating as a medium. A New York-based French artist, Catala holds a BA in mathematics and was schooled in sonic and fine arts at Middlesex and London Guildhall Universities in London. His work has been exhibited internationally at le Musée d’Art Moderne de la Ville de Paris; Galerie Christine Mayer (Munich); GAM (Mexico); The Mattress Factory (Pittsburgh); and numerous venues in Bordeaux, Berlin, London, Los Angeles, Mexico, New York, Munich, Paris, Toulouse, and Saint-Etienne.
Antoine Defoort: 2 Events; Antoine Defoort tries to maintain a good atmosphere and a high level of porosity between his seasonal whims, life, as in real life, and contemporary art. He therefore often finds himself struggling with blatant contradictions that are either proudly assumed or shamefully hidden through the use of mind numbing non-sequiturs and wild digressions. Failures and accidents are welcomed with open arms and create a crispy granularity particularly appreciated by connoisseurs. Together, Julien Fournet, Antoine Defoort and Halory Goerger co-founded l’amicale de production, a small production house in Lille / Brussels (France / Belgium) For greater context and a more in-depth exploration of Antonie Defoort and his collaborative work with Halory Goerger, click here to view a PDF of collected reviews, interviews, articles and links. A great resource for those who really want to dive into the Festival!
Antony and the Johnsons: 1 Event; Antony and the Johnsons, former artists in residence at Joe’s Pub at the Public Theater (NY), have performed at the Bloomsbury Theater in London, the Warhol Museum, the Wexner Center, and the Brooklyn Academy of Music. Antony has also worked extensively with Lou Reed and Björk and was featured in the 2004 Whitney Biennial with a Charles Atlas collaboration entitled TURNING. In 2005 Antony and the Johnsons won the UK's Mercury Prize for the album I am a Bird Now. In January 2012, the Museum of Modern Art presented Antony and the Johnsons' Swanlights to a sold out crowd at Radio City Music Hall in NYC.

Antony is also a visual artist and has exhibited his drawings at Palais Des Beaux Arts in Belgium, Isis Gallery in London, Accademia Albertina in Turin and the Triennale in Milan. In 2009 he curated a group show entitled Six Eyes at Agnès B. Galerie Du Jour in Paris, which included work by Peter Hujar, Kiki Smith, and William Basinski. In October of 2010, Antony released a book of collages and drawings, also called Swanlights, published by Abrams Image. Antony's drawings were exhibited at the Hammer Museum in Los Angeles in Spring 2012, curated by James Elaine.
Apartment Fox: 1 Event; Alex Neerman was once the drummer of anarcho-art-punk band The Intima back in the early 2000's. After that group's demise he found a new outlet for his percussive mind building drum machines and synthesizers. Over the last 4 or 5 years he has refined his craft and emerged as one of Cascadia's finest hardware techno producers, providing "off-center dance music that throws off all sorts of wonky textures while still delivering crushing grooves that make you feel indestructible" (The Stranger). He has recently been collaborating with Patricia Hall of Soft Metals; she will join him onstage at TBA.
Arab.AMP: 1 Event; Arab.AMP is a platform for experimental live art, music, and ideas by artists of the Southwest Asian North African diaspora, region, and allied communities. Founded in 2016 by Leyya Mona Tawil, Arab.AMP is a primary program of ELIXIR 501c3, based in California. With a focus on presenting work from the Arab and SWANA diaspora, region, and allied communities, Arab.AMP supports national and international discourse and cultural empowerment. They present the work of other BIPOC communities in conversation with those of SWANA diasporic artists and prioritize LGBTQI+ narratives. The 2022 season features AMP FOLKTALES, an 8-episode series of broadcasts featuring our 2022 commissioned artists and a community spotlight segment hosted by artist/organizer Nadya Tannous. Arab.AMP Live is our nomadic live event series operating in partnership with venues inter/nationally including FUSEBOX Festival (Austin), Pieter Performance Space (LA), The Invisible Dog (Brooklyn), ISSUE Project Room (NYC), and the Arab American National Museum (Dearborn/Detroit). Arab.AMP, via ELIXIR 501c3. is supported with lead funding from the California Arts Council and City of Oakland Cultural Funding Program, as well the Foundation for Contemporary Arts Emergency Grant, Investing in Tomorrow Grant from the Center for Cultural Innovation, the Kenneth Rainin Foundation NEW Program, the Phyllis C. Wattis Foundation, and the Zellerbach Family Foundation.
Arca: 1 Event; www.arca1000000.com Selected Media:
Ariana Jacob: 3 Events; I make artwork that uses conversation as a medium and as a subjective research method. My work explores experiences of interdependence and disconnection, questions my own idealistic beliefs, and investigates how people make culture and culture makes people.

