Artists Archive
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Adam Linder (b. 1983, Sydney) lives and works in Los Angeles and Berlin. He makes stage works and provides Choreographic Services. FULL SERVICE (Services No. 1 - 5) was presented by CCA Wattis Institute (San Francisco, 2018) and Musée d’Art Moderne Grand-Duc Jean (2019), alongside a new work for the 2019 Venice Biennale. Linder will premiere a new work at MoMA New York in 2020. Recent solo or two person shows include South London Gallery, Kunsthalle Basel, Schinkel Pavillon, Berlin and Institute of Contemporary Arts, London. His works have been commissioned, presented or hired by HAU Hebbel am Ufer, Berlin; Museu de Arte Contemporânea de Serralves, Porto; Museum of Modern Art, Warsaw; Kampnagel, Hamburg; Sadler’s Wells, London; American Realness, NYC; MoCA, Los Angeles; 356 Mission, LA; Frieze LIVE, London; and National Gallery of Victoria, Melbourne. Linder participated in the 20th Biennale of Sydney, Liverpool Biennial and Made in LA at the Hammer Museum. He has performed with the Michael Clark Company, Meg Stuart’s Damaged Goods, and The Royal Ballet London.
Learn moreAlan Licht has spanned the worlds of indie rock, experimental music, and sound installation, appearing on close to 100 recordings and touring the world in the process. Licht is the editor of Will Oldham on Bonnie Prince Billy (Faber & Faber/W.W. Norton, 2012), Sound Art: Beyond Music, Between Media (Rizzoli, 2007), and An Emotional Memoir of Martha Quinn (Drag City, 2002). He is also on faculty in the Music/Sound Department at Bard College's Milton Avery Graduate School of the Arts and a contributing editor at BOMB magazine.
Learn moreAlima Lee is a transdisciplinary afrolatinx artist from New York City and is currently based in LA. Their work explores themes of identity and intersectionality. A recent Frieze LA x Ghetto Film School Fellow and Co-Host of a monthly radio show, "Rave Reparations" on NTS. Working in an uninhibited range of mediums from video installation and performance to printmaking and sculpture, Alima is on an ever-constant freefall from structure. Their video work is currently on view at HVW8 Gallery in Berlin and has been presented at the Tate Modern, MOCA, Smithsonian African American Museum, Gavin Brown's Enterprise, and ICA Boston among other global entities.
Learn moreAmanda Lee is a queer artist located in Los Angeles, CA.Their primary mediums are media and ceramics (porcelain). In addition, they love to create hand-made flora inspired earrings.
@amandalee_faa
Learn moreAnchi Lin [Ciwas Tahos] is a performance and new media artist of Taiwanese Indigenous Atayal and Hō-ló descent based in Taipei, Taiwan. Following a Bachelor of Fine Art in Visual Art at Simon Fraser University (Canada), Lin is currently undertaking a Master of Fine Art in New Media Art at Taipei National University of the Arts (TNUA). Through her practice and interest in language, identity, gender, and the environment, Lin seeks out new forms of understanding beyond the hetero-patriarchal status quo, using video, performance, cyberspace, and installation.
Learn moreAngélica Maria Millán Lozano is a Portland based artist from Bogotá, Colombia. She creates abstract and figurative compositions on distressed fabrics that question the social injustices that affect Latinas in the home. She received her MFA in Visual Studies at Pacific Northwest College of Art and is currently the Curatorial Fellow for Community Engagement at Portland Institute for Contemporary Art (PICA). Millán is also a co-founder at cvllejerx, a poc focused fashion, poetry, and performance collaboration. Millán has presented work at Disjecta, Williamson | Knight, Nationale in Portland, OR; Gallery Protocol in Gainesville, Florida; and Bridge Productions in Seattle, Washington.
Learn morebone lattice is the quiet side project of performance artist SHAWNÉ MICHAELAIN HOLLOWAY and composer Antbohony A. Dunn. After a decade of collaboration on paintings, illustrations, and theatrical soundtracks, they are dedicated to working together through sound and image to confront contradictions, intensities, violence, and darkness as they also navigate these themes in their own, very different, practices of the digital arts. Both artists are concerned with poetry and sound as material. Chicago’s Wish Fulfillment describes b o n e l a t t i c e as “Thrumming engine-room ambience suffused with foreboding, while refusing to even acknowledge the Halloween-store cliches of so much "dark ambient." Instead, [b o n e l a t t i c e ] inhabits that same greyed-out zone where Jeff Greinke and others have played, juggling texture, harmony, suspense, and wonder with equal aplomb…”
Learn moreLund’s work has been exhibited at numerous venues including Smith-Stewart Gallery, New York (2009); Frederieke Taylor Gallery, New York (2009); Newark Arts Council, Newark, NJ (2008); Real Art Ways, Hartford, CT (2008); b42 Gallery, Oakville, Ontario, Canada (2008); Moti Hasson Gallery, New York (2008); Josèe Bienvenu Gallery, New York (2008); The Bronx Museum of the Arts, Bronx, NY (2008); The Drawing Center, New York (2008); and chashama, New York (2006). His work has been reviewed in several publications including The New York Times, Time Out New York, Art Review, and The Journal News. Lund is represented by Smith-Stewart, NYC.
Learn moreCannupa Hanska Luger is a New Mexico-based, multi-disciplinary artist. Raised on the Standing Rock Reservation in North Dakota, he is of Mandan, Hidatsa, Arikara, Lakota, Austrian, and Norwegian descent. Using social collaboration, and in response to timely and site-specific issues, Luger produces multi-pronged projects that take many forms. Through monumental installations that incorporate ceramics, video, sound, fiber, steel, and cut-paper, Luger interweaves performance and political action to communicate stories about twenty-first century Indigeneity. This work provokes diverse publics to engage with Indigenous peoples and values apart from the lens of colonial social structuring, and oftentimes presents a call to action to protect land from capitalist exploits.
cannupahanska.com
@cannupahanska
Learn moreClaire L. Evans is a writer and artist working in Los Angeles. She blogs at Universe, which addresses the synchronicities between art, science, technology, and the cultural world. Her “day job” is as the singer and co-author of the conceptual, multimedia, disco-pop band YACHT. Evans has performed her earnestly cosmic PowerPoint presentations at The Kitchen and MoMA PS1, and has co-authored NA/SA: New Art Science Affinities, a collaboratively written compendium on inter-disciplinarity in the arts.
Learn moreClayton Lee is a Canadian curator, producer, and performance artist. He currently serves as the Artistic Director of Fierce Festival in Birmingham, UK. From 2019–2023, Clayton was the Director of Rhubarb Festival!, Canada’s longest-running festival of new and experimental performance, and previously served as the Curatorial Associate at the Luminato Festival. His performance projects have been presented in venues across Canada, the US, the UK, and New Zealand. He was one of the Art Gallery of Ontario’s Artists-in-Residence in 2023. As part of the Living Room Collective, he represented Canada at the 2025 Venice Biennale of Architecture.
Learn moreIncorporating irony and humor into her work, Cristina Lucas focuses on the irrationality of human actions and ethics within contemporary aesthetics. She was born in Jaén, Spain, and earned her BFA from Complutense University, Madrid, followed by an MFA from the University of California, Irvine. Lucas has recently participated in Dominó Canibal II Bienale PAC Murcia and the Liverpool Biennial. Her work has also been seen in solo exhibitions such as Centro de Arte 2 de Mayo, Móstoles an Carrillo Gil, Mexico DF; Stedelijk Museum Schiedam, The Netherlands; and Galería Juana de Aizpuru, Madrid; as well as in group exhibitions at NMAC Foundation, Cádiz; Aldrich Art Museum, Ridgefield, CT; 28 Bienal de Sao Paulo; and X Istanbul Bienale. Lucas lives and works in Spain, where she is represented by Juana de Aizpuru Gallery, Madrid.
Selected Press
Cristina Lucas, Touch and Go, 2010, Arthur Roberts and Barbara Jones, all my colours, November 7, 2010.
Learn moreCynthia Lathi’s work resonates with honesty and reflects the beauty and chaos of this world. Lathi combines references to art of past centuries with her own personal visual language. Her work reflects a collective conscience with imagery that is deeply referential of Lathi’s own personal experience and emotions. Her sculpture, drawings and photographs become relics made from real materials, methods and symbols that hope to offer an explanation of reality. Her work has been featured in solo exhibitions at PDX Contemporary Art, the Laura Russo Gallery, Marylhurst Art Gym and the Nine Gallery in Portland, Oregon. She is represented by PDX Contemporary Art where she will have a solo exhibition in April 2009.
Learn moreDee Lyrium is a performance artist and dancer whose work comments on the limits of bodily autonomy through physical pain. Their work features themes of pain, ecstasy, grief, and personal power.
Learn moreArgentine director, dancer and choreographer Diana Szeinblum began her career with the prestigious contemporary Ballet of the San Martin General theatre under the direction of Oscar Araiz. On a Goethe Institute scholarship, she studied at the Folkwang Tanz Schule and danced with the FTS company under the artistic direction of Pina Bausch, where she worked with choreographers such as Bausch, Susanne Linke and Urs Dietrich, among others. Her award-winning independent dance theatre work Secreto y Malibú toured across Europe, Asia and the US in 2003 including performances at PICA, The Walker Art Center, Dance Theatre Workshop and the Fresh Terrain Festival in Austin. ALASKA, her last piece, premiered in 2007, in the Konex Art Center, Buenos Aires, Argentina, and toured through the NPN Performing Americas Program in 2008. ALASKA will also be included in the Teatro a mil Festival (Chile) CINARS (Canada) the Feria de San Sebastian (España) and he Festival in Madrid 2009. Szeinblum is a sought-after teacher of composition and improvisation classes in Buenos Aires and throughout Argentina.