My work often takes place in public space and struggles with questions about who we are to each other in our society and what it means to be in public, or to be part of a public. These projects are usually participatory, sometimes collaborative, and range in scale from intimate interpersonal situations to large group activities. They have been exhibited as both live events and as photographic, written, recorded, electronically transmitted, and handmade documentation.

I am deeply committed to art having a fundamental role in society beyond the professional confines of the discipline. I therefore aim to make work to be discussed and circulated outside the art world's paths of distribution and dialogue, yet remain articulate and relevant in art discourse. For me, the question "who is art for?" continues to be inspiring and interesting, however often it is asked.

I see my art practice as embodied research and an experiential testing zone for cultural, political and philosophical possibilities. My work inherits the long history of attempts to merge art and life but acknowledges that it is in the acute and delicate distances art offers us from the everyday that we are able to notice and reconsider how we live.

Ariana holds an MFA in Art & Social Practice from Portland State University. She has exhibited work and organized events at apexart and Smack Mellon in New York City, Betonsalon in Paris, France, The Portland Institute for Contemporary Art’s Time Based Arts Festival, The Portland Art Museum, and Gallery Homeland in Portland, OR, Southern Exposure, in San Francisco, CA; and in many public places.

Her work has been included in the NW Biennial at the Tacoma Art Museum, Disjecta’s Portland 2012 Biennial, The Open Engagement Conference and the Discourse and Discord Symposium at the Walker Art Center.
ariella tai: 3 Events; ariella tai is a video artist, film scholar, and independent programmer from Queens, New York. They are interested in Black performance and cultural vernaculars in film, television and media studies. They are one half of “the first and the last,” a fellowship, workshop and screening series supporting and celebrating the work of Black women and femmes in film, video and new media art. They have shown work at Anthology Film Archives, the Portland Oregon Women’s Film Festival, Portland Institute For Contemporary Art, Northwest Film Center, Boathouse Microcinema, Wa Na Wari, the Black Femme Supremacy Film Festival, MOCA and Smack Mellon. Their most recent video work "safehouse" premiered at Trinity Square Video in Toronto as part of group show "Architectures after the Asylum" curated by Sajdeep Soomal.
Ariel Osterweis: 3 Events; Ariel Osterweis (TBA:16 Guest Scholar) recently joined the faculty of The Sharon Disney Lund School of Dance at the California Institute of the Arts (CalArts), where she will teach dance history, aesthetics, and pedagogy. She has also taught at Skidmore College, Wayne State University, and UC Berkeley. Osterweis earned her PhD in Performance Studies at UC Berkeley and her BA in Anthropology at Columbia University. Her book manuscript, Body Impossible: Desmond Richardson and the Politics of Virtuosity (working title), is under contract with Oxford University Press and examines issues of race, class, gender, and sexuality in contemporary dance. Osterweis also researches Sub-Saharan African dance and mixed-race, feminist, and transgender performance that disavows dance-based virtuosity. Publications appear in Dance Research Journal, TDR/The Drama Review, Women and Performance, e-misférica, Theatre Survey, The Oxford Handbook of Dance and the Popular Screen (Oxford University Press, 2014), and Choreographies of 21st Century Wars (Oxford University Press, 2016). Osterweis danced with Complexions Contemporary Ballet, Mia Michaels R.A.W., and Heidi Latsky, choreographs, and has served as dramaturg for John Jasperse and Narcissister. She is on the Board of Directors of the Society of Dance History Scholars and is Book Reviews Editor for Dance Research Journal.
Armon Poostpasand: 1 Event; Armon Poostpasand, Portland born and raised, is ambitious and optimistic in the many faces of adversity. With
a BA in digital communications, Armon creates content for the people.
Arnold J. Kemp: 2 Events; Arnold J. Kemp is an American artist who has been critically and professionally engaged with making, exhibiting and publishing in cities such as San Francisco, New York, Portland, and Chicago. He has also worked internationally in Stockholm, Paris, Vienna, Berlin and Nassau, Bahamas. His works are in the collections of the Metropolitan Museum of Art, The Studio Museum in Harlem, The Berkeley Art Museum and Pacific Film Archive, The Tacoma Art Museum, The Schneider Museum of Art and the Fine Arts Collection at the University of California, Davis. He is a 2012 Guggenheim Fellow and has also received awards and fellowships from the Joan Mitchell Foundation, the Pollock-Krasner Foundation, Art Matters Inc., Printed Matter, Inc., and Portland Institute for Contemporary Art. He holds an MFA from Stanford University. He is Dean of Graduate Studies at The School of the Art Institute of Chicago. His work has been exhibited in Chicago at Iceberg Projects.
Asher Hartman: 2 Events; Asher Hartman is an interdisciplinary artist, director, writer, and creator of live performances. His works operate in the charged space between performance art, experimental theater, and immersive installation. In this sphere of intensely amplified perception, Hartman generates works that grapple with the myriad of social and political issues that dominate this current era of chronic crisis. Often situating personal and emotional history in relation with the ideologies that structure Western culture, his works are dense, visual, poetic, embodied texts, where clown and cringe humor are layered upon moments of desperate rage and arousal. In every work, Hartman implants evidence of his own trance and psychic journeying, set in engulfing installations designed to disorient, unnerve, and elicit indelible feelings.
Hartman received his BA in Theater from University of California, Los Angeles and his MFA in Studio Arts from CalArts, where he has since become a faculty member in the CalArts School of Theater. He has also taught at Otis College of Art and Design, and University of California, Riverside. He is the founder and chief of Gawdafful National Theater, a group of artist-actors for whom he has written and directed since 2010. Hartman was also one half of the performative duo Krystal Krunch (with Haruko Tanaka), and over the course of their collaboration the two artists taught intuition-building work to artists, activists, and interested members of the public. From 1999-2005, Hartman co-directed Crazy Space, a performance art venue that featured artists such as Dark Bob, Mariel Caranza, Mario Gardener, Jamie McMurry, Johana Went, Kristina Wong, Liz Young, and Paul Zaloom.
Hartman's recent projects include The Mommy Leaks the Floor at New Hollywood Theater, Los Angeles, CA (2025); Blessed with Switch with Jasmine Orpilla at Centre Pompidou, Paris (2024) and University of California, Irvine, The Art of Performance (2024); It’s Better to Start Out Ugly at JOAN, Los Angeles, CA (2023) and The Lab, San Francisco, CA (2023). Past Gawdafful National Theater performances include The Dope Elf, Yale Union, Portland, OR (2019) revised as Organized Around the Erotics of Doing You In at The Lab, San Francisco, CA (2021); Sorry, Atlantis, Or Eden’s Achin’ Organ Seeks Revenge, Machine Project, Los Angeles, CA (2017); The Silver, the Black, the Wicked Dance, LACMA, Los Angeles, CA (2016); and Annie Okay!, Hammer Museum, Los Angeles, CA (2010). Hartman's recent publications include Mad Clot on a Holy Bone (X Artists’ Books, 2020); Female Hallucinations, Folk Horses, and Gaunt Motherfuckers (Cambridge University Press, 2022).
Ashley Stull Meyers: 1 Event; Ashley Stull Meyers (she/her/hers) is a writer, editor, and culture worker. She has curated exhibitions and public programming for a diverse set of arts institutions along the West Coast, including those in San Francisco, CA, Oakland, CA, Seattle, WA, and Portland, OR. She has been in academic residency at the Bemis Center for Contemporary Art (Omaha, NE) and the Banff Centre (Banff, Alberta). She has served as Northwest Editor for Art Practical and has contributed writing to BOMB, Rhizome, ARTS.BLACK, and SFAQ/NYAQ. In 2017 Stull Meyers was named director and curator of The Art Gym and Belluschi Pavilion at Marylhurst University, and the following year was made co-curator of the 2019 Portland Biennial. Currently, she is program director for the Multicultural Resource Center at Reed College, and is contracting as an independent curator.
Ashot Danielyan: 1 Event; Musician, poet, and performing artist Ashot Danielyan advocates art as an instrument for social change, a new and unfamiliar concept in Uzbekistan. The repressive political regime in Uzbekistan over the past three decades has resulted in isolation in artistic and social life leading to severe stasis. The dominance of the academic art school inherited from the Soviet past ensures that the local art community follows conformist self-censorship and aggressively rejects new ideas or socially engaged art practices.
Ashot’s project A Man With The Stool addresses many of these issues through performance, poetry, music, photography, and video. Having introduced the project in the major cities of Uzbekistan, Ashot is planning to tour it around Central Asian republics to build cultural bridges among these disconnected nations.
During his ArtsLink International Fellowship 2020 (virtual and in-person residencies), Ashot met professional and civic communities and explored cross-cultural experiences and socially engaged art practices which emerge from poetry, alternative music, and theater. Sharing interest and practice in Japanese history, language, culture, experimental poetry, performance, and book-making, Ashot and his US collaborator Mami Takahashi of PICA, launch a series of poetry readings, artist talks, and conversations. The multi-city cultural exchange resulted from Ashot’s and Mami’s virtual residency in 2020 and takes place at PICA and other cultural and educational institutions in Portland, Seattle, San Francisco, and Chicago in 2021.
ASUNA: 1 Event; ASUNA is a Japanese sound artist. He has been creating experimental music and installation work from a very young age since the late '90s. ASUNA has become a pioneer in Japan's experimental ambient / drone / improvisation scene and has collaborated with many Japanese and international electronic musicians, including Jan Jelinek, minoru sato-m/s (ex.WrK), Pękala Kordylasińska Pękala, and numerous others. He has been prolific and produced a large number of albums for European, American, and Japanese labels.