Lucas Condro began his studies in Argentina in 1997. In 1999 he was invited by the teacher and choreographer David Zambrano to take a seminar at the School for New Dance Development in Amsterdam, where he studied for three years and received the degree of "Dance Maker." In Amsterdam he worked with the choreographers Red Peace, Hooman Sharifi; Nicole Butler and David Zambrano. In 2004 he improved his skills in the Montpellier Choreographic Center, under the direction of Mathilde Monnier. Condro is one of the key performers of Diana Szeinblum's work, appearing in her play 34 Metros, Homage to Kagel and ALASKA. He teaches Improvisation and technical courses in Argentina and throughout Latin America.
Learn moreLamar Leroy has been a music fiend from birth reared on the sounds present in 90’s era Detroit and Chicago. His DJ sets are based on a core of R&B funk and branch out in all direction imaginable. Lamar has been introducing himself and others to new musical discoveries since he got his first set of turntables in 1998. As the resident DJ and Co-founder of Y.G.B.Portland, Lamar sets the vibes for all of their events. He is also one of the most sought after DJs in Portland and plays regular gigs at Jacknife, Dig A Pony, Century, White Owl and Killingsworth Dynasty. His show Twilight Deluxe can be heard every Friday evening on XRAYfm
Learn moreFounded in 2014, Dohee Lee Puri Arts (DLPA) is the producing organization of performance artist, Dohee Lee. Our mission is to create and tour multi-disciplinary performance rituals under the direction of Dohee Lee. We utilize art to heal fractured relationships in the urban environment – relationships between humans and the land and between individuals and their communities. We say "performance ritual" because Dohee's work arises from her intensive training in the practices of mudang (Korean shamanism). This tradition combines singing, dancing, drumming, costuming into communal village healing gatherings. DLPA applies this ancient, indigenous approach to community healing to our urban village of the Bay Area, updated with modern tools of multi-disciplinary immersive art. Since her arrival in the US in 2002, Dohee Lee (Artistic Director) has been a vital contributor to both the traditional and contemporary arts landscape of the Bay Area, working with Kronos Quartet, Degenerate Art Ensemble, Anna Halprin, Amara Tabor Smith, inkBoat, Kunst-Stoff Dance. Recent awards: 2016 Alpert Prize, Music; 2016 Rainin Grant; Korean Americans for Peace, 2016 Korean American Peace Award; 2015 CCI; 2015 Doris Duke Impact, Theater; 2015 Gerbode, Choreographer; 2015 Ucross Residency; 2014 Djerassi Residency; 2014 William and Flora Hewlett Honorary Fellowship; 2013 East Bay Community Foundation; 2013 Creative Capital; 2013 MAP.
Learn moreDr. Simonis has a PhD in Ecology and Evolutionary Biology from Cornell University and is the Owner & Lead Scientist of DAPPER Stats, a Portland, OR-based quantitative ecology consulting company. They are also the Founder & Director of the Chemical Weapons Research Center, a research, education, and activism organization focused on understanding the impact of chemical weapons on people, communities, and the environment.
When not working, Dr. Simonis plays competitive roller derby, and is a current member of the four-time, currently defending world champion and #1 ranked Rose City Rollers Wheels of Justice. Alongside competing, Juniper has been recognized for their activism and advocacy for inclusion of transgender athletes.
Website: https://www.juniperlsimonis.com/
Learn moreLeCompte, a founding member of the Group, has directed all of the company’s works. Her honors and awards include a NEA Distinguished Artists Fellowship for Lifetime Achievement in American Theater, a MacArthur Fellowship, a Guggenheim Fellowship, a US Artists Fellowship and a Chevalier de l’Ordre des Arts et des Lettres from the French Ministry of Culture. Abbas has worked with The Wooster Group since 1999 as a technical director and sound engineer. He received a Drama Desk Nominee for the Group’s To You, The Birdie! (Phédre).
Learn moreEmma Lutz-Higgins (she/her) is a Portland-based dance maker and performer whose choreographic work uses movement, text, temporal intricacy, and nonlinear narrative to explore perception, identity, and possibility. She received her B.A. from Bard College, where she studied under the direction of the Bill T. Jones and Arnie Zane Dance Company before relocating to New York City. She has performed at AUNTS, Brooklyn, NY; Movement Research, New York, NY; Gibney Dance, New York, NY; New York Live Arts, New York, NY; Triskelion Arts, Brooklyn, NY; and Danspace Project, New York, NY. In 2021, she moved to Portland and was a 2023–24 Alembic Resident at Performance Works NW where she premiered her first evening-length choreographic work, FLOOR. Her performances have been reviewed in Oregon Arts Watch and The New York Times.
Learn moreLinyekula lives and works in Kisangani, Democratic Republic of the Congo, where he runs Studios Kabako, which fosters the debuts of young Congolese artists in the fields of dance, theater, music, and video by providing training and producing works. Through the Studios, he has presented ten pieces and toured extensively in Europe, United States, and Africa. Linyekula is a member of the Akademie der Kunste der Welt in Cologne, Germany, and he has received the 2007 Principal Award of the Prince Claus Fund for Culture and Development.
Learn moreFrancesca Capone is an artist working at the confluence of visual art and experimental literature. Her last solo exhibition, Oblique Archive took place at Peninsula Art Space in Brooklyn in 2014 and was reviewed by The Brooklyn Rail and The Wild Magazine. Capone recently co-curated Interrupt 3, a conference that highlights intersections of art, literature and digital media at Brown University.
Kristen Mueller is an artist and publisher (& So) whose works often intervene with existing texts, pages and books. Recent publications include 3b (ongoing); Partially Removing the Remove of Literature (Feb 2014); and Language to Cover a Page (Jan 2014). Her work has been exhibited in shows at Artists Space (New York), LUMA Foundation (Zurich) and Motto (Berlin).
Laura Warman is a performance poet based in Amherst, MA. She is the author of How Much Does It Cost? (Cars Are Real Press), DRONE LOVE (Gauss PDF), and WILL GO FAST (Hysterically Real). She is the founder of GLASS PRESS, a publisher of art and poetry on flash drives. Warman has had work in shows at MOCA Cleveland, Flying Object, and Open Engagement.
Learn moreGare St. Lazare Players Ireland are Ireland's most travelled theatre company, having visited over 63 cities in 21 countries worldwide to perform from their repertory of over 17 Beckett productions. The group evolved out of the original Gare St. Lazare Players, an international company founded in Chicago by Bob Meyer in 1983 and based simultaneously in Ireland and France. Since 1995, Judy Hegarty Lovett and Conor Lovett have been running the company. First Love premiered in 2008 in Ireland and has since toured to Argentina, Bulgaria, France, Greece, Ireland, Romania, Switzerland, Turkey and USA.
Selected Press
The Lovetts of Méricourt, Ruadhan Mac Cormaic, The Irish Times, April 10, 2010.
In Festival, Biography, Beckett and Blues, Jason Zinoman, New York Times, January 14, 2009.
Conor Lovett has a 'Love' affair with Beckett, Christina Borger, New Haven Register, June 14, 2009. Learn moreBecoming Mexican, Helday de la Cruz | Photo credit Carly Diaz
Heldáy de la Cruz is an artist and community organizer. Through illustration and design, his work explores the identities that are lost and found within the queer and latinx diaspora. This, alongside his undocumented status, are at the very core of his community work. Heldáy's artwork and story has been shared in Milk X Magazine (Hong Kong), The Huffington Post, AIGA Portland, She Shreds Magazine, Ecotrust, Street Roots, East Oregonian, The Oregonian, ACLU of Oregon, Design Week Portland, Brand New Podcast, Social Justice League Podcast, Talking with Ghosts Podcast, Homebase Gallery, CultureStrike, and the Define American Film Festival. He also co-leads a collective called UndocuPDX that provides resources, education, and news for the undocumented community.
Learn moreIngvild Langgård is a composer, musician and artist, educated from the Academy of Fine Art, Oslo (2006), specializing in sound art. She works in different media, and composes and performs music for stage, film, and in her own main music project, Phaedra. Phaedra released the album The Sea for Norwegian avant garde label Rune Grammofon in 2011. Phaedra´s music is a mix of folk and psychedelia with a dash of blues and soul; sacred death hymns and shimmering atmospheres, combining crystalline vocals, folk instruments and deep bass lines, with a touch of pure Scandinavian darkness. As with all of Langgård´s work it blends homegrown mythology, baroque aesthetics, and the possibility of altering the perception of the audience. Her work is shown in national and international museums and galleries, such as The Astrup Fearnley Museum of Modern Art, Oslo, Lydgalleriet, Bergen, and and Chashama Gallery in New York. Langgård also works as a curator and co-founded the artist run gallery Rekord in 2006. Langgård has been awarded several grants for her work, and received the Norwegian State´s Working Grant for young artists twice. She currently is working on the next Phaedra album, to be released 2014, as well as upcoming Fiksdal/Langgård/Becker projects.
Learn moreIsla Leaver-Yap writes about and organizes projects with artists. She contributes to Afterall and Mousse, as well as other periodicals. At the Institute of Contemporary Arts (ICA), London, she co-organized Nought to Sixty, and started the ongoing Artists Film Club. She curated the 2011 exhibition season Short Stories at SculptureCenter, New York. In 2012, she was a member of Banff Centre’s 2012 visual arts faculty for LIFE IS BEAUTIFUL STOP PLEASE ALLOW FEATURES ASSUME EXPRESSION INDICATIVE OF AMUSEMENT JOY PLEASURE BENEVOLENCE ETCETERA BY DRAWING UP CORNERS OF MOUTH AND GENERALLY RELAXING FACIAL MUSCLES STOP LOVE FOR ALL STEFAN STOP; was the editor of LUX’s Live Journal; and curator for The Biennial of Moving Images. She is on the advisory council for YU Contemporary.
Learn moreJamie Lee Mohr is an interdisciplinary artist and filmmaker based in Putney, Vermont. She is the producer of collaborative public access television series “Coma Club” and “Oral Tradition TeleVision” and creator of the popup gallery “Be Your Own Placebo”. Through synthesis of social practice, performance, and filmmaking, she investigates the symbiotic relationships between physical landscape, individual narrative, and cultural identity. In 2015 Mohr examined interpersonal dimensions within these themes while conducting qualitative research at a geothermal greenhouse in an isolated sustainable community in Iceland. In Spring 2016 she traveled in Cuba to further explore ways that these concepts apply to the political and cultural identity of sovereign island nations. This Fall, Mohr will continue to integrate sociopolitical and environmental research with her art practice while sailing in the Arctic Circle. A longtime contributor to Bunnybrains, Mohr has also performed in “N.P.R. the band” and “Degeneration Dripping with Blood Fading Away”.
Learn moreJason N. Le (they/them) is an arts writer, critic, and cultural worker currently based in Northwest Arkansas, where they work in exhibitions planning at Crystal Bridges Museum of American Art and The Momentary. Their academic and artistic research primarily explores queer artistic navigations of human-object relationships at the intersection of performance and sculpture. They have written for BOMB Magazine, Critical Conversations (The Ford Family Foundation & University of Oregon’s Center for Art Research), Portland Monthly Magazine, Oregon ArtsWatch, and more.
Learn moreJennie MaryTai Liu is an artist working across performance, choreography, video, and writing. She has worked in institutions and artist-run spaces including the Los Angeles County Museum of Art, Human Resources, The Mistake Room, The Bushwick Starr, HERE Arts Center, Dance Theater Workshop, and Incubator Arts Center. She has been a resident artist at Headlands Center for the Arts, PICA, Bogliasco Foundation, Yaddo, EMPAC, and Brooklyn Arts Exchange, and has received grants from the Foundation for Contemporary Art Emergency Grant, MAP Fund, Jerome Foundation, and Center for Cultural Innovation. She co-founded and edited Riting, an experiment in writing that engages with performance being made now in LA. She is currently organizing a 2022 performance exhibition funded by the Mike Kelley Foundation engaging LA dance artists to respond to modern dance activity in early twentieth-century LA. Jennie frequently collaborates as a performer in the work of Big Dance Theater, Adam Linder, and Poor Dog Group.
Learn moreKalup Linzy is an American video and performance artist currently living and working in Brooklyn. In 2007, he was named a Guggenheim fellow; in 2008 he received a Creative Capital Grant and a fellowship from the Jerome Foundation. Linzy has been hailed as one of the most innovative of a new generation of queer artists, drawing comparisons to John Waters, Jack Smith, and RuPaul. Writing in The New York Times, Holland Cotter observed of Linzy, "A star is born." Born in 1977 in Stuckey, Florida, he received an MFA from the University of South Florida in Tampa.
Linzy has performed and screened work at The Museum of Modern Art, New York; The London Lesbian and Gay Film Festival; British Film Institute, London; and Beursschouwburg, Brussels, Belgium. Linzy's work was included in Prospect.1 New Orleans and was recently featured in a major solo exhibition at the Studio Museum of Harlem, comprised of more than twenty videos and several suites of drawings. He is represented by Taxter & Spengemann in New York.
Learn moreKarl Larsson is an artist, poet, and editor. These diverse positions have coalesced in an artistic practice that can be described as both editorial and literary, but differs from writing in a conventional sense in its focus on spatial experience, embodiment and activism.
Learn moreFounded by Luisa Pardo and Gabino Rodríguez in 2003, Lagartijas Tiradas al Sol is a young Mexican theater company reflecting the new dynamics of contemporary Mexican culture. They develop their multimedia stage productions as mechanisms to link work and life and give voice to overlooked moments in social and political historical. Lagartijas has toured widely throughout Mexico and Europe and has received awards from the Impatience Festival and the Zürcher Theater Spektakel.
Related Content
Learn moreLaKendrick (ChoreoJazzy Elite) Davis, is a native of Greenville, MS. He is owner/cfo of ChoreoJazzy Elite, Southern Leadership Academy for Majorettes, inc., C.U.N.T.S, Atlanta, inc., Potionx all-star alliance, elite honors awards gala, KhoreoKreations, llc. And director of the Sensational Sassettes Dance Company. LaKendrick is a nationally acclaimed, award-winning choreographic consultant with over 20 years as a performer and 15+ years as an instructor in the majorette / performing arts arena. He is a well-rounded choreographer based in the metro Atlanta, GA area with the passion and determination to uplift, support, and provide resources that will change the performance dynamic of programs all over the country.
Instagram: @choreojazzyelite, @slamjam2016, @atltoxic09
Learn moreLalo Perez (b.Bakersfield, CA) is an interdisciplinary artist based in Portland, OR. Their practice investigates the intersections of identity through social environments, creating attention to the fragility of familiar cultural connections by grounding their practice in the action of construction and deconstruction. Through rituals, Lalo creates a dialogue between material, language, and imagery, developing a visual archive that reflects the inherited faith that leads them. Lalo has participated in artist residencies at Casa Lü in Mexico City, MX; Jupiterfab in Guadalajara, MX; and Caldera a.i.r in Sisters, OR, and has been awarded grants by The Nat Turner Project and Regional Arts and Culture Council. They are currently pursuing a BFA in Intermedia at the Pacific Northwest College of Art.
Learn moreLamont Loyd-Sims (they/s/he pronouns) is a healer-poet, scholar-activist, and dance/movement arts organizer & administrator. They co-facilitate wellness care for activists and other community members through arts-based meditation sessions. She received an M.A. degree in 2014 from The Institute for Women’s, Gender, and Sexuality Studies at Georgia State University after completing research about j-sette dance among Black gay men in the U.S.
Learn moreIn a world in which upstart DiY talent is flooding the gates of electronic music, a few recent voices have been so strong as to be startling. Lapalux – AKA 25-year-old Stuart Howard – is certainly one such. As singular as a brilliant artist always should be, his instinctive understanding of the atmospheric power of texture grips the ear immediately on listening.
Lapalux was raised in rural Essex, midway between countryside and town; the classic, isolated hinterland that’s produced many a distinctive British voice. There’s a yearning sense to the record that it’s tempting to relate to the young Howard’s dreams about what his eventual escape into larger life might be. He certainly had a dream start when a shot-in-the-dark email to electronic hothouse Brainfeeder was immediately answered by label head Flying Lotus himself, who quickly moved on to sign him. To this day, Lapalux remains the only British artist on the Los Angeles based label.
Having made fans out of Diplo and SBTRKT, remixed everyone from Lianne La Havas via Crystal Fighters to Bonobo, Tawiah, AlunaGeorge and Speech Debelle, as well as supporting FlyLo and playing the main stage at Sonar and in Japan with Clark. Lapalux released his second full length on BRAINFEEDER this past April.
Learn moreInés Paulina Ramírez—aka Lapaushi-—was born in the Andes region of Ecuador. She is a visual artist and DJ, currently part of Noche Libre Latinx DJ Collective in Portland, Oregon.
Her mixes navigate the new wave of urban Latin rhythms rooted in the African diaspora and Indigenous memory. She is interested in making people move and connect with music by throwing an explosive cocktail of sticky beats.
Her selections come from years of traveling, collecting, and sharing music from various regions of Latin America.
NOCHE LIBRE is a radical Latinx DJ collective of women creating space for Black, Brown, and Indigenous communities. We spin music that spans genres and geography from cumbia and quebradita to dancehall, hip hop, and perreo. We celebrate our family’s roots and rituals by carrying on the tradition of puro pinche pari.
Learn moreLaRonn Katchia is a director, cinematographer, and editor. Some of LaRonn's achievements include: Shooting and editing PBS's Roadtrip Nation: Native Way Forward, a behind the scenes segment for FX's hit show Reservation Dogs, both projects in collaboration with Ryan Redcorn and Buffalo Nickel Creative.
LaRonn is also the Associate Programmer/Advisor/Jury for the Indigenous Films Program at the Oscar-qualifying Bend Film Festival. Recently, LaRonn and Bendfilm director Todd Looby hosted acting legends Gary Farmer & Tatanka Means, showcasing their work alongside the Warm Springs tribal membership.
Today, in collaboration with the Warm Springs Community Action Team, LaRonn is working on his first feature documentary about the transformation of a 125 year old, historic Commissary Building as it is moved and restored into a small business incubator to serve tribal entrepreneurs on the Warm Springs Reservation. Learn moreLarry Bamburg was born in 1974 in Houston, Texas. Selected exhibitions include: Visual Arts Center at the University of Texas, Austin, (2017); TalctoTile, PL’d to MDO, Simone Subal Gallery, New York, NY, (2016); Talctotile, Talctotire, Artpace, San Antonio, TX (2015); UR, Room East, New York, NY (2012); It’s Endless Undoing, Thierry Goldberg Gallery, New York, NY (2012); Science on the back end, Hauser & Wirth, New York, NY (2012); Heel gezellig, GRIMM, Amsterdam, NL (2011); Bamberg (sic.), GRIMM, Amsterdam, NL (solo) (2011); And the fair Moon rejoices, Boston Center for the Arts, Boston, MA (2009); Hi, Low, and In Between, GRIMM, Amsterdam, NL (2009), Fruit Farm Film Festival 2008, McMinnville, OR (2008); Only Connect, Art in General at Bloomberg LP., New York, NY (2008). TBA:07, Portland Institute of Contemporary Art, Portland, OR (2007); Stubborn Materials, Peter Blum Gallery, New York, NY (2007); You Are Here, Ballroom Marfa, Marfa, TX (2005); Exit Biennial: The Reconstruction, Exit Art, New York , NY (2003).