Alongside his first major work, "Each Organ" (2002) — a sound installation reconsidering the concept of etymology — ASUNA also produces experimental composition works, recording with acoustic instruments and electronics under the title "100 Toys." This performance uses tiny toys to create a multi-layered and fascinating plastic universe of drones, loops, sonic moire, and occasional pop implosions.
ASUNA's current touring work, "100 KEYBOARDS," is a live music performance featuring over 100 keyboards. Multiple sound waves on the same frequency are disseminated in multiple directions, creating a complex distribution of acoustic pressure. This causes what is known as a moiré pattern of sound interference. In this site-specific listening experience, the audience will hear subtle variations of sound interference and resonance that vary based on one's own position in the performance space.
Autumn Chacon: 1 Event; Autumn Chacon (Diné / Chicana) is an artist and activist whose organizing work in media justice has led to the inception of three FCC-licensed community radio stations; while her work as an activist has led to meetings with the largest banks of the world in a successful effort to divest $3.8 billion from the Dakota Access Pipeline. Her work as a conceptual, installation, and performance artist has been shown among First Nations communities throughout North America and abroad. Many of Chacon’s pieces reveal Indigenous futurisms where technology has a sacred relevance, and exemplify her skills as a self-taught electronic engineer.
Autumn Knight: 9 Events; Autumn Knight is a New York-based, Texas-born interdisciplinary artist working with performance, installation, video, sound, and text. Drawing from her training in theater, group dynamics, and psychology, Knight makes performances that reshape power structures and upend audience expectations of live experiences. Her performance work has been on view at various institutions, including Human Resources, Los Angeles; Akademie der Künste, Berlin; Shedhalle, Zurich; Whitney Museum of American Art, New York; Portland Institute of Contemporary Art, OR; The Kitchen, New York; Museum Of Contemporary Art Chicago, IL; Museum Ostwall, Dortmund; Brooklyn Academy of Music, NY; Performance Space New York, NY; and REDCAT, Los Angeles. Her performance work, WALL, is the first live performance work acquired to the permanent collection of the Studio Museum in Harlem. Knight is the recipient of various awards, grants, honors, and fellowships, including an Art Matters Grant, the Anonymous Was a Woman Award, a Foundation for Contemporary Arts Grant, the Nancy B. Negley Rome Prize in Visual Art, and a Guggenheim Fellowship.
Big Art Group: 3 Events; Big Art Group is a New York-based experimental performance ensemble founded by Caden Manson and Jemma Nelson in 1999. The company pushes the formal boundaries of theater, film, and visual art through the use of technology and experimental methods of communication. In its history, the company has grown from an underground performance group to an internationally recognized ensemble with invitations from leading festivals and presenters including Hebbel am Ufer Berlin, Festival d’automne à Paris, La Vie de Festival Rome, REDCAT in Los Angeles, Yerba Buena Center for the Arts in San Francisco, and The Kitchen in New York.
Selected Press
10 years of Big Art Group, Justin Bond, The Brooklyn Rail, April 2010
Big Art Group: 'The People' Shaped by Local Views, Nirmala Nataraj, San Francisco Chronicle, September 15, 2011.
Black Aesthetic Studio: 2 Events; The Design Collaborative know as the Black Aesthetic Studio (BAS) is led by artist duo Cleo and Kayin Davis, in conjunction with Professor of Architecture Robert Alexander Clarke, and historian Kimberly Moreland. They will investigate policing through the lens of Oregonian historically anti-black urban politics and policies. And how these systems of policing affected Black Folks' ways of living, being, and seeing throughout time.
BAS aims to uncover how past, present, and future policing histories have imprinted African Americans' psychology and aesthetic throughout time. They will construct temporal gateways that will encapsulate specific periods which will draw the audience into black space, thus illuminating the user on how we see our histories and futures which has been policed by white authorship from the founding of our nation. These constructed visions will be critique on Oregon racist history and policies, allow one to understand how migration and oppression has transforms black identity and its expressions.
Cleo Davis started his education in architecture at the University of Oregon further changing to industrial design at San Jose State. He is an artist whose work takes a critical view of the social, political and cultural issues and through his work, he continues to reconstruct the cultural view modernizing while also highlighting traditions. Although he engages with multiple subjects and mediums his methodology remains consistent. He also has started the screw loose Studio the Mayo House project and most recently, the archives project in collaboration with Kayin.
Kayin Talton Davis started off in an artistic direction from a very young age, but later learned her love for math and science and pursued a Bachelor's in mechanical engineering at Portland State University. Her design projects were always influenced by a drive to be accessible to all. She started the soapbox theory in 2001, as a way to express herself creatively. And through these mediums, her interest is always in creating something that is positive, helpful and accessible to all but especially children from culturally underrepresented communities.