Learn moreLarry Krone was born in Chicago, IL in 1970, was raised in St. Louis, MO and now lives and works in New York City’s East Village. Krone has been exhibiting drawings, sculptures, installations and videos since the early 1990s, most notably at The Contemporary Baltimore, The Museum of Contemporary Craft in conjunction with Portland Institute for Contemporary Art (Portland, OR), The Whitney Museum of American Art Philip Morris Branch (New York), The New Museum of Contemporary Art (New York), the Drawing Center (New York), and the Contemporary Art Museum St. Louis who, in 2006 presented “Larry Krone: Artist/Entertainer,” a ten-year retrospective of Krone's visual and performance work.
As a performer, Krone has appeared at music and art venues in New York including Joe’s Pub, La MaMa, Dixon Place, PS 122, Starlight Bar & Lounge, and the Whitney Museum of American Art as well as Mercer Union (Toronto), Croxhapox (Gent), Blueberry Hill (St. Louis), Contemporary Art Museum St. Louis, Better Days Project (Hamburg), and Someday Lounge (Portland, OR).
His costume design and fabrication for his own performances has led to the creation of House of Larréon, their line of custom gowns and stage costumes, outfitting cabaret performers, dancers and rock singers including Bridget Everett, Neal Medlyn, Adrienne Truscott, and Kathleen Hanna.
He is a 2019 Caldera AIR, a 2011, 2012, and 2018 MacDowell Colony fellow, a 2017 Yaddo Fellow, a 2013 Millay Colony fellow, and a 2009 and 2015 New York Foundation for the Arts fellow.
Learn moreLaura prefers being called Larry. She is Bay-Area based artist/performance maker. Her work has been presented at PICA's TBA Festival, Austin's Fusebox Festival, and New York's American Realness. She is a core member of Keith Hennessy's Turbulence and regularly collaborates with her brother, Jesse Hewit. She has been an artist-in-residence at Headlands Center for the Arts, CounterPULSE, Kunst STOFF Arts, and ODC. She created and curates the SQUART performance series.
Learn moreLars Jan is a director, writer, visual artist, and the founding artistic director of Early Morning Opera (EMO), a genre-bending performance + art lab whose works explore emerging technologies, live audiences, and unclassifiable experience. He is the son of émigrés from Afghanistan and Poland.
Jan has received multiple commissions from the Whitney Museum and developed his recent projects with major commissioning and residency support from the Experimental Media and Performing Arts Center (EMPAC). His works have been also presented by The BAM Next Wave Festival, Sundance Film Festival, REDCAT, Hammer Museum, Guggenheim Museum, Symphony Space, Kirk Douglas Theatre, Ringling Museum of Art, Pasadena Museum of California Art, and Toronto Nuit Blanche Festival.
His work has been supported by multiple awards from the NEA and Center for Cultural Innovation; Rauschenberg Foundation; MAP Fund; Adam Mickiewicz Institute; Surdna Foundation; NEFA’s National Theatre Project; NPN’s Creation Fund; New York State Council on the Arts; and the Sherwood Award. He has spoken at The Metropolitan Museum of Art, Performa, and the 92Y, and held residencies at the MacDowell Colony, Lower Manhattan Cultural Council, and Princeton Atelier; CalArts; and the Center for the Art of Performance at UCLA, where he was an inaugural artist-in-residence.
In August 2015, EMO’s lecture performance ABACUS will be presented by Summerhall at the Edinburgh Fringe, and in October 2015, the public performance spectacle HOLOSCENES will be presented by the Yerba Buena Center for the Arts in downtown San Francisco, prior to an exhibition of related video works at the Istanbul Museum of Modern Art in January 2016. Jan is a TED Senior Fellow.
Learn moreLAURA GIBSON is a multi-instrumentalist and singer-songwriter who grew up in a small isolated logging town called Coquille, in the South Coast region of Oregon, the daughter of the town’s kindergarten teacher and a forest ranger. Gibson has had a wide-ranging performance career, ranging from two years of weekly gig at an AIDS hospice, to receiving a standing ovation from an auditorium full of prison inmates, to a 3 1/2 hour improvised performance art piece with sound artist Ethan Rose and filmmaker Ryan Jeffery as part of the 2009 Time-Based Art Festival. Over her career, she has recorded three solo albums and a joint venture with Ethan Rose, and worked with members of Calexico, The Dodos, The Decemberists, and Menomena, among others. Gibson recently released her third album, La Grande, on Barsuk records.
Learn moreMiniature raconteur Laura Heit performs some of the smallest puppet shows around. Atop matchbox stages, her uncanny micro-plays come to life with fire, hand-cranked action, and pop-up paper engineering. Heit is a filmmaker, performer, and puppeteer whose work has been seen at REDCAT, Los Angeles; MoMA, New York; Great Small Works Toy Theater Festival at St. Ann’s Warehouse, Brooklyn; the Jim Henson International Festival of Puppetry; and Puppetropolis, Chicago; as well as on PBS and at international film festivals. She was co-director of the Experimental Animation program at Cal Arts until 2011.
Learn morePhoto: Sarah Marguier
Laura Ortman (White Mountain Apache) is a Brooklyn, NY composer, musician and artist. She produces solo albums, live performances and film/art soundtracks and frequently collaborates with artists in film, music, art, dance, multi-media, activitism and poetry, such as Tony Conrad, Jock Soto, Raven Chacon, Nanobah Becker, Okkyung Lee, Martin Bisi, Caroline Monnet, Michelle Latimer and Martha Colburn. She plays violin, Apache violin, piano, electric guitar, keyboards, pedal steel guitar, sings through a megaphone, and makes field recordings. Ortman’s notable performances includes venues at the Whitney Museum of American Art, The National Museum of the American Indian, the Museum of Modern Art, The Kitchen, MoMA P.S. 1, Centre Pompidou, Musée d’Art Contemporain de Montréal, SF MoMA, Cathedral of St. John the Divine, The Knitting Factory, CBGB’s, St. Marks Church, Dia Art Foundation, the Wave Farm, amongst countless other established and DIY venues in the US, Canada and Western Europe.
Learn morePoitras is currently working on a trilogy of documentaries about post-9/11 America. The first film of the trilogy, My Country, My Country, was nominated for an Academy Award. The second film, The Oath, received the Cinematography award at Sundance, a Gotham Award, and the Directing award at Cinema Eye. She is currently filming the third part of the trilogy. Poitras is the recipient of a Guggenheim Fellowship and USA Rockefeller Fellowship, and has attended the Sundance Labs as a Fellow and a creative advisor. Her work has been shown at Sundance, Berlin Film Festival, the Museum of Modern Art, and the Film Society of Lincoln Center. Before making films she worked as a professional chef.
Selected Press
'En Garde II: omg' at Ronald Feldman Fine Arts, Robert Shuster, The Village Voice, January 19, 2011.
Review: Terrorism, apocalypse and food-fight humor at The Contemporary, Catherine Fox, ArtCriticATL.com, November 2, 2010.
A few questions with filmmaker Laura Poitras, Debbie Michaud, Creative Loafing Atlanta, October 5, 2010.
Learn moreLauren Davis Fisher (Los Angeles, CA) works between sculpture, installation, architecture and performance. She has recently performed and exhibited at The Hammer Museum (Los Angeles), Performa15 (New York), Parkview (Los Angeles), MoMA PS1 (New York), Shanaynay (Paris), Chapter (New York), Disjecta (Portland), Human Resources (Los Angeles), and EMPAC at RPI (Troy, NY).
Learn moreAnderson works as a visual artist, composer, poet, photographer, filmmaker, electronics whiz, vocalist, and instrumentalist. In 1980, O Superman launched Anderson’s recording career, rising to number two on the British pop charts and appearing on Big Science, the first of her many albums. Anderson has toured internationally with shows ranging from simple, spoken-word performances to elaborate multimedia events, and has collaborated with Wim Wenders, Jonathan Demme, Bill T. Jones, Trisha Brown, and Robert LePage, among others. In 2002, Anderson was appointed the first artist-in-residence of NASA, and in 2007 she received the prestigious Dorothy and Lillian Gish Prize.
Learn moreNew York-based Lawrence Goldhuber is well-known for his ten years of work with the Bill T. Jones/Arnie Zane Dance Company, his collaborations with fellow Bill T. Jones company member Heidi Latsky, and a series of humorous and touching solo works. Goldhuber & Latsky toured internationally with much acclaim, including a visit to PICA in 2000 with their piece I Hate Modern Dance. In 1995 Mr. Goldhuber received a Bessie Award for “sustained achievement as an influential presence in modern dance,” and served as the host for the 2002 awards ceremony. He is on the Artist Advisory Committee of Performance Space 122 in New York City, and in 2002 was the recipient of a New York Foundation for the Arts Fellowship in Choreography.
Learn moreLawrence Oliver III, who also goes by Lawren, was born in Los Angeles in 1981. They spent most of their youth and started making art in Hope, AR, where summer thunderstorms feel like a giant air conditioner with a powerful fan. Lawren has always been fascinated by fans, trains, highway bridges, and tall weeds that look like miniature trees. They make art using many different materials, but have a knack for coming up with unique ways of repurposing household materials in transformative sculptural processes--making home-made clay recipes, saturating paper and chipboard with wood glue in thick layers to form durable wood-like surfaces, and reminding people that things are never quite they way they seem.
https://lawrenceoliverartist.weebly.com
Lawrence is a 2023 Golden Spot Residency awardee.
Learn moreEstablished in Israel in 2000 by the actor/writer Lee Sher and dancer/choreographer Saar Harari, LeeSaar The Company uses the different disciplines and training of theater and dance to create original performances. In 2004, after residency in Sydney, Australia, and two seasons in Tel Aviv, the company moved to New York. Lee and Saar received American green cards awarded for excellence in the performing arts in 2005, a Six Points Fellowship for 2007-2008, and were nominated for the 2008 Alpert Award in Dance. The duo is the recent recipient of a 2008 Guggenheim Fellowship and a NYFA Fellowship in choreography.
Learn moreLeila Haile is a community organizer, tattoo artist and dancer serving and celebrating the Queer and Trans Communities of Color in Portland for the last 10 years. They currently organize with Sankofa Collective Northwest, Q Center, Black Lives Matter PDX, the Disability Arts & Culture Project and tattoo at Kuroo Tattoo in SE Portland.
Learn moreBorn in Los Angeles, USA in 1979, Leilah Weinraub currently lives in New York. She is an artist and director and also CEO of the Hood By Air fashion label. Her work focuses on the themes of race, class and gender with a particular interest in queer communities and people of color.
Learn moreLemon Andersen is a critically acclaimed poet and actor best known for his Tony Award winning work in Russell Simmons’ Def Poetry Jam on Broadway and HBO. A mainstay in the spoken word and theater scene for the past decade, he’s performed in venues such as the Nuyorican Poet’s Café, Apollo Theater, and Hollywood’s Kodak Theater. His film credits include three films directed by Spike Lee: Sucker Free City, She Hate Me and Inside Man, in which Andersen appeared opposite Denzel Washington and Clive Owen. His theatre credits include Slanguage, which was directed by Jo Bonney and premiered at the New York Theatre Workshop. Other appearances include The Ride, which debuted at PS 122, and U, presented at the Mark Taper Forum.
Learn moreLeon Finley is an interdisciplinary artist and queer, trans person born in Seattle, the traditional land of the Coast Salish including the Duwamish People past and present. His work moves between performance, sculpture, drawing, sewing, writing, and many places in between. His work is created from his experience having a physical and spiritual body and explores relationships between all kinds of bodies: human, animal, plant, object, sound, energy, and the unseen. Leon is a Tarot Card and Akashic Records reader; he understands both practices as interwoven into his work as an artist. Leon received his BFA from Cooper Union in 2009 and his MFA in sculpture from the Yale School of Art in 2012. Leon’s work has been presented at The Alice, Oxbow, and the Jacob Lawrence gallery among others and he has performed in venues such as the Whitney Museum of American Art as a part of Kevin Beasley’s Public Programs in Sonic Masses and Movement Research as a part of the Open Performance Series. Leon has taught at Cooper Union, Virginia Commonwealth University, and Montclair State University. He currently lives and works in Seattle, Washington.
Learn moreLeslie Bull is a poet, video maker, and performance artist with lived experience in the street sex trades. Leslie is a veteran of two Sex Worker Art Show national tours, has published multiple zines, and made a video, On Being a Junkie Ho in Sex Worker World, with Penny Arcade and Ariel Lighteningchild.
Leslie is currently director of Aileen’s, a hospitality space and peer leadership program in south King County, WA serving women who trade sex along Pacific Hwy South. Aileen’s is dedicated to the victims of Gary Ridgeway, AKA the Green River killer, who took his victims from along Pac Hwy.
Leslie is a harm reduction specialist and addictions counselor who is pro drug user and pro drug use and advocates for the legalization of drugs, the decriminalization of sex work, and an immediate end to the government sponsored wars on drug users and the poor.
Learn moreFounded in 2012 by Libby Werbel, Portland Museum of Modern Art (PMOMA) is an investigative project focused on the lack of major contemporary and modern art institutions within a growing metropolis. PMOMA has produced more than 50 exhibitions and events within the context of a self-actualized and community-grown modern art museum.
Learn moreLigia Lewis is a dancer and choreographer. She has worked in multiple contexts, including those of the theatre and museum. Engaging with affect, empathy, and the sensate, her choreography considers the social inscriptions of the body while evoking its potentiality. Her work can be described as experientially rich and complex. Within her practice, Lewis continues to provoke the nuances of embodiment. In 2017, Lewis was awarded a Bessie for Outstanding Production for her latest stage work, minor matter and was awarded the Prix Jardin d’Europe for her work Sorrow Swag. In 2018 she was granted a Foundation for Contemporary Arts Award in the field of dance. Both her stage works minor matter (2016) preceded by Sorrow Swag (2014) continue to tour internationally. Her work has been shown at various venues and festivals including the following - Abrons Art Center/American Realness (NYC), Flax/Fahrenheit (LA), Palais de Tokyo (Paris), TATE Modern (London), Stedelijk Museum/Julidans Festival (Amsterdam), REDCAT/Pacific Standard Time (LA), and Tanz im August presented by HAU Hebbel am Ufer (Berlin). As a dancer, Lewis has performed and toured extensively for artists including Ariel Efraim Ashbel, Mette Ingvartsen, and Eszter Salamon. She has collaborated with visual artist Wu Tsang, musical artist Twin Shadow, and with the DJ collective NON Worldwide. Ligia Lewis is currently managed and produced by HAU Hebbel am Ufer Berlin and she is a factory artist at tanzhaus NRW Düsseldorf.
Learn moreIn early 2010, Holland Andrews began a solo project behind the alias of Like a Villain. She pulls her influences from notable minimalist composers such as Arvo Pärt, contemporary vocalists including Diamanda Galás, modern experimental musicians like Björk, and is heavily influenced by broadway and opera music. By creating tapestry of live loops using her voice, clarinet, and glockenspiel, her aim is to put emphasis on the roots of organic sounds, and to create an emotional realm of sonic healing and magic.
Selected Press
"Holland Andrews (HA) of Like a Villain," Cameron Clowers, Bridge.Town.Low.Down, April 11, 2010.
Selected Video
Learn moreLili Chopra, Executive Vice President and Artistic Director of the French Institute Alliance Française (FIAF) in New York City, is founder and curator of its trans-disciplinary fall festival Crossing the Line. She has extensive experience in programming, producing, and marketing international events and performance works in both France and New York. In addition to working with various festivals and independent artists as an administrator and producer, she spent four years at New York Live Arts (formerly known as Dance Theater Workshop) working closely with David White as Associate Producer and as Curator of its Gallery. She received her Masters in Theater and Performing Arts History at Paris X University, and her M.A. in Arts Administration from Columbia University in New York.
Learn moreLeyya Mona Tawil (Lime Rickey International) is an artist working with sound, performance, and hybrid transmissions. Tawil is a Syrian, Palestinian, American engaged in the world as such. Tawil uses voice, transactive choreography, interactive surfaces, and electronics to build hybrid performances and sound compositions. Her work has been presented in over 40 cities throughout the states, Europe, and the Arab region. She was nominated for a Bessie Award in Music for Lime Rickey International’s Future Faith, commissioned by Abrons Arts Center (NYC) and KONE Foundation (Helsinki). Recent residencies and exhibitions include Wysing Art Centre/British Council (UK), Arab American National Museum/JAM3A Festival 2021, FUSEBOX Festival 2022, and the Tarek Atoui Sound Residency at Sharjah Art Foundation (UAE). As a curator/producer, Tawil is on the team of Live In America Festival, Southern Exposure Gallery, TAC (Temescal Art Center), and was also the 2020 ISSUE Project Room Suzanne Fiol Curatorial Fellow for her NOMADIC SIGNALS series, which continues into 2022. She is the founding director of Arab.AMP.
Learn moreLinda Austin deploys movement, sound, text, visuals, and props to create non-linear, poetic works laced with an eccentric wit, teetering on the edge between the immediately reprehensible and resolutely mysterious. She is co-founder and Artistic Director of Performance Works NW, a Portland non-profit dedicated to the cultivation of experimental performance. Awards include a 2019 Oregon Arts Commission Fellowship, the 2017 Foundation for Contemporary Arts Merce Cunningham Award, and a 2015 RACC Performing Arts Fellowship. Austin has presented work at Performance Space 122, the Danspace Project, Movement Research at Judson Church, PICA’s TBA Festival, the Risk/Reward Festival, and On the Boards NW New Works Festival, among others. Her work has been supported by residencies at the Ucross Foundation, Djerassi, and Robert Wilson’s Watermill Center. Current projects: Ordinary Devotions (solo), a world, a world (ensemble project), and The Thief & the Traveler (collaboration with Allie Hankins.)
Selected Press
"Stop Making Sense: Linda Austin's 'A Head of Time'," Bob Hicks, Oregon Arts Watch, March 26, 2011.
Learn moreHutchins is a Portland, Oregon, artist with a background in textiles and computer engineering. She was awarded the Juror's Prize for her wall drawing in the Tacoma Art Museum's 2009 Northwest Biennial, and has received national press coverage from American Craft, Fiberarts, and Art in America. She is represented by Pulliam Gallery in Portland.
Selected Press
Art Review: 'silver and rust' at Nine Gallery, Lisa Radon, Oregon Arts Watch, December 29, 2011.
Learn moreOregon native and Portland resident Linda K. Johnson has been a professional dance-based, transdisciplinary artist for 40 years. Over these decades of creative practice, Johnson has taught, performed, choreographed, curated, and produced extensively, influencing and forwarding the development of infrastructure (studios and dance programs), funding (support), and conceptual networks (information and training) for professional colleagues and students. Hybrid in her practice, Johnson’s concerns as an artist are social and environmental—curious equally about both the human and nonhuman, addressing our collective relationship to site, place and community. Since creating her first site-based, large-scale interdisciplinary performance in 1992, Finding the Forest, Johnson has gone on to author over 17 major dance/movement installations, most recently Mycelium Dreams, 2022 and Polka Dots/Pioneer Square, 2020, which have utilized forests, intersections, waterways, derelict lots, neighborhoods, green spaces, warehouses, and galleries, as well as formal performance spaces, as staging grounds for presentation. A recipient of the 1999 Oregon Arts Commission Individual Artist Fellowship, Johnson’s work has been consistently funded and commissioned by public, private, and individual sources, and has received critical review in many venues, including Dance Magazine, Landscape Architecture, NPR’s Living on Earth, Oregon ArtsWatch, and Metropolis Magazine. She has been awarded residencies at the Rauschenberg Artist Residency at Captiva, Yaddo, Caldera Arts, and the Sitka Center for Art and Ecology to further the development of her work. She is honored to be one of six international custodians of Yvonne Rainer’s seminal postmodern dance work Trio A, and to have been included in Kristin Timken’s 2015 book The New Explorers: Making Meaning in the 21st Century American Landscape, which includes a forward by Lucy R. Lippard. Now considered a “mother tree” (from Suzanne Simard’s work on forest ecosystems) in her community, Johnson’s current practice is devoted to advancing networks of inclusion and collective memory (Mycelium Dreams).