Robert Alexander Clarke is a designer, educator, and theorist practicing at the intersection of culture, identity, and architecture. His work aims to develop and canonize black aesthetics, thus authenticating it as a lens through which to practice architecture. His design office, BAS (Black Aesthetic Studio) was founded by Clarke, Cleo Davis and Kimberly Morland; their studio explores how to unearth new aesthetics that are immensely specific to African American culture, experience, and identity. Before joining as Activist in Residence at UCLA’s City Lab, Clarke held posts as a Wilson Smith III Design in Spatial Justice Fellow at the University of Oregon’s College of Design. As well as Research Fellow at Newlab under the supervision of architect and New York University Associate Professor of Practice Mitchell Joachim. Before opening his practice, Clarke worked for many years at architectural firms across the globe, including HOK, Terreform ONE, Gensler, and Archi-Union.
Kimberly Stowers Moreland, MBA, MURP, is wife of Michael L. Moreland and the mother of four amazing young adults: Katherine, Mike Jr., Kristen, and Karina. She owns Moreland Resource Consulting and has over 25+ years of experience in the public sector, urban and historic preservation, community development, and urban planning in Portland, Tacoma, and Salem.
Moreland serves as the President of the Oregon Black Pioneers, and their mission is to preserve the history of Black Oregonians. On behalf of the Oregon Black Pioneers, she authored Images of America: African Americans of Portland (Arcadia Publisher). She is the Vice-Chair of the Portland Historic Landmark Commission and a member of the Portland Landmark Commission.
As a community historian, Kimberly began documenting Portland's Black history for over 30+ years. As a city planner with the City of Portland, she worked with the community advisory committee and local historians to produce the History of Portland's African-American History (1805 to the Present). She was on the project team that produced Cornerstones of Community: The Buildings of Portland's African American History, published in 1995. She was subsequently involved in the Multiple Property Documentation (MPD) history project, which builds on the Cornerstones research to produce African American Resources in Portland, Oregon, from 1851 to 1973. This research brings attention to sites related to Portland's Black history so they can be listed in the National Register of Historic Places.
As owner of Moreland Resource Consulting, Moreland worked with the Oregon Department of Transportation (ODOT) and Home Forward, former the Housing Authority of Portland (HAP), to better understand how their past policies unjustly impacted African Americans. Since, 2021, she has teamed with the City of Portland and Architectural Resource Group (ARG) on successfully approval of four National Historic Landmark Register nominations significant to Portland's Black history, including Dean's Beauty and Barbershop, Mt. Olivet Baptist Church, Golden West Hotel, and Dr. John D. Marshall Building. In 2023, with Constructing Hope, Moreland co-authored Building Legacy: BIPOC Construction Trailblazers in Oregon, which highlighted twenty-three construction trade pioneers.
In 2023, she partnered with Robert Clark and Cleo Davis to establish Black Aesthetics Studio LLC (BAS). The firm explored how to unearth new aesthetics specific to African-American culture, experience, and identity.
Brad Adkins: 1 Event; Brad Adkins was born in Kalispell, Montana. Adkins' individual, collaborative, and curatorial work has been presented at The Art Gym, Consolidated Works, Douglas F. Cooley Memorial Gallery, The Portland Art Museum, and PICA; and has been noted and featured in ArtNews, Artweek, Modern Painters, Punk Planet, and The Independent. His work is represented by PDX Contemporary Art (OR). BIG RED, an audio cd that documents an afternoon conversation between Adkins and Curtis Knapp on the subjects of performance, imitation, and close-up magic, was produced by Marriage Records in 2004.
Brennan Gerard and Ryan Kelly: 1 Event; Gerard & Kelly (Brennan Gerard and Ryan Kelly) have collaborated since 2003 to create project-based installations and performances interrogating the formation of the couple and the critical potential of intimacy. Driven by an inquiry of their own partnership, the duo uses choreography, video, and sculpture to address questions of sexuality, memory and the formation of queer consciousness. Their work has been exhibited internationally at Palais de Tokyo, Paris; Guggenheim Museum, New York; the Hammer Museum, Los Angeles; New Museum, New York; and The Kitchen, New York, among other institutions. Their ongoing performance series Modern Living, in collaboration with L.A. Dance Project, was recently presented by The Glass House, New Canaan, Connecticut, and the MAK Center for Art and Architecture at the Schindler House in West Hollywood, in association with Art Production Fund. Gerard & Kelly have received numerous recognitions for their work, including the New England Foundation for the Arts (2015), Art Matters grant (2014), and the 2014 Juried Award from the New York Dance and Performance Awards, also known as the Bessies. Gerard & Kelly completed the Whitney Museum Independent Study Program in 2010, and received their MFAs in 2013 from the Interdisciplinary Studio in the UCLA Department of Art.