Learn moreLinda Wysong is an interdisciplinary visual artist who works at the nexus of social practice and public space. Examining the relationship between the built and the natural environment, her practice is not centered in object making but rather utilizes place, space and experience. Participating in the civic dialogue, Wysong has contributed to numerous design and planning teams. She has public art installations in Seattle’s Northgate district, and at the Interstate MAX, Springwater Trail and RiverEast Plaza in Portland. In 2011, she was invited to be part of an international trans-disciplinary team to revitalize the historic Ute Ulay mine in Lake City, Colorado. Wysong’s work has been shown nationally and internationally. Her video Beneath Our Feet was included in Portland Institute for Contemporary Art’s (PICA) TBA:05 and her performance/tour Backyard Conversations in TBA:08. Selected exhibition venues include: Exit Art in New York, Southern Exposure San Francisco, the National Building Museum, Washington DC, and Kunst en Complex, Rotterdam. Wysong has been a part-timePNCA faculty member since 1990, teaching Sculpture, Art Theory, Professional Practices, and Art History.
Learn moreDr. Lisa Bates studies how economic policy, institutionalized racism, and human perception contribute to housing inequities. Dr. Bates, who is an Associate Professor of Urban Studies and Planning and Director of the Center for Urban Studies, works with local government and community organizations to strategize planning, policy, and programmatic responses to displacement. Her research focuses on social justice in housing policy design and implementation, as well as how neighborhoods and housing submarkets change over time and in response to investment.
She recently co-edited an equity-focused issue of the Journal of Planning Education and Research, served as co-chair of ACSP’s Planners of Color Interest Group and contributed to Portland’s Strategic Planand Gentrification and Displacement Study. Dr. Bates was recently awarded both the inaugural Ed Sullivan Housing Advocate Award from Housing Land Advocates (HLA) and the 2016 William R. and June Dale Prize for Excellence in Urban and Regional Planning from Cal Poly Pomona.
Learn moreLisa Jarrett (she/her) is an artist working in social and visual forms. Her intersectional practice considers the politics of difference within a variety of settings including: schools, landscapes, fictions, racial imaginaries, studios, communities, museums, galleries, walls, mountains, mirrors, floors, rivers, and prisms. She recently discovered that her primary medium is questions; the most urgent of which is: What will set you free? Her current work connects an interest in tracing lost histories and homelands to the Beauty Supply store and Beauty Salon as critical spaces of Black cultural production with their own sets of aesthetics, desires, and complications.
Lisa is also co-founder/director of projects like KSMoCA (Dr MLK Jr School Museum of Contemporary Art); the Harriet Tubman Middle School Center for Expanded Curatorial Practice in NE Portland, OR; and the art collective Art 25: Art in the 25th Century. She is a professor at Portland State University where she teaches classes in art and social practice.
Learn moreLisa Radon makes poems that may be publication, object, essay, installation, website, performance. Her books include The Plumb and The Wave (2014), Prototyping Eutopias (2013), An Attempt at Exhausting a Place (2013), The Book of Knots (c_L, 2013), A Reading (Portland Institute for Contemporary Art, 2012), Sentences on Sentences on Paragraphs on Paragraphs (Publication Studio, 2011). Her work has been presented recently in solo exhibitions at Pied-à-terre, Littman Gallery, and White Box, as well as in exhibitions at Hedreen Gallery and LxWxH, and publications for MK Gallery, Disjecta, and Appendix Project Space. Radon publishes the journal EIGHTS.
Learn moreLittle people makes downtempo electronic music.
It is part beats, bleeps and snippets of other people's music... real live instrumentation.
Selected Video:
Selected Press:
"Marley Carroll 'First Thought, Best Thought (Little People Remix)'," XLR8R, by Melkorka Licea, April 18, 2014
"Listen to a New Jiberish Mix, Curated by Little People," HYPETRAK, by Petar Kujundzic, May 13, 2014 Learn moreLiz Harris lives and works on the Oregon Coast. She has been recording, performing, and releasing solo material under the name Grouper since 2005 on various imprints including Kranky, Type, and her own YELLOWELECTRIC. Her work is characterized by a fascination with paradox, literal and impressionistic experience of environment and human behavior. Her music compositions have been commissioned and shown across Europe and the United States, including Galerie Zdb in Portugal, the Berkeley Art Museum in California, and Issue Project Room in NYC. She has recently completed art and music residencies in Lisbon, Marfa, TX, and the Bunya Mountains, and was awarded residencies in 2014 with Signal Fire and The Ucross Foundation.
Learn morelocust is the performance brainchild of musician and composer Zeke Keeble and performer/choreographer Amy O’Neal. Since 2000, they have created Leave me Inside (2001), Left-out (2002), DEFACE (2004), convenience (TBA 2005), and mockumentary (2006). locust performs in theaters, nightclubs, galleries, and streets and has been presented in Seattle by On the Boards, the Seattle Art Museum, Experience Music Project, Northwest Film Forum, Seattle Theater Group, Bumbershoot, and Velocity Dance Center. Nationally, they have performed at Jacob’s Pillow Inside/Out (MA), The Myrna Loy Center (MT), Joyce Soho (NYC), SUSHI Performing Arts (CA), and Bates Dance Festival (ME). locust has been described as the avant-garde garage band of the Seattle dance scene.
Learn moreLola Arias is a writer, director, performer, and songwriter from Argentina, and founder of the interdisciplinary Compañia Postnuclear. Her works include Striptease (2007), El amor es un francotirador (2007), Mi vida después (2009), Familienbande (2009), and That Enemy Within (2010). Together with Ulises Conti, she composes and plays music, and has release two albums. In 2010, Arias and Stefan Kaegi founded Ciudades Paralelas, a festival of site-specific urban performance projects in Berlin, Buenos Aires, Warsaw, Zurich, and Singapore. Her performances have been staged at festivals including Festival d’Avignon, In Transit Festival in Berlin, We are here in Dublin, Spielart Festival in Munich, Alkantara Festival in Lisbon, and Radicals Festival in Barcelona.
Selected Press
"An interview with Lola Arias," Brighton Festival, April 16, 2013.
Learn moreLori Goldston plays written, traditional, and spontaneous work on the cello and works as a composer, teacher, producer, bandleader, and prolific, widely varied collaborator.
Classically trained and rigorously de-trained, self-described as “semi-feral,” her voice as a cellist is singular, deeply textured, and original, investigating thresholds, instability, and connections between far-flung modes of thought. She travels throughout the US and abroad, often working in artist-run spaces with an eye for bridging communities.
Well known for her work touring with Nirvana and contributing to their Unplugged In New York live album, she works prolifically and with composers, film makers, writers, theater directors, choreographers, visual artists, orchestras, and bands including Earth, BBC Scottish Symphony, Black Belt Eagle Scout, Ya Tseen, Judith Hamann, Mirah, David Byrne, Jem Finer, Jessika Kenney, Lonnie Holley, Trimpin, Stuart Dempster, Shelley Hirsch, Maya Dunietz, Michael Hurley, Chris Cochrane, Laura Cannell, Ilan Volkov, Charles Hayward, Jem Finer, Embryo, Josephine Foster, Mik Quantius, Jooklo, Ghedalia Tezartes, Senga Nengudi, Ellen Fullman, Lynn Shelton, Terry Riley, and many, many others. She’s composed and performed live scores with dozens of experimental and early silent films throughout the US, Europe, Australia, and Mexico.
Her solo and collaborative work has been released by Mississippi Records, Nyahh, Relative Pitch, Eiderdown, Yo Yo, K Records, Sub Rosa, Second Editions, Sub Pop, PIAPTK, Full Spectrum, Marginal Frequency, and Broken Clover, among others; in 2026, she will release an album on ESP-Disk.
Learn moreLo Steele is a singer, songwriter, and award winning actor and poet from Portland. Known for her frank lyrics and simple melodies, like that in her most recent single “Insecurities”, she aspires to make art “that makes people feel seen”. You may have recently seen her in the one-woman-show Queens Girl in the World at Clackamas Repertory Theatre for which she won a Drammy for “Outstanding Solo Performance”. Check out her website or follow her on social media to find out what she has been creating while in isolation.
Learn moreLouise Bourgeois was born in Paris in 1911. Her work spans the greater part of the 20th century, and over her career she worked in a wide variety of mediums, including painting, but was best known for her sculpture and installation works. Bourgeois died in 2010 at age 98.
Learn moreSince 2001 songwriter Carolyn Berk has established her unique voice as Lovers, with four acclaimed, haunted and heart-broken releases. The addition of waveform artist Kerby Ferris and multi-talented instrumentalist Emily Kingan (of the hardcore duo, The Haggard) focuses three wildly ambitious and boldly sincere artists on hooky beats and interactive performance. Their first CD release together will be available in September 2010 on the label Badman.
Selected Press
Leak: Lovers, "Figure 8," Dark Light (Badman Recording Co.), Casey Jarman, wweek.com, July 12, 2010.
Learn moreluciana achugar (b. 1970) is a latinx immigrant from Uruguay; grew up mostly in Venezuela in political exile and developed her voice as a choreographer between New York and Montevideo, Uruguay. She makes work from the rage of being a LatinAmerican living in the belly of the Empire in a post-colonial world. She makes work as a practice of growing a new body; an uncivilized body, a decolonized body, a utopian body. She makes work as a practice of building a new theater, another/other theater, OTRO TEATRO, a utopian theater. She makes work as a practice of growing as one would grow a plant. She makes work with a desire to escape the oppression of the arrow of time; to arrive at a place of beyond time, ritual time, body time…
Since 2013 she has been developing her Pleasure Practice, a deeply sensorial embodied practice to allow for other knowledges to emerge from the knowing in the body, an embodied rebellion by practicing being in pleasure; a practice that she teaches internationally and that continues to inform her creative process and her relationship to making work as resistance and as a possibility for healing and mysticism.
Her work has been shown in most contemporary dance venues in NYC and many venues across the US such as the Walker Art Center in Minneapolis, MN and the Fusebox Festival in Austin, TX; as well as in a few Festivals in Europe, in Mexico, Cuba and in Uruguay. She was a two time Bessie Award recipient plus once nominated; and has received numerous accolades such as the Alpert Award in Dance, the Creative Capital Grant, Foundation for Contemporary Arts Grant and the Guggenheim Fellowship.
Learn more"lucky dragons" means any recorded or performed or installed or packaged or shared or suggested or imagined pieces made by Luke Fischbeck, Sarah Rara, and/or any sometimes collaborators who claim the name.
the name "lucky dragons" is borrowed from a japanese fishing boat caught in the fallout of hydrogen bomb test at bikini atoll in the 1950's. the crew stricken ill, and the boat itself contaminated, the "lucky dragon" became a crystalizing symbol for the previously diffuse worldwide anti-nuclear sentiment. eventually the boat was painted black, renamed the "dark falcon", and put into reuse as a fishing vessel, until it was retired and disposed of on the man-made trash island "dream island", where it remains today.
lucky dragons are about the birthing of new and temporary creatures--equal-power situations in which audience members cooperate amongst themselves, building up fragile networks held together by such light things as skin contact, unfamiliar language, temporary logic, the spirit of celebration, and things that work but you don't know why. There have been hundreds of these simple yet shifting and unpredictable instances--with audiences ranging from the intense intimacy of one person to the public spectacle of thousands of people. At the heart of it all is playing together--building up social collectivities, re-engaging the wonder and impossibility of technological presence. It sounds--and looks--like simple and ancient patterns coming together and falling apart in a sincere attempt to let wires and screens and words become clear and crystal.
Fischbeck and Rara have presented interactive performances and installations in a wide variety of contexts--including MOCA Los Angeles, The Smell, Smithsonian's Hirshorn Museum and Sculpture Garden, the Whitney Museum of American Art (as part of the 2008 Whitney Biennial), The Kitchen and PS1 in New York, the Walker Art Center in Minneapolis, REDCAT and LACMA in Los Angeles, Frankfurt's Schirn Kunsthalle, ICA London, ICA Philadelphia, and the Centre Georges Pompidou in Paris.
lucky dragons' sister projects include "sumi ink club"--a weekly collaborative drawing society, and "glaciers of nice"--a small press and internet community.
Learn moreLucy Cotter is an independent writer, curator and trained artist, holding a PhD in Cultural Analysis from the University of Amsterdam. A regular contributor to journals such as Mousse, Flash Art, Frieze and Third Text, her edited book Reclaiming Artistic Research was published in 2019. She was curator of the Dutch pavilion at the 57th Venice Biennale 2017, presenting artist Wendelien van Oldenborgh. Cotter was formerly director of the Master Artistic Research at the Royal Academy of Art, The Hague. She is currently based in Portland, Oregon and working on new projects that experiment with the boundaries of the artistic, the curatorial and the theoretical.
Learn moreLucy Lippard (born 1937 in New York City) is an internationally known writer, activist, and curator from the United States. Lippard was among the first writers to recognize the de-materialization at work in conceptual art and was an early champion of feminist art. She is the author of 21 books on contemporary art and has received numerous awards and accolades from literary critics and art associations
Learn morePhiladelphia-based artist Lucy Liyou synthesizes field recordings, text-to-speech readings, poetry, and elements from Korean folk opera into sonic narratives that explore the implications of Orientalism and Westernization. Though their music reflects the work of genres such as post-industrial and musique-concrète, Lucy Liyou is greatly influenced by audiobooks as well as music from the Impressionist peri-od and Neoclassical period. Liyou’s work has earned acclaim from Pitchfork, Bandcamp Daily, The Quietus, them., Tone Glow, Wire Magazine, NPR Music among others, and received notable airplay on NTS Radio, KEXP, NPR, and Sonos Radio’s Radio Hour with Thom Yorke. Lucy Liyou’s first two full-length albums Welfare / Practice were reissued on vinyl for the first time in May 2022 via American Dreams Records.
Learn moreLucy Raven was born in Tucson, Arizona in and lives in New York City and Oakland, California. Her work has been included in exhibitions and screenings internationally at Berlinale, Berlin (2013); Hammer Museum, Los Angeles (2012); Whitney Biennial, New York (2012); MoMA, New York (2010); and PS1, New York (2010). Raven is a contributing editor to BOMB magazine, and her writing has appeared in Artforum, BOMB, and October. She has curated projects for the Goethe Institute, New York (2010); Ballroom Marfa, Texas (2008); and was the co-creator of Bump City, a series of online documentaries for the Oakland Museum of California (2012).
Selected Press
"Lucy Raven," Jason Simon, BOMB, Fall 2012.
"Greater New Yorkers | Lucy Raven," Kevin McGarry, T Magazine, May 13, 2010.
Learn moreLuis Enrique Gutiérrez Ortiz Monasterio was a Mexican playwright.
Learn moreLuke George is an artist working in dance and performance. He grew up in Tasmania and is based between Melbourne and Brooklyn. George makes his own performance work, as well as collaborates and performs with other artists. George has a BA from the Victorian College of the Arts and has been in the works of many artists including Miguel Gutierrez and the Powerful People, Phillip Adams BalletLab, Chunky Move and Jo Lloyd. George received Melbourne's Greenroom Award for Best Male Dancer (2011) and recently performed with the Swedish band The Knife. George’s own works have been widely presented internationally. George was the recipient of the Melbourne Fringe Awards and the Russell Page Fellowship. George collaborates across disciplines on projects in theatre, film, live-art, socially engaged practices, and in queer club nights. George also works as a dramaturge and co-curates a regular Melbourne dance and discussion night called First Run.
Selected Press
"Dance Massive: Sunstruck, NOWNOWNOW," Theatre Notes, March 20, 2011
For greater context and a more in-depth exploration of Luke George, collaborator Hilary Clark, and their work, click here to view a PDF of collected reviews, interviews, articles and links. A great resource for those who really want to dive into the Festival!
Learn moreLuke Gutgsell is a Portland-based dancer and dance maker. Gutgsell graduated from The Ohio State University with a BFA in Dance and attended the Naropa Institute. Gutgsell trained on scholarship at the Merce Cunningham Studio, and apprenticed with Bill T. Jones/Arnie Zane Dance Company, and Shen Wei Dance Arts. He has danced with David Dorfman Dance, Tiffany Mills Company, Risa Jaroslow, and many others throughout the United States, Australia, France, Ireland, and Poland. His choreography has been presented through Danspace Project, LaMamma Theater, Dixon Place, Teatro Merida, Ten Tiny Dances, Performance Works NorthWest, Zoomtopia / Studio 2, and Velocity Dance Center. He has been a guest artist at NYU, Connecticut College, and Reed College, as well as facilitated workshops for underserved populations throughout the five Boroughs with Risa Jaroslow and Dancers. Gutgsell is perpetually fascinated with the nuances and complexities found within improvisational forms.
Learn moreAU is the work of multi-instrumentalist Luke Wyland. Begun back in 2005 while finishing up his degree from the Massachussetts College of Art, Wyland moved the band across the country to find its roots in the thriving community of Portland, Oregon. It’s now a working live band with an ever changing roster of players that currently includes Dana Valatka (Jackie-O-Motherfucker) on drums, Jonathan Sielaff (Parenthetical Girls, Nick Jaina) on guitar, clarinets and saw, and has been blessed by the help of Mark Kaylor (Hamor of Hathor, CexFucx), Becky Dawson (Saw Whet, Ah Holly Fam'ly) and Sarah Winchester (A Weather) on its recordings.
Au’s sound is vast and “deftly treads a narrow bridge between the loose-associations of the backwoods freak-folk crowd and the more formalized concoctions of art-poppers like Brian Eno.” Both on record and on stage Au “manages to erase the high art/low art boundary between American contemporary classical music and American pop music, blending them into a simple, compelling, verse-chorus celebration…[and] is the rare band that can reinvent its songs live and still manage to match their recorded quality.”
Learn moreLumi Tan is curator at The Kitchen in New York, where she organizes exhibitions and produces performances with artists across disciplines and generations. Most recently, Tan has worked with Half Straddle, Sara Magenheimer, and Sondra Perry. Previously she co-curated From Minimalism into Algorithm (2016), a year-long performance and exhibition series, as well as projects with artists including Ed Atkins, Gretchen Bender, Glasser, George Lewis, Anicka Yi, and Danh Vo and Xiu Xiu. Prior to The Kitchen, Tan was Guest Curator at the Fonds Régional d’Art Contemporain Nord Pas-de-Calais in France, director at Zach Feuer Gallery, and curatorial assistant at P.S.1 Contemporary Art Center. Her writing has appeared in The New York Times, Artforum, Frieze, The Exhibitionist, and numerous exhibition catalogues.
Learn moreLu Yim is based between NYC and Portland, OR. They are a choreographer, movement facilitator and poet. Yim’s work is influenced by their peers and by community care practices. They create in dialogue with embodiment practices, interested in articulations of imperceptible states. Their choreography has been shown at SculptureCenter (NY), ICA London, Center for Performance Research (NY), TBA Festival (Portland, OR), and recently at No Gallery (IL) in collaboration with sculptor Catalina Ouyang. Yim co-organizes two artist-run, queer and BIPOC centered collectives: PE and pidzn club. They were a 2019 Fellow at UCross Foundation (WY) and 2020-2021 AIR at Center for Performance Research (NYC). They have been published in interdisciplinary online publications: FormIV:Issue 12, curated by Isabel Mallet, and Ear Wave:Issue Six, curated by Jules Gimbrone.