Artists Archive

A

Aaron Guice

Abigail DeVille

A Black Art Ecology of Portland (BAEP)

a canary torsi

Adam Linder

Adam Sorenson

Adee Roberson

Adela Demetja

Adrienne Truscott

Ahamefule J. Oluo

A.K. Burns

Akela Jaffi

Aki Onda

Akio Suzuki

Aki Sasamoto

Alan Licht

Alessandro Sciarroni

Alexandria Saleem

Alexandro Segade

Alex Cecchetti

Alex Felton

Alex Ian Smith

Alexis Blair Penney

Alex MacKenzie

Alex Mackin Dolan

Alex S. Vitale

Alex Tatarsky

Alfredo Jaar

Ali Chahrour

Alicia ayo Ohs

Alicia J. Rose

Alima Lee

Alison O’Daniel

Alissa DeRubeis

Al Knight-Blaine

Allie Hankins

Allison Akootchook Warden

A.L. Steiner

Amalia Dache

Amanda Hadingue

Amanda Lee

Amber Boydston

Amber Gayle

Amber Kay Ball

Amelia Reeber

Amenta Abioto

AMERICAN ARTIST

Amy Bessone

Amy O'Neal

Amy O’Neal and Ellie Sandstrom

Amy Sillman

Anchi Lin [Ciwas Tahos]

Andra Rotaru

Andrea Geyer

Andrea Stolowitz

AndrewAndrew

Andrew Dickson

Andrew Dinwiddie

Selected Press

Andrew Gilbert

Andrew J. Brown/Sister James

Andrew Ritchey

Andrew Schneider

Andrew Tay

Andy Warhol

Angélica Maria Millán Lozano

Angelo Scott

Angel Robinson

Anh Vo

Anissa Mack

Selected Press

Anna Craycroft

Anna Gray & Ryan Wilson Paulsen

Selected Press

Anna Martine Whitehead

Anna Oxygen

Anna Vo

Ann Hamilton