Learn moreLydia Brawner is the Andrew W. Mellon Curatorial Fellow at New York’s Performa. She holds a Ph.D in Performance Studies from New York University, where she also received her M.A. She is the current assistant editor of Performa Magazine, and previously was the managing print editor of the San Francisco Arts Quarterly (SFAQ), and the reviews editor of Women & Performance: a journal of feminist theory. She has taught at the San Francisco Art Institute, New York University and the College of Staten Island, serves on the advisory committee for the Center for the Arts and Religion at Berkeley’s Graduate Theological Union, and much of her research focuses on the place of religion and spirituality in contemporary performance.
Learn moreLynne Tillman is a novelist, short story writer, and critic. Her novel American Genius, A Comedy was cited as one of the best books of the millennium (so far) by The Millions. Her other novels are Haunted Houses, Motion Sickness, Cast In Doubt, and No Lease On Life, a finalist for the National Book Critics Circle Award in fiction and a New York Times Notable Book of the Year. Her most recent collection of stories, Someday This Will Be Funny, was published in 2011. Her other story collections include This Is Not It, stories and novellas written in response to the work of twenty two contemporary artists; and The Madame Realism Complex. Her nonfiction books include The Velvet Years: Warhol’s Factory 1965-67, based on photographs by Stephen Shore (1995); and most recently, her second essay collection What Would Lynne Tillman Do?. Tillman is a Guggenheim Fellowship recipient, was a Rea Visiting Writer at the University at Virginia and a Kestnbaum Fellow at the University of Chicago. She writes a bimonthly column for Frieze art magazine, and is a Professor/Writer in Residence at The University at Albany. Weird Fucks was her first work longer than ten pages. She lives in Manhattan.
Learn moreMagic Luscious Spirit Sounds (MLSS) is a non-hierarchical cross-abilities collective that aims to create an inclusive, welcoming space where people with and without disabilities can share their love for music.
We believe in the transformative power of courageously embracing imperfection. Through collaboration, we break down barriers to music, making it accesswible and available for all.
Our collective encourages creative freedom and the courage to make music in new ways. As Octavia Butler said, "The only lasting truth is change" and we actively welcome impermanence to guide our group.
We believe that everyone is a musician, every voice should be heard and valued, and there is no right or wrong way to make music.
Learn moremario lemafa (b. 1990 / Hawai'i) is an artist and independent organizer based in Seattle, WA. their recent work includes presentations at the '19 Honolulu Biennial, SOIL Gallery, cogean?, and yəhaw̓ at King Street Station.
“when i was a child my mother used to like a certain Suave shampoo, "Tropical Breeze" (i believe it was called). it reminded her of home. nothing in the shampoo bottle reflected her material relation to the islands. while she wore a scent to remember a place, others might wear the same one with the desire to some day go there. i still think about that.”
Learn moreMarius Libman has a diverse work experience in the field of design and motion graphics, and currently holds the position of a Senior Product Designer and manager of the Design team at Elevate Labs. Libman also has a background in motion design and electronic music composition.
Learn moreMarne Lucas aka CuntemporaryArtist is a self-taught multidisciplinary artist based in Harlem, New York, using photography, video and installation to present unique aesthetic or social philosophies. Central to her practice are investigations of nature, culture, and the body, working in conceptual overlaps: life’s energy, the environment, beauty, identity, intimacy and mortality. Lucas’ current social practice project ‘Bardo’ explores creativity as a form of spiritual palliative care, collaborating with hospice patients. Towards this project she is training to be a certified end-of-life doula, a role acting as liaison to the dying.
An experimental filmmaker, her recent black & white infrared videos Haute Flash (2017), Mālama ‘Āina (WIP), and previous collaborations with Jacob Pander, Incident Energy (2013), ‘The Operation’ (1995) use military imaging technology to reference surveillance culture and the fragility of human existence. Lucas’ long-term social practice project ‘Bardo’ explores creativity as a form of spiritual palliative care; collaborating with hospice patients. Towards this project she is training to be a certified end-of-life doula, a role acting as liaison to the dying.
Marne is known for stylistic photographic portraiture in ongoing artist portrait series ‘Sitting City’ and MLSP, a self-portraiture series since 1995, share a similar process and aesthetic. Her elaborate Eco-Baroque installations made from recycled or natural materials, express an eco-based spirituality and include installation and land art.
Lucas has received Regional Arts & Culture Council project grants, participated in a 2016 Arts/Industry Kohler Co. factory residency (Foundry, Pottery), the Land Art Mongolia 360 Residency + Biennial, a 2012 CentralTrak experimental film residency, the Portland2010 Oregon Biennial, and made a public art commission for 'PSU Smith Memorial Student Union Public Art + Residency Projects: State of Oregon for Art Program' (2009). Her artist collective Blinglab (co-founded with Bruce Conkle) performed a long-form puppet show at PICA T.B.A. 2007 “The Untold Misadventures of Lewis and Clark”. She is co-founder of the feminist artist collective Cuntemporary Artists Presents.
Her recent film Haute Flash is part of ‘Transitional States: Hormones at the Crossroads of Art and Science’ (2018) a video exhibition and lecture series at Space Plus (Lincoln, U.K.) Peltz Gallery (London), Centre de Cultura Contemporània de Barcelona, Spain, and Sala Borsa, Bologna, Italy.
Learn moreMelissa Levin joined the Lower Manhattan Cultural Council (LMCC) in 2005 and is currently the Director of Cultural Programs. She is responsible for planning and programming LMCC’s Artist Residency Programs, the River To River Festival, Open Studios, and the Gallery in the Arts Center at Governors Island. Throughout more than a decade working in the arts, Melissa has been committed to innovative and holistic approaches to supporting artists and the creative process. Previous to LMCC, Melissa held positions at Andrea Rosen Gallery, The Whitney Museum of American Art, and Artforum International Magazine. She has participated in panel discussions and served on juries at the National Endowment for the Arts, Eyebeam Art + Technology Center, the Alliance of Artist Communities, Rhode Island School of Design, Baruch College, Lower East Side Print Shop, and Elizabeth Foundation for the Arts; and lectured at the Drew University, University of Oregon in Eugene, the School of the Museum of Fine Arts in Boston, New York University, Parsons: The New School for Design, and The Cleveland Institute of Art. As an indepedent curator and writer, Melissa has also worked with venues including MoMA PS1, Real Art Ways in Hartford, Culturehall.com, NurtureArt, Cuchifritos Gallery, ISE Cultural Foundation, Andrea Rosen Gallery, and Taylor De Cordoba Gallery in Los Angeles. Melissa received her B.A. with honors in Visual Art and Art History from Barnard College.
Learn moreMiguel A. López (Lima, 1983) is a writer, researcher, and co-director and chief curator of TEOR/éTica, Costa Rica. His work investigates collaborative dynamics and feminist re-articulations of art and culture in Latin America in recent decades. He has recently curated "Cecilia Vicuña. Seehearing the Enlightened Failure" (Witte de With, 2019; and MUAC, 2020); and “The Words of Others: León Ferrari and Rhetoric in Times of War” (with Ruth Estévez and Agustín Díez Fischer), REDCAT, 2017. He is the author of Ficciones disidentes en la tierra de la misoginia (2019).
Learn moreBoston-born Michael C. Ladd has published his writings in the literary magazines Long Shot Review and Bostonia, in the book Swing Low: Black Men Writing, and in the anthologies Aloud: Voices from the Nuyorican Poets Café, In Defense of Mumia, Bum Rush the Page, Pour La Victoire, and Everything But the Burden. Referred to as “one of hip-hop's most restless minds” (The New Yorker), he is a well-traveled performer and bandleader, and the writer and producer of several widely praised albums, including Welcome to the Afterfuture, The Infesticons: Gun Hill Road, and The Majesticons: Beauty Party. As a Fellow at the Institute for Arts and Civic Dialogue at Harvard University, Ladd produced and directed Blood Black and Blue, an audio documentary/performance about black police officers in the United States. Ladd currently lives in the Bronx.
Learn moreDJ Mami Miami is the alias of Emilly Prado, a Chicana writer and DJ based in Portland, Oregon. As the former co-host of Is Butter a Carb? on XRAY FM, Emilly played a wide range of genres from cumbias and spanish punk rock to hip hop, neo-soul, and oldies. She plays songs of her childhood and music that she’s stumbled upon later in life. Her live sets are always mood-driven but she specializes in playing jams for perreando. In 2017, she co-founded Noche Libre DJ collective. Learn more about her at www.emillyprado.com and on Instagram at @emillyp.
Inés Paulina Ramírez- aka Lapaushi- was born in Cuenca, Ecuador. She grew up dancing to classical cumbias on cassette at her family’s parties in the Andes mountains. Her work as a DJ and visual artist engages and celebrates cultural identity. Lapaushi mixes urban rhythms that include feminist hip-hop, reggaeton, electrocumbia, a wide variety of cumbia, descarga, sonidero and chicha psicodélica. - “Pura sabrosura”.
Her selections come from years of traveling, collecting and sharing music from various regions of Latin America that explore Indigenous memory and African roots while incorporating contemporary electronic beats. Soundcloud:lapaushi IG:lapaushi
Dez Ramirez aka DJ La Cósmica is a writer, artist and DJ that’s been in and out of the Los Angeles and Portland music scene for the last decade. Influenced by the Southern California Chicanx culture she grew up in, her eclectic sets are shaped by the sounds of lowrider oldies, disco, electronic, funk, new wave, post punk, rock en espanol, reggae, hip hop, and rock & roll. The daughter L.A. disco dancers, La Cosmica’s sets often pay homage to her parents, Latin discotecas, and the eccentric, glam club scene of the 1970s and 80s. Find her on IG @silver_mother or dezramirez.com
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